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  • £134.99

    Odilia - Jacob de Haan

    Odilia is an up-tempo and joyful ode to Baume-les-Dames, a village in the department of Doubs in Franche-Comt, Eastern France.The title is derived from the legend of Odilia of Alsace (venerated as Saint Odilia, or Odile), the daughter of the Duke of Alsace. She was born blind, and literally saw the light at the age of twelve at the convent of Baume-les-Dames. From this miraculous occurrence, she was dubbed Odilia -- child of light.Jacob de Haan was inspired by medieval dance music for the opening of this composition. In the slow movement that follows, a lyrical minor theme builds to a dramatic climax, which is followed by a calm passage featuring the repeatedlyrical theme. Finally, the medieval motif returns, this time presented in a festive gospel version.

    Estimated dispatch 7-14 working days

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  • £104.99

    Klezmeriana - Jan de Haan

    Klezmer is actually a conglomeration of different musical styles, including sounds of the Balkans as well as oriental influences and 'gypsy music'. At the end of the last century, klezmer experienced a revival worldwide and is now extremely popular. For this varied concert band composition, Jan de Haan wrote a series of his own melodies in klezmer style.

    Estimated dispatch 7-14 working days

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  • £84.99

    River City - Jacob de Haan

    Sacramento, in the American state of California, is also known as River City - which is also the name of the concert band that commissioned Jacob de Haan to write this sonorous, lyrical work on the occasion of the 37th Annual ACB National Convention, which took place in 2015 in Rancho Cordova. All of the fun that the musicians will have with the rich melodic material provided for all instrument groups will immediately radiate into the audience!

    Estimated dispatch 7-14 working days

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  • £76.99

    Fox from the North - Jacob de Haan

    As with his march Fresena, Jacob de Haan assimilated a well-known folksong from his province of birth (Friesland) into this swinging composition. Both works originate from a festival suite that he once wrote by order of this province.

    Estimated dispatch 7-14 working days
  • £134.99

    Free World Fantasy - Jacob de Haan

    This piece was commissioned by the Dutch province of Groningen for the celebrations commemorating the liberation festivities in 1987. In the composition, the dream of a world without war is symbolized. It is the first composition in a series in which Jacob de Haan combines concert music with pop music in a style, which reminds one of film music. Later compositions in which he has reaped much success with the same formula in style are Oregon, La Storia and Utopia.

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  • £420.99

    The Book of Urizen I + II - Jacob de Haan

    The Book of Urizen is Jacob de Haan his first Symphony for concert band, solo soprano, and a male narrator in which sound collages of expressions are used. The piece is inspired by the compelling visionary poem of the samename (which the poet illustrated himself) by the Englishman William Blake (1757-1827). The Vision, first movement and The Creation, second movement of The Book of Urizen are available by following editionnumber: DHP 1043551. The Web, the third movement of The Book of Urizen is available by the following edition number: DHP 1125252. Download the audio samples from the 'Attachments'.

    Estimated dispatch 7-14 working days

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  • £134.99

    Danses de Fantaisie - Jan de Haan

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  • £144.99

    Ross Roy (Concert Band - Score and Parts) - De Haan, Jacob

    Jacob de Haan was commissioned to compose this concert piece by the "St. Peters Wind Symphony" from Brisbane, Australia. "Ross Roy" is the monumental late 19th century villa where St. Peters Lutheran College was founded in 1945. The villa has always remained the school symbol. In this composition, Jacob de Haan sees the "Ross Roy" as a metaphor for the years spent at school (a monument in time), where one's personality is formed. So, the opening theme the artist calls the Ross Roy theme initially has monumental characteristics.The rhythmic motion, which strides along in the lower register and percussion at the beginning of the next section is typical of "Tempo di Marcia". This movement, accompanied by repetitions of sound, is a metaphor for the structure and discipline in school. This is the introduction to a march theme, symbolic of "passing through" the classes up to the final examinations.Then, the Ross Roy theme is dealt with again, now in a playful, humorous variation. As if the composer is saying there should also be time for a smile in school. The same theme can be heard in major key and a slower tempo in the following section, expressing pride and self-confidence. This is also the introduction to the expressive middle section that represents love, friendship and understanding.We then return to the march theme in a slightly altered construction. The oriental sounds, constituting the modulation to the final theme, are symbols of the diversity of cultures in the school. The characteristic final theme first sounds solemn, but turns into a festive apotheosis. It is no coincidence that the final cadence is reminiscent of the close to a traditional overture, for the school years can be considered the "overture" to the rest of one's life. The premiere of "Ross Roy" was conducted by Jacob de Haan in Brisbane, on August 22, 1997.Duration: 9:20

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  • £89.99

    Fanfare for Korea (Concert Band - Score and Parts) - De Haan, Jacob

    Fanfare for Korea was commissioned by the first Korea International Concert band Festival, which took place in 2010, on the occasion of the 60th anniversary of the Korean War. In this triumphant fanfare, composer Jacob de Haan uses the melody of Arirang, the most popular folk song in Korea. The Korea Festival Concert band performed the premiere at the festival, conducted by de Haan himself.Duration: 2:45

    Estimated dispatch 7-14 working days

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  • £89.99

    Emerald Jubilee (Concert Band - Score and Parts) - De Haan, Jan

    An Emerald Jubilee celebrates a 40th anniversary. Jan de Haan composed this colourfully orchestrated concert march to celebrate Will van der Beek's 40th anniversary as conductor of the Deutsche Musikverein Haaren. As publisher of van der Beek's transcriptions of classical works Jan de Haan can look back on many years of successful collaboration with the knowledge that there will be many more to come. Unusually cast in a minor key, the main theme provides an interesting contrast to the more melodic major key of the second movement. The relatively slow theme gives this march a dignified stately and subdued quality.Duration: 2.45

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