Results
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£54.99The Ghosts of Edinburgh - Jay Taylor
Quite possibly the oldest inhabited fortress in history, Edinburgh Castle evokes emotions of mystique and wonder. This work, scored for beginning bands, uses mysterious themes, creative orchestration, dynamics and percussion to take the listener on a musical journey through the dark corners of the old castle. Excellent for teaching blend and playing with soft dynamics. Optional bass part.
Estimated dispatch 7-14 working days
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£82.50Tomorrow Shines Soon - Vince Gassi
Commissioned by the W.R. Meyers S.S. band in Taber, Alberta and Inspired by Thomas Harry's poem Song of Hope, this uplifting work celebrates the unlimited potential that each day brings. The title expresses the idea that no matter what dark clouds may appear today, we haven't long to wait until tomorrow, which brings hope for a brighter future.
Estimated dispatch 7-14 working days
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£149.99The Lost Castle - Otto M. Schwarz
Underwater worlds, enchanted castles, rich and cold-hearted depots who chase the poor away, dark figures, revenge, Atlantis... such are the exciting motifs that emerge in Otto M. Schwarz latest work about an enchanted castle. The "screenplay",included as ever, can be read along with the musical version of events for an even creepier effect...
Estimated dispatch 7-14 working days
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£134.99Dogon - Kevin Houben
Dogon whisks the audience off on a journey to the steep slopes of the Dogon Valley. Majestic brass sounds sketch the exotic culture of the Malian Dogon people. The Dogon see the valley as both a threat and a promise for the future. This isrepresented in dark and mysterious chords. Now three soloists (horn, trumpet and soprano saxophone) bring the work to a dazzling conclusion, reminiscent of the colourful masked dances of the Dogon.
Estimated dispatch 7-14 working days
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£76.99Maid of Orleans
In 1981 the group OMD (Orchestral Manoeuvres in the Dark) managed to turn the ancient legend of Joan of Arc into a modern electro-pop song-and thus leave a landmark in the landscape of pop themselves. The solemn melody over the steady drums in 4/4time creates an almost hypnotic effect that will charm anyone who hears this wind band arrangement.
Estimated dispatch 7-14 working days
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£206.99
Chorale and Variations - Philip Sparke
As the title suggests, this piece comprises a set of variations on an original chorale,which is presented in the opening bars.The chorale uses the dark middle and lower sections of the band and is extended with minor variations until a pause leads to the first real variation, marked Vivo. This is in the form of a moto perpetuo. The second variation is a beautiful Andante introduced by a solo clarinet. Following a full band climax the final variation opens with quiet, nervous energy until its main theme is introduced.The chorale makes a brief appearance until the main theme reappears. This leads to a triumphant final augmented statement of the chorale theme, decorated by theflorid clarinet theme in the upper woodwinds. A dazzling new concert work.
Estimated dispatch 7-14 working days
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£206.99The Seasons - Philip Sparke
In this exciting four-movement suite Philip Sparke has taken the yearly cycle to inspire the framework for the work. Spring Sunshine describe a bright spring morning, Summer Siesta conjures up a quiet rest by a river on a hot summer afternoon. Autumn Alone heralds the approaching dark days of winter and Winter Winds brings the work to a close as it portrays stormy winter weather in all its fury and glory. This work of great contrast is sure to become a favourite in your concert repertoire.
Estimated dispatch 7-14 working days
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£74.99Snow Valley Sleigh Ride - Philip Sparke
Snow Valley Sleigh Ride takes you on an imaginary night-time journey from a mountain top ski village into the dark surrounding forests. To the delightful sound of sleigh bells and trotting horses, the sleigh leaves the lights of the village behind before heading deep into the neighbouring forest and back down to the village again. Let the minds of your audience escape to this magical winter wonderland.
Estimated dispatch 7-14 working days
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£69.99Things That Go Bump in the Night - Philip Sparke
It is dark and raining. You are on holiday in the Scottish highlands and looking for somewhere to stay for the night when you come across a magnificent Gothic castle. Even though the place looks a bit spooky, you book a room. As you are dropping off to sleep, you are startled by the sudden appearance in your room of a ghostly bagpiper and a loud scream from somewhere down the corridor. You jump out of bed and decide to make a quick exit. All members of your band will love this spooky tale especially as they can add their own ghostly sounds and effects.
Estimated dispatch 7-14 working days
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£274.99Symphony No. 2: States Of Mind, Opus 87 - Teo Aparicio-Barberán
I- Logos (reason)II- Pathos (emotion)III- Ethos (credibility)The ancient Greeks believed that music shaped the character of man. In Egyptian temples, music was an essential part of the magical rites to alter the course of nature or to treat illness.And today we know that sound can actually alter matter. The secret of music lies in harmony and mathematics, as many great musicians and experts have always known.One of the most important qualities of music is that it enables the listener to focushis attention inwards instead of on what is around him. It is indisputable that music can inspire emotion. Music leads us into a universe of emotions that are difficult to put into words. In short, music reaches into corners of our soul and thoughtsthat words cannot reach and makes it possible to more clearly describe these different States of mind.The composer of this symphony also believes that each "musical argument" must be constructed so that it will induce the desired reaction in thelistener.Music: more than wordsIn recent times, most orchestral symphonies have been based on a story, a text or something similar so that their composition must be structured accordingly.The intention of this work by Teo Aparicio-Barbern is quitedifferent. The composer describes the three elements of the argument as the only formal structure of the work. Since certain philosophers in world history were able to subdivide grammatical argument, why shouldnt that also be possible for the musicalargument?Since ancient times the power of the spoken word has captivated mankind. How can an argument move people and mobilise the masses? Where does the power of words come from today? The answer lays not so much in what people say but in how theysay it.Rhetoric is one of the oldest humanist disciplines in Western civilisation. Aristotle, in the 4th century BC, called it the art of persuasion. Indeed, the terms rhetoric and persuasion are mutually interchangeable.More than 2000 years agoAristotle structured his rhetoric according to the following three elements: the logos, the pathos and the ethos.Logos (words, reason) is the reasoning that gives freedom to the structure of the text by expressing what one wishes to say usingspecialist terms. With logos we create arguments to receive public approval and to defend our ideas.Pathos, the second element, refers to the effective use of public psychology. Pathos can be considered as the capacity to induce the desired emotionalresponse in the public, by creating an emotional connection with the public so that they accept our message.The third element, ethos (credibility), refers to the character of the speaker and is perhaps the most important of the three elements.Aristotle based his concept of ethos upon his belief that truth and justice will always have the upper hand over anger. He believed that what was true and good was easier to prove and was more persuasive.This second orchestral symphony from thecomposer from Enguera follows these three parameters of the argument according to Aristotle. Each movement tries to summon a different state of mind in the listener so that the message itself can be better understood and appreciated. Apart from thesethree general concepts the music is only structured, as Claude Debussy would say, in a "formative way".The first movement, logos, is based on a scherzo melody that undergoes various changes in rhythm and harmony. The arguments are presented by meansof conventional techniques of composition. The second movement, pathos, is characterised by suggestions of sound. It is subdivided into two large parts. The first part is based on a five seven sequence with five sounds that are repeated in differentenvironments, structures and dynamics. The second part, which is largely tonal, brings out more directly the emotional overtones that each argument must have. The third movement, ethos, is a faithful rendition of the composers personality. In thislast part, clear rhythmic sequences stand out, there are large dynamic contrasts and lots of tone variation. In addition, and this is quite in keeping with the composers earlier work, the harmony in States of Mind is handled in a manner that is bothoriginal and efficient, as a result of which Aparicio-Barberns message is well understood by the listener.This second symphony by Teo Aparicio-Barbern is devoted to "my dear Henrie Adams, a guiding light in this eternally dark musical world. Thankyou for everything."
Estimated dispatch 7-14 working days
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