Results
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£74.99Snow Valley Sleigh Ride - Philip Sparke
Snow Valley Sleigh Ride takes you on an imaginary night-time journey from a mountain top ski village into the dark surrounding forests. To the delightful sound of sleigh bells and trotting horses, the sleigh leaves the lights of the village behind before heading deep into the neighbouring forest and back down to the village again. Let the minds of your audience escape to this magical winter wonderland.
Estimated dispatch 7-14 working days
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£69.99Things That Go Bump in the Night - Philip Sparke
It is dark and raining. You are on holiday in the Scottish highlands and looking for somewhere to stay for the night when you come across a magnificent Gothic castle. Even though the place looks a bit spooky, you book a room. As you are dropping off to sleep, you are startled by the sudden appearance in your room of a ghostly bagpiper and a loud scream from somewhere down the corridor. You jump out of bed and decide to make a quick exit. All members of your band will love this spooky tale especially as they can add their own ghostly sounds and effects.
Estimated dispatch 7-14 working days
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£61.50Kaboom! - Rob Romeyn
"Kaboom!" is an aggressive work for young band that is sure to capture the incredible energy and passion of young musicians. It begins with an explosion of sound and power. The tension then subsides before building to a thunderous climax of driving rhythms and contemporary, fresh sounding harmonies. Memorable melodic themes, stark musical contrasts and the dark, foreboding middle section will make this work a favorite for concert and festival use. This is the type of piece your students will love to rehearse, and it's sure to be the hit of any concert!
Estimated dispatch 7-14 working days
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£74.99Prelude, Op. 3, No. 2 - Sergei Rachmaninov
At last, a full-length transcription of the famous Rachmaninoff prelude that captures all of its dark, gloomy drama and at the same time makes for a dazzling showpiece for the modern concert band.
Estimated dispatch 7-14 working days
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£136.00
Sword Of The Titans - Rossano Galante
A brilliant and thrilling programmatic work from the pen of Rossano Galante, "Sword Of The Titans" is a musical portrayal of a journey of a group of titans in their quest to retrieve one of their stolen swords that was lost in battle. The sword possesses great magical powers and is vital to their reign. The music describes this adventure with dark, melodic lines in the horns, and majestic fanfares in the trumpets and trombones. Ultimately, the titans retrieve their stolen sword as the work concludes, utilizing powerful brass fanfares and woodwind ostinati. A magnificent tour-de-force for mature bands!
Estimated dispatch 7-14 working days
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£49.5012 The Clock Strikes - Rob Grice
Have you ever wondered what happens late at night when the clock strikes 12? You just might get the answer from this humorous musical work by Rob Grice! It's dark and scary, and it's very fun to play! Perfect for the first concert of the year!
Estimated dispatch 7-14 working days
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£274.99Symphony No. 2: States Of Mind, Opus 87 - Teo Aparicio-Barberán
I- Logos (reason)II- Pathos (emotion)III- Ethos (credibility)The ancient Greeks believed that music shaped the character of man. In Egyptian temples, music was an essential part of the magical rites to alter the course of nature or to treat illness.And today we know that sound can actually alter matter. The secret of music lies in harmony and mathematics, as many great musicians and experts have always known.One of the most important qualities of music is that it enables the listener to focushis attention inwards instead of on what is around him. It is indisputable that music can inspire emotion. Music leads us into a universe of emotions that are difficult to put into words. In short, music reaches into corners of our soul and thoughtsthat words cannot reach and makes it possible to more clearly describe these different States of mind.The composer of this symphony also believes that each "musical argument" must be constructed so that it will induce the desired reaction in thelistener.Music: more than wordsIn recent times, most orchestral symphonies have been based on a story, a text or something similar so that their composition must be structured accordingly.The intention of this work by Teo Aparicio-Barbern is quitedifferent. The composer describes the three elements of the argument as the only formal structure of the work. Since certain philosophers in world history were able to subdivide grammatical argument, why shouldnt that also be possible for the musicalargument?Since ancient times the power of the spoken word has captivated mankind. How can an argument move people and mobilise the masses? Where does the power of words come from today? The answer lays not so much in what people say but in how theysay it.Rhetoric is one of the oldest humanist disciplines in Western civilisation. Aristotle, in the 4th century BC, called it the art of persuasion. Indeed, the terms rhetoric and persuasion are mutually interchangeable.More than 2000 years agoAristotle structured his rhetoric according to the following three elements: the logos, the pathos and the ethos.Logos (words, reason) is the reasoning that gives freedom to the structure of the text by expressing what one wishes to say usingspecialist terms. With logos we create arguments to receive public approval and to defend our ideas.Pathos, the second element, refers to the effective use of public psychology. Pathos can be considered as the capacity to induce the desired emotionalresponse in the public, by creating an emotional connection with the public so that they accept our message.The third element, ethos (credibility), refers to the character of the speaker and is perhaps the most important of the three elements.Aristotle based his concept of ethos upon his belief that truth and justice will always have the upper hand over anger. He believed that what was true and good was easier to prove and was more persuasive.This second orchestral symphony from thecomposer from Enguera follows these three parameters of the argument according to Aristotle. Each movement tries to summon a different state of mind in the listener so that the message itself can be better understood and appreciated. Apart from thesethree general concepts the music is only structured, as Claude Debussy would say, in a "formative way".The first movement, logos, is based on a scherzo melody that undergoes various changes in rhythm and harmony. The arguments are presented by meansof conventional techniques of composition. The second movement, pathos, is characterised by suggestions of sound. It is subdivided into two large parts. The first part is based on a five seven sequence with five sounds that are repeated in differentenvironments, structures and dynamics. The second part, which is largely tonal, brings out more directly the emotional overtones that each argument must have. The third movement, ethos, is a faithful rendition of the composers personality. In thislast part, clear rhythmic sequences stand out, there are large dynamic contrasts and lots of tone variation. In addition, and this is quite in keeping with the composers earlier work, the harmony in States of Mind is handled in a manner that is bothoriginal and efficient, as a result of which Aparicio-Barberns message is well understood by the listener.This second symphony by Teo Aparicio-Barbern is devoted to "my dear Henrie Adams, a guiding light in this eternally dark musical world. Thankyou for everything."
Estimated dispatch 7-14 working days
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£57.50
Legend of Knife River - Stephen Bulla
This powerful, programmatic work evokes the story of the explorers Lewis and Clark and their Native American interpreter and guide Sacajawea. Written in two sections, with a dark and ominous beginning that leads into a lively up-tempo section, the overall effect is aided by lots of interesting percussion parts.
Estimated dispatch 7-14 working days
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£149.99St. Martin's Suite - Jan Van der Roost
This suite was composed by Jan Van der Roost on the occasion of the 110th anniversary of the 'Koninklijke Sint Martinusfanfare' (Royal Saint Martinus Fanfare Band) from Halle (Belgium). The composer was required to create a suite in three movements based on three images associated with the 'Sint Martinusfanfare' from the small town of Halle in the province of Brabant. The first movement (Andante Pomposo) describes Martin, a soldier in the Roman army. In Andante Moderato we see the image of Martin, who become a Christian and chooses to devote his life to God. In this movement, the composer was inspired by the Brabantine gothic art of the Sint Martinus Basilica in Halle. Thecontrast between the dark Basilica and the statue of Our Lady between the soaring pillars will vividly come to life for audiences of this descriptive piece. The final movement, Allegro Molto Vivace', could have been an image for a frivolous peasant in the Halle carnival. In a triptych about St. Martin it is more fitting to refer to it as an apotheosis, the crown on the pastoral work of Martin, Bishop of Tours, Patron Saint of the Fanfare Band and the Basilica of Halle.
Estimated dispatch 7-14 working days
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£109.99Metalla - Jan Van der Roost
Metalla was commissioned by the 'Kreisverband Altenkirchen' of Germany and dedicated to Ottomar Jung. The composer himself conducted the premiere of the piece, which was performed by the 'Jugendorchester Kreisverband Altenkirchen' on 25 March 1999.The region of Altenkirchen is known for its iron mines, which find musical expression in the dark mood of the introduction (andante misterioso). This effect is accomplished with overlapping seventh intervals, orchestral crescendos, a succession of broad chords and the presentation of most themes in the middle register of the band.The dynamic section (allegro energico) that follows the introduction is characterized by concise figures inthe brass and a second motif, a kind of rippling motion depicting the Sieg River, an important element in the landscape of the Altenkirchen region.The work closes with a final theme that returns a number of times, albeit in different guises. After a brief repeat of the seventh intervals from the beginning, a last radiant chord signals the end of the piece.
Estimated dispatch 7-14 working days
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