Results
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£164.50Pacific Heights - Gorham
Pacific Heights draws its title from the famous historic San Francisco neighborhood of the same name. Established in the late 1800's this area of the city embodies Hollywood's vision of San Francisco with its views of the Bay and the Golden Gate Bridge. While the music is not intended to be programmatic, it captures some of the great sites of the city: the majestic Golden Gate Bridge, the rocky island which is home to our country's most infamous prison, as well as the many moods of this city known for its diversity, flower-power, steep rolling hills, earthquakes, and chilly winds off the ocean.
Estimated dispatch 7-14 working days
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£118.99Bi-Millennial Celebration - Jan Bosveld
'Bi-Millennial Celebration' has been composed to honour the 2000th anniversary of the founding of the city of Nijmegen. This work consists of three continuous movements. The first movement depicts the arrival of the Romans and the founding of Nijmegen. The second movement portrays the rustic and idyllic countryside surrounding the city. A musical celebration from these areas to the city of Nijmegen comes to life in the third movement. In this festive march one can easily distinguish the traditional Dutch anniversarysong 'Lang zal ze leven'.
Estimated dispatch 7-14 working days
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£126.50Italian impressions - Angelo Sormani
"Italy is truly a magical land that has touched my heart beyond measure." These are the words describing the feelings that accompanied the various visits of the American conductor Wesley Broadnax in our country. Italian Impressions, a composition dedicated to Broadnax, portrays these feelings in three main sections that develop without interruption throughout the piece. The first section, "Magic Land," describes a trip to Rome and is a tribute to the splendor and magic of some of the venues in this city. Rich in historical and cultural significance, these places are moving because of their surprising architecture and artistic genius. The second part, "The Huge Castle," depicts his visit in the Umbrian Region. It is a reflective and suspended immersion in music that describes landscapes characterized by ancient houses, churches, courtyards, and squares. "Assisi," says Wesley, "is the city that glitters in the night sky, comparable to a huge castle!" The third part, "Medieval Ballad," is a reference to the city of Siena and Tuscany more generally. The main theme of this movement recalls medieval atmospheres and is based on the fourteenth-century ballad "Ecco la primavera" by Francesco Landino. The original material is presented, elaborated, and juxtaposed with new thematic motives, which lead to an energetic conclusion of the piece.
Estimated dispatch 7-14 working days
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£96.50Nocturne (Symphony 1, New Day Rising, Mvt. II) - Reineke
The second movement depicts the city on the evening of April 17th, 1906. The frenetic pace of the day has given way to a more peaceful, relaxed atmosphere. Once the city is lulled to sleep, we hear the distant sound of church bells tolling 5 a.m., the hour the Earthquake struck the city. This movement is segue attacca into the third movement.
Estimated dispatch 7-14 working days
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£137.99Roman Pictures (Concert Band - Score and Parts) - Oswald, Gerald
This programmatic composition depicts the history and events around the former Roman city of Flavia Solva. It was situated in the southeast province Noricum, the current region of Southern Styria, Austria. In this work, the composer portrays the grandness of the city, the beauty of its surrounding landscape, the hustle and bustle of the market place, the dangers therein and eventually the destruction by the Germanic people in the 2nd century AD. Flavia Solva was rebuilt to become a flourishing city again, but in the 5th century, its decline became a permanent reality, a fate that it shared with other cities of the Roman empire. A captivating work about a fascinating place!Duration: 8.45
Estimated dispatch 7-14 working days
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£225.00Amsterdam Suite (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 1st Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 2nd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 3rd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£115.00And the Earth Trembled (Movement III from Symphony No.1, New Day Rising) (Concert Band - Score and Parts) - Reineke, Steven
The third movement begins in the early morning hours of April 18th, 1906. As the city sleeps the fault line rips and the Earth begins to tear apart. Devastation and destruction ensue as the city turns to chaos caused by the tremors and aftershocks of the earthquake. An odd-metered march develops that signifies the soldiers marching in to take control of the city as it burns in the aftermath of the quake.Duration: 9.30
Estimated dispatch 7-14 working days
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