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£86.50
The River And The Rock - David Shaffer
"The River and the Rock" depicts the rich history of Fitchburg, Massachusetts, settled in 1735. Each short movement paints a musical picture of the city's history, opening with "Beginnings," depicting a frontier that was settled very slowly as hostilities between England and France encouraged Indian bounty hunters to attack isolated garrisons in the region. "Patriots" suggests the city's call to arms throughout history. "Prosperity" visits the industrial revolution and the city's rapid growth at the turn of the 20th century. Movement IV and V, "Decline" and "Revival," offer a musical insight into the city's decline throughout the 20th century and rebirth in the 21st century. Exciting and emotional, "The River and the Rock" merges history and music into a setting that your students will enjoy preparing. Excellent selection for festivals and contests!
Estimated dispatch 7-14 working days
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£87.50
Arabia - Joseph Benjamin Earp
"Arabia" is based on the legend of Atlantis, a lost city in ancient Arabia. This mysterious city was buried under the sand after being destroyed by natural disasters said to be unleashed by angry Gods. Many explorers seeking the lost city believe it is near the southern deserts of modern-day Saudi Arabia. Sit back and imagine you are transported back to this amazing ancient city.
Estimated dispatch 7-14 working days
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£137.99Roman Pictures (Concert Band - Score and Parts) - Oswald, Gerald
This programmatic composition depicts the history and events around the former Roman city of Flavia Solva. It was situated in the southeast province Noricum, the current region of Southern Styria, Austria. In this work, the composer portrays the grandness of the city, the beauty of its surrounding landscape, the hustle and bustle of the market place, the dangers therein and eventually the destruction by the Germanic people in the 2nd century AD. Flavia Solva was rebuilt to become a flourishing city again, but in the 5th century, its decline became a permanent reality, a fate that it shared with other cities of the Roman empire. A captivating work about a fascinating place!Duration: 8.45
Estimated dispatch 7-14 working days
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£134.99Philadelphia (Concert Band - Score and Parts) - Brosse, Dirk
In the summer of 2010 Dirk Bross? was appointed music director of The Chamber Orchestra of Philadelphia. During his inauguration concert in September that year he brought a musical surprise to the city in which he would work for the next ten years. Philadelphia, an American Overture is dedicated to the people of America's first capital city. We hear the energy, the power, the freedom and the vitality of the multi-ethnic City of Brotherly Love.
Estimated dispatch 7-14 working days
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£225.00Amsterdam Suite (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 1st Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 2nd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 3rd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£115.00And the Earth Trembled (Movement III from Symphony No.1, New Day Rising) (Concert Band - Score and Parts) - Reineke, Steven
The third movement begins in the early morning hours of April 18th, 1906. As the city sleeps the fault line rips and the Earth begins to tear apart. Devastation and destruction ensue as the city turns to chaos caused by the tremors and aftershocks of the earthquake. An odd-metered march develops that signifies the soldiers marching in to take control of the city as it burns in the aftermath of the quake.Duration: 9.30
Estimated dispatch 7-14 working days
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£88.00Nocturne (Movement II from Symphony No.1, New Day Rising) (Concert Band - Score and Parts) - Reineke, Steven
The second movement depicts the city on the evening of April 17th, 1906. The frenetic pace of the day has given way to a more peaceful, relaxed atmosphere. Once the city is lulled to sleep, we hear the distant sound of church bells tolling 5 a.m., the hour the Earthquake struck the city. This movement is segue attacca into the third movement.Duration: 6.30
Estimated dispatch 7-14 working days
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