Results
-
£119.60BAIA - Lionel Beltrán-Cecilia
BAIA is a symphonic episode inspired by the submerged Italian city. Through its melodies and sound effects, the authoraims to transport the audience to different moments, providing an aquatic perspective from the eyes of a restless andadventurous fish. This musical journey leads to the exploration of the city of Baia and its archaeological richness preservedbeneath the marine depths, even across time.[...In its time, Baia was an ancient Roman city that flourished during the 1st and 2nd centuries AD. It was a luxuriousdestination and a significant political and social centre in the Roman Empire. Renowned for its thermal baths, impressivearchitecture, and beautiful natural surroundings, the city became a popular retreat for Roman high society, including emperors,nobles, and artists. However, over the centuries, Baia was affected by volcanic activity and changes in the coastline, resulting ina significant portion of the city being submerged underwater. Today, the remains of Baia lie beneath the waters of the gulf,turning it into a fascinating underwater archaeological site...]
Estimated dispatch 7-14 working days
-
£224.99Lux Futura (Concert Band - Score and Parts) - Houben, Kevin
Lux Futura (Light of the Future) was commissioned by the Royal Wind Orchestra Delft and is inspired by the letters 'D-E-L-F-T' using the letter notation system by B?la Bart?k. In this 'Delft' cell, there is referral to the 'Trinitas', the bourdon bell of the Old Church in Delft, that only tolls during a funeral of a member of the Dutch Royal Family. The Delft melody switches to the 'Agneta March', which is a reference to the history of the Royal Wind Orchestra Delft. Further on the love theme, played by the bass instruments represents the love of the inhabitants for their city throughout space and time. In the middle movement, the beauty of the city is depicted by the cor anglais (English horn) solo, as an ode to the lovely city of Delft. When performed, one can choose to use sound city samples recorded in Delft to create a truly magnificent spectacle. Duration: 17.00
Estimated dispatch 7-14 working days
-
£60.99Postcard from Pittsburgh (Concert Band - Score and Parts) - Buckley, Robert
Here is an impressive-sounding musical snapshot portraying the sights and sounds of this beautiful, artistic and historic city. The opening, metallic Steel City theme reflects its industrial heritage. This section builds to the majestic City of Bridges theme representing the grandeur of the surrounding rivers and 446 bridges. These themes develop and intertwine becoming the driving, urban City of Champions section culminating in the dramatic final strains. Powerful and descriptive writing for band!Duration: 5:00
Estimated dispatch 7-14 working days
-
£148.50Promising Skies
In late August of 2005, the normally festive skies over the city of New Orleans began to change. As Hurricane Katrina approached the city, the skies promised a weather event of unprecedented proportions. Composer Robert W. Smith was commissioned by the United State Marine Forces Reserve Band of New Orleans to create this symphonic tone poem recreating and commemorating the Katrina experience. Beginning with "Blue Sky," the jazz of the historic city provides the musical inspiration. Soon, the "Threatening Sky" arrives giving way to the "Raging Sky." Finally, the "Dawn of a New Sky" brings hope as the city is reborn to share its musical gifts once again. "Promising Skies" is large work for concert band at the medium advanced level. Using the American art form of jazz as its base along with unusual percussive effects, the piece is a unique and welcome contribution to the repertoire.
Estimated dispatch 7-14 working days
-
£224.99Lux Futura - Kevin Houben
Lux Futura (Light of the Future) was commissioned by the Royal Wind Orchestra Delft and is inspired by the letters 'D-E-L-F-T' using the letter notation system by Bla Bartk. In this 'Delft' cell, there is referral to the 'Trinitas', the bourdon bell of the Old Church in Delft, that only tolls during a funeral of a member of the Dutch Royal Family. The Delft melody switches to the 'Agneta March', which is a reference to the history of the Royal Wind Orchestra Delft. Further on the love theme, played by the bass instruments represents the love of the inhabitants for their city throughout space and time. In the middle movement, the beauty of the city is depicted by the coranglais (English horn) solo, as an ode to the lovely city of Delft. When performed, one can choose to use sound city samples recorded in Delft to create a truly magnificent spectacle. The three samples can be downloaded from websites www.halleonardeurope.com or www.kevinhouben.be.
Estimated dispatch 7-14 working days
-
£87.50
Arabia - Joseph Benjamin Earp
"Arabia" is based on the legend of Atlantis, a lost city in ancient Arabia. This mysterious city was buried under the sand after being destroyed by natural disasters said to be unleashed by angry Gods. Many explorers seeking the lost city believe it is near the southern deserts of modern-day Saudi Arabia. Sit back and imagine you are transported back to this amazing ancient city.
Estimated dispatch 7-14 working days
-
£137.99Roman Pictures (Concert Band - Score and Parts) - Oswald, Gerald
This programmatic composition depicts the history and events around the former Roman city of Flavia Solva. It was situated in the southeast province Noricum, the current region of Southern Styria, Austria. In this work, the composer portrays the grandness of the city, the beauty of its surrounding landscape, the hustle and bustle of the market place, the dangers therein and eventually the destruction by the Germanic people in the 2nd century AD. Flavia Solva was rebuilt to become a flourishing city again, but in the 5th century, its decline became a permanent reality, a fate that it shared with other cities of the Roman empire. A captivating work about a fascinating place!Duration: 8.45
Estimated dispatch 7-14 working days
-
£134.99Philadelphia (Concert Band - Score and Parts) - Brosse, Dirk
In the summer of 2010 Dirk Bross? was appointed music director of The Chamber Orchestra of Philadelphia. During his inauguration concert in September that year he brought a musical surprise to the city in which he would work for the next ten years. Philadelphia, an American Overture is dedicated to the people of America's first capital city. We hear the energy, the power, the freedom and the vitality of the multi-ethnic City of Brotherly Love.
Estimated dispatch 7-14 working days
-
£225.00Amsterdam Suite (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
-
£85.00Amsterdam Suite, 1st Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
