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  • £84.50

    Visigoths - Sean O'Loughlin

    This piece is already one of Sean O'Loughlin's most successful, and it is now available in our new series of pieces with flexible instrumentation. It can be performed with as few as five players and percussion. This bold and aggressive piece will make any band sound good and with the five-part set-up of the scoring, you can overcome any instrumentation deficiencies. Check out the full recording, but also sample the excerpted recording that gives you an idea of how good this piece can sound, even with a very small ensemble.

    Estimated dispatch 7-14 working days
  • £60.99

    All Aboard! - Nathan Farrell

    This infectious arrangement uses the old spiritual This Train is Bound for Glory as a boogie style feature with the trombone section as soloists. The train can hardly stay on the rails because the coaches can't stop dancing! Along the way see how many other famous train references you can hear. A fantastic piece that's great fun to play.

    Estimated dispatch 7-14 working days

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  • £137.99

    Theme Park Fun! - Wilco Moerman

    In Theme Park Fun! your orchestra pays a visit to an amusement park. During your visit, you will experience some spectacular rides and attractions this theme park offers. The uniqueness of Theme Park Fun! is the interplay between music and(moving) images. Animations and illustrations support the visual composition.Part 1: The Entrance & Parade [with animation]The opening of the park is a fact. A day full of fun and pleasure awaits! You and the other visitors willbe confronted with all the rides, attractions and adventures the theme park has to offer. Which ride shall we do first?! There is so much to do and experience on this day in the park! A parade of colorful floats and park figures is passing by.Letthe fun begin!Part 2: The Haunted House [with animation]The only ride in the park that is not related to fun, is the Haunted House. Here visitors will be challenged to visit a house full of ghosts, creepy figures and otherominous things. The clock strikes twelve, there is no turning back. Ghosts are whispering, yelling, screaming... Fortunately it is almost one oclock, so we can leave this creepy place quickly.Part 3: The Swinging Galleon [withillustrations]What a huge pirate ship! Each time you swing back and forth, you will feel that weird feeling in your stomach. When you are thrown completely into the top you will have a fantastic view over the park, but you can not enjoy itfor long. Before you know the ship swings back the other way.Part 4: The Fairy Tale Ride [with illustrations]After all those exciting and spectacular rides and attractions, it is time for a peaceful tour in The Fairy Tale Ride.Surrounded by a fairytale setting, you will discover fable figures, talking animals and colorful designs. Such a beauty and tranquility. Having had this experience, we are ready again for the big rides in the park!Part 5: The Bumper Cars[with illustrations]Now its time to crawl behind the wheel of the Bumper Cars! Shall we all chase the conductor?! Before you know you are hit by another visitor or you will bump against someone else. In this tough ride you can prove yourselfas a real driver, or perhaps as a really bad one.Part 6: The Roller Coaster [with illustrations]The largest, fastest and scariest ride in the park ... we should definitely do the Roller Coaster! All together in the train, theover-the-shoulder restraints are lowering... be ready to ride. The train leaves the station and is heading for the big lift hill. It will be very scary when the train reaches the top and the train will be plunged down the first drop! Loops,corkscrews and other spectacular coaster elements will follow... Before you know it, the ride of your life is over. Shall we ride it again?!Part 7: Leaving the Park [with animation]Unfortunately everything comes to an end. Thisday in the theme park is over, but we have a lot new experiences to talk about! The memories of all the funny and spectacular rides will come up when we walk through the park to the exit. Just one look over the shoulder, the amusement park figuresare waving at us. Hopefully we will come back again soon!

    Estimated dispatch 7-14 working days

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  • £61.00

    Bone Pastor-Guter Hirte - Franz Krenn

    Music: Franz Krenn, Text: Ferry Krauss, Arrangement: Franz WatzFranz Krenn (1816 - 1897) was an organist, a conductor and later also teacher at the Conservatory of music of the 'Gesellschaft der Musikfreunde' in Vienna. The Graduale is part of the Roman Catholic liturgy: the vocal soloist sings a psalm or part of a psalm and the audience answers by singing the chorus 'Responsorium' (a kind of answer). The pastoral text is clearly related to the Christmas story. Krenn has written this piece for one male voice, choir and string accompaniment. This version can be performed with singers and orchestra, without singing or with a mixed instrumentation. The solo male voice can also be performed by a tenor instrument. The four-part score for mixed choir has been arranged for wind ensemble (at least a quartet). The original score for strings has been arranged for large wind orchestra, but thanks to the cue notes the piece can also be performed by smaller ensembles in a most satisfactory way. The numerous instrumentation possibilities are clearly indicated in the instrumentation list and range from a wind quartet to a full band. The percussion parts are 'ad libitum'.

    Estimated dispatch 7-14 working days

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  • £61.00

    Transeamus usque ad Bethlehem - Franz Schneider

    The original piece was written by Franz Schneider (1737- 1812), organist and musical director at the Benedictine abbey of Melk on the Danube, for choir, string quartet, two trumpets and timpani. This arrangement can be performed with choir and band, without choir or by a mixed ensemble or band. Instead of using the complete choir, one can also only use the first choir part solo with accompaniment of the quartet parts. Therefore, the four part mixed choir score has alternatively been arranged for multipart wind ensemble (from a quartet).The original string parts have been arranged for symphonic band. Thanks to the cue notes, the passages intended for large band can also be performed by smaller ensembles in a most satisfactory way. The various instrumentation possibilities are clearly indicated in the instrumentation lists of the wind quartet and orchestra. The complete percussion part is totally 'ad libitum'.

    Estimated dispatch 7-14 working days

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  • £61.00

    Ich Weiss ein Httlein

    This song has three stanzas and describes the modest though grateful family life of the infant Jesus with his parents Mary and Joseph. The choral melody is four-part and can be performed harmoniously by a quartet. The score has however been arranged for large orchestra. So, it is possible to realize the most varied sound combinations between woodwind and brass groups, even without singing. All percussion instruments can be used 'ad libitum'. The text can be sung as four-part choir singing or by one solo voice with accompaniment of winds. A simple piano score has been added for singing rehearsals or small scale performances.

    Estimated dispatch 7-14 working days

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  • £140.80

    Back to Normandy - Fred Vogels

    Back to Normandy is a composition for concert band on the occasion of D-Day. On D-Day (June 6, 1944) the liberation of Western Europe started at the beach of Normandy. A long campaign through Europe followed before the liberation was complete. Back to Normandy describes the first hours of the landing with the shelling of the German positions as a (musical) peak. As an introduction you will see and hear de preperations for the biggest campaign ever. Very special and unique is the fact that the music of Back to Normandy can be performed synchronously with a movie with original footage, specially made for this composition. This will without a doubt be an extra experience for the audience. So far performances like this were exclusively for professional orchestras (like George Fenton, Earth). This piece is specially suitable for concert bands that want to offer their audience something special and also want to honour the liberators. The movie to practise for the concert is on Youtube (meassures and metronome are visible/audiblematen). On the Back to Normandy forum you can get more information or have an exchange of views about this project or D-Day in general. You can download the complete movie here (1, 7 GB). Interaction with the composer is certainly appreciated.

    Estimated dispatch 7-14 working days

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  • £82.50

    Major Scales and Arpeggios - Roger Kugler

    The first in a series of selections devoted to improving specific areas of performance. All 12 major scales are presented in a clear, easy-to-read format thats adaptable to any rehearsal situation and can be practiced individually or in sequence, with the full band, sections, or individual players. The percussion parts include basic as well as advanced rudimental snare drum parts and melodic and auxiliary parts that can be rotated between players. Percussion can be rehearsed as a section as well as with the full band. Valuable as a daily warm-up exercise, as a reinforcement of performance keys, or as audition/grading material.

    Estimated dispatch 7-14 working days

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  • £71.50

    Quick N' Easy Carols - Scott Watson

    Here is a practical and economical holiday collection of nine popular carols that can provide numerous possibilities for seasonal programs. These Christmas carols can be used for concert programming, audience or chorus sing-alongs, caroling, or for musical interludes between stage or group changes during concerts. The flexible instrumentation allows it to be performed by a variety of instruments, making it perfect for small group performances. They can be performed separately in any order or together as a festive medley that will raise everyones spirits and spread the holiday cheer!

    Estimated dispatch 7-14 working days

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  • £82.50

    Romp! - Darren W. Jenkins

    Romp! was inspired by and dedicated to the composers very cute tabby who decided that his computer table (where he composes) was his spot to be... also when coming up with ideas for this piece, it seemed to fit him very well. The piece represents how he tends to wake up instantly and spring into action... running and darting here and there. The solo breaks and legato section represents how he can shift gears, stopping quickly, then springing right back to his romping around. There is optional "cat meowing" at the end that can be done by one person, if your group has someone who does a good cat meow, or electronically if you have the equipment. Or you can leave it out, though it does add a nice touch.

    Estimated dispatch 7-14 working days

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