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£69.95The Good, The Bad and The Ugly - Ennio Morricone - Ray Farr
This humourous theatrical arrangement takes a satirical look at the many "spaghetti" Westerns. Ennio Morricone's immortal theme is the basis for a "shoot-out" between "Clint Eastwood" and a "Mexican Bandit", but (un)fortuantely the conductor gets caught in the crossfire! A...
Estimated dispatch 5-7 days
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£65.00Freyja's Call - Andrew Duncan
According to Viking mythology, following a battle the bravest souls of the slain would be divided between two Gods, Odin and Freyja. Freyja was the Goddess of Love and War and before going into battle many Viking warriors would pray that they would die bravely so that Freyja would take their soul to join her personal army made up of the souls of the bravest of men.'Freyja's Call' describes one of these, a young Scottish soldier, going into battle as part of the Viking army who occupied parts of Scotland for four centuries. First, a slow theme is heard, Freyja's theme, which is the soldier praying to Freyja to keep a watch on him. Then the drums introduce a new rhythm which announces the beginning of the battle.A Celtic Jig is used to describe the progress of the battle with the jig played quietly at first then gradually louder with more percussion being added until a full ff section signifies the soldier fighting the enemy directly.Suddenly, the music drops back to the quiet Jig theme. The soldier has been slain, but will he be chosen by Frejya? After a short time, Freyja's theme is heard as the brave soldier is taken to Freyja's heavenly army of brave warriors, and the piece then ends in triumph.
In stock: Estimated delivery 1-3 days
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£55.00
March of the Toons - Tim Paton
An exciting concert march, which is traditional, but also sounds a little different - in a cheeky sort of way!
In stock: Estimated delivery 1-3 days
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£55.00
The Declaration of Arbroath - Andrew Duncan
Programme notes from the composer, Andrew Duncan:Originally written for The West Lothian Schools' Annual Concert 2006 and scored for Concert Band, Brass Band, Highland Bagpipes, Children's Choir and Narrator. This version has been rescored for Concert Band with optional parts for Highland Bagpipes and Narrator. The piece celebrates the internationally renowned Declaration of Arbroath. The music begins in the uncertain times of Scotland's early 14th century, following the Battle of Banockburn and the death of William Wallace. The narrator describes this scene and explains the origins of the Declaration. The music builds to a climax, but once again gives way to uncertainty, allowing the narrator to explain further the history surrounding the Declaration. A group of Scottish Nobles wrote the Declaration which was an appeal to the Pope to recognize Scotland's independence. The piece then reflects a positive outcome following the Pope's support of the Declaration. Further information is provided by the narrator which draws to a rousing build to express the emotive inspiration behind this composition.The original scoring (to include Concert Band, Brass Band, Highland Bagpipes, Choir and Narrator) is also available by request.
In stock: Estimated delivery 1-3 days
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Fenix Blue - Peter Meechan
Fenix Blue is a solo work for alto saxophone and wind ensemble, commissioned by and written for British saxophonist, Tim Watson.A wild blues inspired opening for unaccompanied saxophone gives way for a slow, dirty blues! More blues elements appear in the following slow funk section, driven by the percussion section and drum kit.Slow reflective music follows before a return to the slow funk - this time with plenty of the original blues music interjected around the band and from the soloist, leading to a loud conclusion!The title makes reference to the large blues influence in the piece, but the Fenix referred to in the title is a dedication to the Phoenix 2 capsule that rescued the 33 Chilean minors who were trapped underground for 69 days last year, the last of whom was brought to the surface in the capsule as I was finishing this piece.
Estimated dispatch 5-14 working days
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Forgotten Children - Peter Meechan
Forgotten Children is a short work for wind orchestra and electronic accompaniment. Adapted from it's original form (for brass quartet and CD, Forgotten Children was written for The Desert Winds and their conductor Chuck Maguire, to whom the piece is dedicated.Whilst conceiving the piece, the subject of the war in Syria dominated news headlines, specifically the refusal by Western nations to intervene. There were, of course, political reasons at the heart of the decision, complicated by a situation that no one understood in a country no one understands. The harrowing images of chemical weapons being used on children was seemingly not enough to persuade the West that their help was needed, but those silent voices fell on even deafer ears. They were, and still are, the Forgotten Children.Please download the electronic accompaniment below.
Estimated dispatch 5-14 working days
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ISS Flyover - Peter Meechan
I.S.S Flyover was written in August 2012, when the International Space Station (I.S.S.) was visible in the sky over my home town of Manchester, UK. This is not an uncommon occurrence (www.heavens-above.com is a useful tool to help you find when the orbit of the I.S.S. passes over), but what was unique about this particular pass was that there would be astronauts carrying out repair work on the outside of the station.The idea that something that seemed to pass so quick in the skies above us juxtaposed with what must have seemed a slow, dangerous journey for the astronaut is what lead me to write this piece.The opening passage is a fast, ostinato driven section; the speed and energy that the I.S.S is perceived from earth. The middle section is desolate and sparse; the astronauts looking down on earth as they slowly orbit around the globe, the loneliness of space. The final section is a return to the original material - this time with even more momentum and drive, provided by the percussion.I.S.S. Flyover was commissioned by a Canadian consortium of: the University of Saskatchewan, Brandon University, the University of Calgary, Harmonie Laval, Memorial University of Newfoundland, the University of Prince Edward Island, the University of Toronto and Anthony Reimer, Calgary, Alberta. The work is dedicated to Darrin Oehlerking who organised the commission consortium.
Estimated dispatch 5-14 working days
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Perpetua - Peter Meechan
When I write music I feel a need to comment on the world around us - which, right now, is not always a happy society. But I also want to write music about the world I want to live in - about the joy, beauty, hope, and love I see in our communities.In writing Perpetua I wanted to compose a piece of perpetual motion, that is challenging, exciting, and fun - all brought together through a sense of joy.Perpetua was commissioned by Foothills Concert Band (Calgary, AB, Canada) and their conductor Anthony Reimer.
Estimated dispatch 5-14 working days
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Taking the Fifth - Peter Meechan
Written during the Covid-19 pandemic, originally as an adaptable chart, Taking the Fifth takes its title from both the primary interval of the work as well as from a general British expression that when something is outrageous, remarkable, or the worse of its kind that it "takes the biscuit".Given that the piece was written during the Covid-19, and that even more unpredictable news that followed every day during the pandemic, it seemed an apt title!Upbeat, occasionally dark, but always with drive and a sense of fun, Taking the Fifth was the piece that got my creative juices flowing again, having initially found myself pretty lost for inspiration during the early stages of pandemic.Taking the Fifth is dedicated to my dear friend, Robert Ambrose.Peter Meechan 2021Anthony Reimer, Calgary, CanadaBenedictine College - Tom Davoren, Director of BandsBrandon University - Wendy Zander McCallum, Conductor, Symphonic BandBrooklyn Wind Symphony - Jeff W. Ball, Artistic Director & ConductorDordt University - Onsby C. Rose, Director of Instrumental StudiesGeorgia State University - Robert Ambrose, Director of BandsGlobal Bandroom Podcast - Keith Kelly, HostKansas State University - Frank Tracz, Director of BandsUniversity of Kansas - Matthew Smith, Associate Director of BandsUniversity of Regina - Brent Ghiglione, Director of BandsWinona State University - Melanie Brooks, Director of Bands
Estimated dispatch 5-14 working days
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£75.57Temperamental (Concert Band) Fendall Hill
This work by Fendall Hill was the set test for the 2021 National Brass Band Championships of New Zealand, B Grade. Here it has been adapted for Concert Band. The composer writes: 'J.S. Bach (1685-1750) is deemed by many to be the 'Ulimate Composer'. He added an incredible proportion to the DNA of western music, and his influence is heard in the music of today. Like many artists, he was not overly recognised as a composer during his lifetime, and it took an 1829 performance of the St Matthew Passion by Mendelssohn to ignite a recognition of his place in the music world, a place he has maintained ever since. This piece starts with a similar spark of rediscovery of the music of Bach. It contains arrangements of various works, interspersed with composition based on Bach's chord structures, sections in the style of Bach, and original sections inspired by the moods created along the way. The first section explores the Toccata, and great organ works. This leads into an exploration of his choral works, and a finale based on the Preludes. The word 'Tempered' has different meanings, and all seem to apply to the music of Bach, and these appeal to the musical, engineering and spiritual aspects of my personal life. His music reaches to the humanity and divinity, it has strength, structure and order that creates frameworks in which incredible complexity reigns; and the complexity leads to a wildness, a kind of craziness that represents a range of human moods, and can change without warning. The same piece of music affects people in very different ways. I don't know if it's Bach's music, or us, but it can seem out of control and under control at the same time - the combination is highly temperamental. To view a follow-the-score video of the work please visit: https://youtu.be/6CtYZmCoWIc Sheet music available from: UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Difficulty Level: Advanced Instrumentation: Instrumentation: Piccolo Flute 1-2 Oboe Bassoon Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone 1-2 Tenor Saxophone Baritone Saxophone Trumpet in Bb 1-3 Horn in F 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba Double Bass Timpani Percussion 1-3
In stock: Estimated dispatch 1-3 days
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