Results
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£53.00Ghost Chasers
Ghost Chasers is a perfect selection for Halloween, but great for any time you're in the mood for some spooky fun. In this playful piece, Ghost and Chaser are heard in the simple counterpoint between the two sections. Students will find the independent part playing both challenging and fun. Your ensemble will also gain experience in changing articulation from Marcato to Legato and practicing restraint and balance in the half measure lag between the two sections playing the same theme.
Estimated dispatch 12-14 working days
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£79.00Sound Off
This early Sousa march, Sound Off, arranged by Andrew Balent, excellently showcases his gift for composing compelling melodies and counter melodies. The piece features his signature style, but still remains distinct and unique compared to his more well-known marches.
Estimated dispatch 12-14 working days
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£71.00Irish Lullaby - J. Shannon
Irish Lullaby, based on the song Too-Ra-Loo-Ra-Loo-Ral ("That's an Irish Lullaby"),is a beautiful orchestration by composer Carl Strommen.Strommen presents his signature diverse harmonies and stunning melodies that will be the highlight of your next concert. Not only will students enjoy playing it, but they will also improve their phrasing and musicianship.
Estimated dispatch 12-14 working days
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£53.00Quest for the Throne
Quest for the Throne evokes images of kings and castles, knights and horses, and dragons in all their glory. Itis a bold and aggressive piece throughout, but includes a contrasting, lush secondary theme for variety. In his typical style, Clark uses forceful figures and strong melodic content to give students music they will want to practice and play again and again.
Estimated dispatch 12-14 working days
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£41.00Badlands
Peter Terry's Badlands represents the dramatic terrain created bysedimentthat iseroded over millions of years. This creates stark but beautifulstructures in a harsh and alien landscape.This piece opens with a first theme that depicts the stark emptiness of the Badland terrain. This moves to a brooding, mysterious second theme followed by variations.The piece ends with a return of the first theme for a dramatic finish.
Estimated dispatch 12-14 working days
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£38.00Achieve
The march style is important to the heritage of the modern concert band. Why not get beginners off to a great start by teaching them this essential band style as early as possible?Achieveuses only the first six notes of the Bb-major scale and utilizes two repeated eighth notes as the most difficult rhythm. It is written in traditional march form and style, but without modulation in the trio.
Estimated dispatch 12-14 working days
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£56.00Tum Balalaika - Russian Folk Song
Tum Balalaikais attributed to a number of Eastern European countries, but is best known as a Russian Jewish folk/love/"riddle" song. Loosely translated, "tum" means "noise," and the Balalaika is a Russian stringed instrument with a characteristic triangular, hollow, wooden body and three strings, closely related to the domra and mandolin. Carl Strommen's wonderful setting will help any group sound their best.
Estimated dispatch 12-14 working days
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£56.00Bravery and Grace
This new piece from composer George Sweet is a delightful combination of Scotland the Brave and Amazing Grace. Each tune on its own is wonderful, but in Sweet's setting, they are masterfully layered to reflect the composer's Scottish-American heritage. This presentation of a Scottish melody with Americana-inspired harmonies is a stunning example of compositional craft.
Estimated dispatch 12-14 working days
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£53.00Ulterior Motifs - Matthew R. Putnam
The title, Ulterior Motifs, is a play on words but composer Matt Putnam had his own ulterior motives in mind when writing this piece. He wanted a piece that was fun to play and helped developing musicians work on their rhythmic skills. Putnam uses the feel of action film soundtracks to create the mood of this intriguing piece.Interesting grooves in the percussion part add to the mystery and thrill.
Estimated dispatch 12-14 working days
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£82.00King Karl King - Henry Fillmore
Originally written for a film (The Big Brass Band) that was never made, this terrific but little-known march turned out to be the last march that Fillmore would write. Unusually rich in harmony, it was not published in Fillmore's lifetime. He had asked that it be named after his friend and fellow march composer, Karl L. King, if the movie was not produced.
Estimated dispatch 12-14 working days