Results
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£32.95TRUMPET CONCERTO (Richard Rodney Bennett) (Trumpet/Concert Band Extra Score) - Bennett, Richard Rodney
Extra Score only. The work begins with a solemn declamatory cadenza for the soloist; a short interlude leads to an allegro with spiky cross-rhythms. A further cadenza ends the movement and links to the second, Elegy for Miles Davis (available separately), a deeply felt Ballad accompanied by electric bass and band with a central section for improvisation. The ensuing vivo starts with a bold statement by the trumpet with cross rhythms reminiscent of the opening allegro that extends into the band. It is interrupted by the declamatory cadenza material, the trumpet supported by the band and the movement ends with a molto vivo coda of tremendous energy. Duration: 19-20 mins.
Estimated dispatch 7-14 working days
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£199.95TUBA CONCERTO (Horovitz) (Prestige Concert Band - Score and Parts) - Horovitz, Joseph - Gourlay, James
Parts only. This work was commissioned by the Besses O' Th' Barn Band for soloist James Gourlay, with funds from the Musicians' Union. The melodic patterns of the concerto are based on traditional, often classical modes. A three-note motif forms the basis of the first and third movements whilst the second begins with a slower version of the main theme. Near the end there is an elaborate and technically demanding cadenza. The wind band orchestration is by James Gourlay. (Grade 5 - Soloist 6) Performance time 19'44" (Recorded on QPRM138D BREAKING THE CENTURY, Central Band of the Royal Air Force)
Estimated dispatch 7-14 working days
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£49.95
TUBA CONCERTO (Horovitz) (Prestige Concert Band - Score only) - Horovitz, Joseph - Gourlay, James
Score only. This work was commissioned by the Besses O' Th' Barn Band for soloist James Gourlay, with funds from the Musicians' Union. The melodic patterns of the concerto are based on traditional, often classical modes. A three-note motif forms the basis of the first and third movements whilst the second begins with a slower version of the main theme. Near the end there is an elaborate and technically demanding cadenza. The wind band orchestration is by James Gourlay. (Grade 5 - Soloist 6) Performance time 19'44" (Recorded on QPRM138D BREAKING THE CENTURY, Central Band of the Royal Air Force)
Estimated dispatch 7-14 working days
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£18.95
TWO-PART INVENTION (Euphonium Duet/Concert Band) (Prestige Concert Band Extra Score) - Sparke, Philip
Extra Score. for Bob and Nick Childs. Duration: 5:30 Euphonium BC & TC parts included. American Grade 6 (Soloists)/4 (Band) Euphonium Duet & Piano Accompaniment and Euphonium Duet & Brass Band editions is also available.
Estimated dispatch 7-14 working days
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£94.95
TWO-PART INVENTION (Euphonium Duet/Concert Band) (Prestige Concert Band Set) - Sparke, Philip
Score and Parts. for Bob and Nick Childs. Duration: 5:30 Euphonium BC & TC parts included. American Grade 6 (Soloists)/4 (Band) Euphonium Duet & Piano Accompaniment and Euphonium Duet & Brass Band editions is also available.
Estimated dispatch 7-14 working days
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£49.50What Happens In Band, Stays In Band!
A funky little rock tune that your students and audiences will love that will add the perfect lighter touch to any performance. The ranges are very reasonable for all instruments, and every section of your developing concert band has a chance to shine. Both a drum section part and a drum set part are included so you can pick the part which works best in your situation. Also includes an optional electric bass part. You won't have any problem getting your band to practice this fun tune!
Estimated dispatch 7-14 working days
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£22.77Wyndham Variations (Concert Band - Score and Parts)
A slow, majestic developing band composition written in the style of stately English band music. As the title indicates, the trumpets are featured. Utilizing this composer's rather unique method of writing. "Trumpets Triumphant'' is scored to obtain a full sound from any band, and is playable by groups with unbalanced instrumentation. Equally suitable for festivals, ceremonies, concerts and contest.
Estimated dispatch 7-14 working days
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£79.95Variations on 'Was Lebet' (Concert Band - Score and Parts) - Wainwright, Andrew
Variations on 'Was Lebet' is based on the German chorale of the same name, the first line of which translates as 'O worship the Lord in the beauty of holiness!' The opening fanfare figure in the Trumpets should be supported by bold, organ-like sostenuto chords in the lower band. Ensure that the fanfare in the Trumpets and Trombones from bars 25 to 28 is given equal articulation and volume in the antiphonal parts. After this majestic introductory section, the first of five contrasting variations is presented, although the tune is never realised in full form until the final variation, with fragments gradually being revealed as the piece progresses.Variation I is somewhat classical in approach, with its energy coming from a regular contrast between cantabile references to the theme, set against lively staccato figures. Ensuring a lightness of touch will be important here; the music should be poised and never sound frantic. As a result, careful attention should be paid to the tempo marking, being no quicker than 136 beats per minute. Snippets of the chorale come and go, with the last phrase of the hymn completing the movement. This final statement, at bar 95, should be an immediate change in tempo and a separate statement to the music that comes before.Variation II is plaintive in mood, giving the listener the chance to reflect on the following words, which form part of the second verse: 'Comfort thy sorrows and answer thy prayerfulness, Guiding thy steps as may best for thee be.' There is opportunity for rubato in this movement, at the discretion of the conductor.Variation III is somewhat quirky and volatile in nature, and takes its inspiration from the 3rd and 4th verses which describe the fearful times in life that we must entrust to the Lord. Driven by the Percussion section in particular, there are references here to Variation I with its chorale-like figures and hurtling scalic figures, and there is a feeling of a lack of resolution. A somewhat abrupt ending suggests that our sense of completeness in Christ is yet to be resolved. It is important that clarity and tempo are maintained in the bass line between sections L and M. Aim for consistency of line in the bass parts, particularly with the trade-offs between players here.There is a French romantic feel to the waltz in Variation IV, with the opportunity for various soloists to display their musicianship. A sense of ironic humour pervades throughout. The Clarinet and Bassoon duet from section U should be playful and display a lightness of touch, with that sense of style continued throughout the movement.Variation V is fugal in nature, with each section of the band being handed the theme at various points. Again it is important that a steady tempo is set at Y in order to maintain control. The sense of momentum gradually increases to a grandiose presentation of the full theme, beginning at section CC, affirming our completeness in the Lord, with the words of the first and last verses reiterated: O worship the Lord in the beauty of holiness! Bow down before him, his glory proclaim; With gold of obedience and incense of lowliness, Kneel and adore him, the Lord is his name.Duration: 11.45
Estimated dispatch 7-14 working days
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£15.95Variations on 'Was Lebet' (Concert Band - Score only) - Wainwright, Andrew
Variations on 'Was Lebet' is based on the German chorale of the same name, the first line of which translates as 'O worship the Lord in the beauty of holiness!' The opening fanfare figure in the Trumpets should be supported by bold, organ-like sostenuto chords in the lower band. Ensure that the fanfare in the Trumpets and Trombones from bars 25 to 28 is given equal articulation and volume in the antiphonal parts. After this majestic introductory section, the first of five contrasting variations is presented, although the tune is never realised in full form until the final variation, with fragments gradually being revealed as the piece progresses.Variation I is somewhat classical in approach, with its energy coming from a regular contrast between cantabile references to the theme, set against lively staccato figures. Ensuring a lightness of touch will be important here; the music should be poised and never sound frantic. As a result, careful attention should be paid to the tempo marking, being no quicker than 136 beats per minute. Snippets of the chorale come and go, with the last phrase of the hymn completing the movement. This final statement, at bar 95, should be an immediate change in tempo and a separate statement to the music that comes before.Variation II is plaintive in mood, giving the listener the chance to reflect on the following words, which form part of the second verse: 'Comfort thy sorrows and answer thy prayerfulness, Guiding thy steps as may best for thee be.' There is opportunity for rubato in this movement, at the discretion of the conductor.Variation III is somewhat quirky and volatile in nature, and takes its inspiration from the 3rd and 4th verses which describe the fearful times in life that we must entrust to the Lord. Driven by the Percussion section in particular, there are references here to Variation I with its chorale-like figures and hurtling scalic figures, and there is a feeling of a lack of resolution. A somewhat abrupt ending suggests that our sense of completeness in Christ is yet to be resolved. It is important that clarity and tempo are maintained in the bass line between sections L and M. Aim for consistency of line in the bass parts, particularly with the trade-offs between players here.There is a French romantic feel to the waltz in Variation IV, with the opportunity for various soloists to display their musicianship. A sense of ironic humour pervades throughout. The Clarinet and Bassoon duet from section U should be playful and display a lightness of touch, with that sense of style continued throughout the movement.Variation V is fugal in nature, with each section of the band being handed the theme at various points. Again it is important that a steady tempo is set at Y in order to maintain control. The sense of momentum gradually increases to a grandiose presentation of the full theme, beginning at section CC, affirming our completeness in the Lord, with the words of the first and last verses reiterated: O worship the Lord in the beauty of holiness! Bow down before him, his glory proclaim; With gold of obedience and incense of lowliness, Kneel and adore him, the Lord is his name.Duration: 11.45
Estimated dispatch 7-14 working days
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£87.60Sea Time (Concert Band - Score and Parts) - Herbert, Steve
This quick march is a musical reflection of the composers time in The Royal Marines Band Service, highlighting his service at different shore establishments and aboard ships of The Royal Navy. This piece weaves in the following numerous musical references, including traditional bugle calls and regimental marches:Heart of Oak, The Royal Navy Regimental MarchDepot Royal Marines (Deal)The Band CallSarie MaraisCTCRM CallThe AlertPlymouth Group CallLife on the Ocean Wave
Estimated dispatch 7-14 working days
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