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£54.99
St. James Drive - Harm Evers
A visit to the United Stetes inspired Harm Evers to write this march. It has thus become an "American style" march-a happy "Swing March." The Pithy rhythnical melody and the simple harmony come together in a merry whole. The melodic counterparts in the tenor register, the dynamic contrasts, and the varied instrumentation keep the march exciting from the beginning to the end, both for the listener and the musician.
Estimated dispatch 7-14 working days
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£57.50O Come, O Come, Emmanuel
Here is a traditional Christmas favorite in a totally new and unexpected setting! Michael Brown's stylized version uses new harmonies and a contemporary driving 5/4 pattern in the beginning and end to achieve a wonderful effect.
Estimated dispatch 7-14 working days
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£91.20Du und Du - Johann Strauss
Strausss Waltz Du und Du (You and You), published around the end of 1874, is based on motives from the operetta Die Fledermaus (The BaT) and named after one of its melodies, the famous chorus of Act II. The introduction, in triple meter(3/4), never modulates away from its basic key, F major. Du und Du contains 3 waltzes, each of them in the traditional structure ABA. After the third and last waltz, the piece concludes with a coda that elaborates fragments from the previouswaltzes.
Estimated dispatch 7-14 working days
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£109.99Grnemeyer! - Herbert Grönemeyer
The German singer and actor Herbert Grnemeyer has remained faithful to his own style since the beginning of his career in the eighties, yet still managed to further develop his craft and himself, all the while remaining successful. His albums sell well, and his concerts,especially in Germany, are frequently sold out. Wolfgang Wssner chose four diverse songs from Grnemeyer's extensive repertoire (Mnner, Mensch, Flugzeuge im Bauch and Mambo), creating a medley that remains exciting to the very end.
Estimated dispatch 7-14 working days
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£8.95Concertino For Clarinet (First Movement) (Concert Band - Score Only) - Mozart, Wolfgang Amadeus - Johnson, Stuart
Johnson, Stuart has arranged and adapted the first movement of this much loved Mozart piano sonata (KV 282) to create a delightful and welcome addition to the clarinet repertoire. The accompaniment is lightly scored for small wind band. Primarily this is to create a classical feel which reflects the style of the music. However, larger bands may wish to place the piece strategically in the program to give the heavy brass a rest. To this end, directors may also prefer to use single players on the brass and saxophone parts which would also help to give and orchestral feel to the performance.
Estimated dispatch 7-14 working days
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£54.99Who's next? Wind Band Set (Score & Parts)
Who begins? Who follows? In 'Who's next?' the orchestra is divided up into two parts a number of times. The division seems random, but on close scrutiny it becomes clear at the end that sides are clearly taken, also in playing the melody, first one section and then .... who'll be next? 'Who's next?' is solid Rock, no nonsense, going straight ahead. 02:15
Estimated dispatch 7-14 working days
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£79.99Nexus - James Curnow
The word nexus is defined as a tie or link between people and events. Nexus for solo trumpet and band includes several links between composer James Curnow and educator Alfred Watkins, to whom the work is dedicated. A well-knowntheme (particularly to Mr. Watkins' students) is drawn upon as the piece utilizes two primary musical settings - an energetic and agile scherzo that appears in the beginning and again at the end, contrasted with an expressiveballad theme. The soloist at the premiere (and on the recording) is Christopher Watkins, Alfred's son. This is a well-crafted and rewarding work for soloist and band alike. Dur: 6:00 (Recorded by the University of Alabama atBirmingham Wind Symphony - Dr. Sue Samuels, conductor. Christopher Watkins, trumpet soloist.) Also available for trumpet with piano reduction - HL00231702.
Estimated dispatch 7-14 working days
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£149.99
Concertante Ouverture - Jef Maes
This fantastic overture of the Belgian composer Jef Maes formed the end work of Georges Moreau, in the same class as Jan Van der Roost. Virtuoso passages alternate with rich instrumented melodic fragments and thereby create a wide symphonic sound image. A stylish opening work for your concert, but also ideal for coming straight to the point in competitions.
Estimated dispatch 7-14 working days
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£54.99Who's next? - David Well
Who begins? Who follows? In 'Who's next?' the orchestra is divided up into two parts a number of times. The division seems random, but on close scrutiny it becomes clear at the end that sides are clearly taken, also in playing the melody, first one section and then .... who'll be next? 'Who's next?' is solid Rock, no nonsense, going straight ahead.
Estimated dispatch 7-14 working days
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£121.00Tock - Kenneth Froelich
Tock is a single movement work for concert band that uses percussion and asymmetrical rhythms to mimic the "tocking" of a broken clock. The repetition of melodies and of motive fragments are used to establish a regular pulse; however, while this pulse is steady, it is not even. A five-four time signature, a syncopated bass line and irregular phrases are all used to offset the central beat of the music. Much like the clock, the end result is a dance that seems consistent but is in fact "broken." Its a work that is both fascinating and creative, excellent cutting-edge writing for upper-level ensembles.
Estimated dispatch 7-14 working days
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