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  • £109.99

    Frida's Whiskers Wind Band Set (Score & Parts)

    David Well composed 'Frida's Whiskers' in commemoration of his own cat, who met an untimely end. Frida (whose real name was 'Godefrida van Coopersburg thoe Nieuwenhuys') was a lively creature, who led a playful and uncomplicated life. She used to sleep in her basket for hours, but when she woke up she upset the entire house and its furnishing. Curtains were inspected from top to bottom and flower pots fell from window-sills just like that! Outside, in the open air she was in her element. She used to frolic, bouncing into the air. After such playful moods she would return to her basket tired but satisfied where, being the cleanly cat that she was, she subjected her entire body, whiskers included, to a thorough wash. 04:30

    Estimated dispatch 7-14 working days

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  • £109.99

    Metalla Wind Band Set (Score & Parts)

    Metalla was commissioned by the 'Kreisverband Altenkirchen' of Germany and dedicated to Ottomar Jung. The composer himself conducted the premiere of the piece, which was performed by the 'Jugendorchester Kreisverband Altenkirchen' on 25 March 1999.The region of Altenkirchen is known for its iron mines, which find musical expression in the dark mood of the introduction (andante misterioso). This effect is accomplished with overlapping seventh intervals, orchestral crescendos, a succession of broad chords and the presentation of most themes in the middle register of the band.The dynamic section (allegro energico) that follows the introduction is characterized by concise figures in the brass and a second motif, a kind of rippling motion depicting the Sieg River, an important element in the landscape of the Altenkirchen region.The work closes with a final theme that returns a number of times, albeit in different guises. After a brief repeat of the seventh intervals from the beginning, a last radiant chord signals the end of the piece. 0:05:15

    Estimated dispatch 7-14 working days

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  • £37.95

    PLAIN MAN'S HAMMER, A (Novello Symphonic Band) Extra Score - Dalby, Martin

    Extra Score only. The whole shape of A Plain Man's Hammer owes something to classical sonata form. It is a two part form of which the first is an exposition containing two tonally contrasted subjects and the second contains a development section where harmonies move rapidly towards a recapitulation of the two original subjects, this time the contrast being reconciled in the home key. The first large section of A Plain Man's Hammer is an exposition containing two main ideas and other material associated with them. Development is replaced by a parade of incomplete parodies: a waltz almost in the style of Chopin; a sort of Tango; a Mahlerian march; something close to Janacek; a cheap imitation of a Flamenco; a corruption of Oranges and Lemons; a pop song; a military march which gets somewhat out of hand; a Viennese Waltz to set your feet tripping, and an even cheaper imitation of a Flamenco. At the end of the work the associated material of the opening reappears in maturity; the major ideas play a subservient role, reappearing only in the final coda. Duration: 14 mins.

    Estimated dispatch 7-14 working days

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  • £189.95

    PLAIN MAN'S HAMMER, A (Novello Symphonic) - Dalby, Martin

    Score & Parts. The whole shape of A Plain Man's Hammer owes something to classical sonata form. It is a two part form of which the first is an exposition containing two tonally contrasted subjects and the second contains a development section where harmonies move rapidly towards a recapitulation of the two original subjects, this time the contrast being reconciled in the home key. The first large section of A Plain Man's Hammer is an exposition containing two main ideas and other material associated with them. Development is replaced by a parade of incomplete parodies: a waltz almost in the style of Chopin; a sort of Tango; a Mahlerian march; something close to Janacek; a cheap imitation of a Flamenco; a corruption of Oranges and Lemons; a pop song; a military march which gets somewhat out of hand; a Viennese Waltz to set your feet tripping, and an even cheaper imitation of a Flamenco. At the end of the work the associated material of the opening reappears in maturity; the major ideas play a subservient role, reappearing only in the final coda. Duration: 14 mins.

    Estimated dispatch 7-14 working days

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  • £60.99

    They are Coming Wind Band Set (Score & Parts)

    There are people who are capable of planning well. They live their lives in a well-structured manner and know exactly what they have to do. On the other hand, there are also people who are the exact opposite: they want to do too many things at once and are often somewhat absent-minded, which occasionally results in frantic situations. The outcome of one such situation is 'They are coming'. John Emerson Blackstone had been working on a new composition for some time when he received a telephone call from his editor, who told him that the deadline was approaching rapidly, even worse, that it would expire at the end of that same day and that he would drop by in person to fetch the composition! Blackstone set to work in a frenzy and completed the last details. When his editor arrived, the piece was finished ..... and got its definitive title: 'They are coming'. 02:30

    Estimated dispatch 7-14 working days

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  • £11.95

    Scenes From An English Landscape (Concert Band - Score Only) - Gorb, Adam

    Scenes from an English Landscape is a brief nostalgic tone poem taking its inspiration from visions of rural England as depicted in the paintings of John Constable, the novels of Thomas Hard, and the music of Holst, Gustav and Ralph Vaughan Williams. A chorale-like theme is stated in the brass and then taken up at three times the tempo in the woodwinds. At the end of the work, both versions of the theme are stated together to bring the piece to a triumphant climax.

    Estimated dispatch 7-14 working days
  • £16.95

    Panache (Concert Band - Score Only) - Fraser, Bruce

    The work has a military feel in the opening fanfare, but settles down to an angular melody with frequent changes in time signature. The middle section should be played expressively and maintain a good flow. The speed of the Allegro is most likely to be determined by the agility of the trombone section in the unison running quavers. There is the possibility of adding extra drummers near the end - a drum corps was used behind the Band in the first performance making a stunning effect.

    Estimated dispatch 7-14 working days
  • £28.95

    Symphony Ad 78 (Concert Band - Score Only) - Jacob, Gordon

    A powerful work. An opening fanfare leads directly to an Allegro risoluto, which exudes determination and forthrightness. The second movement follows without a break and is a continuous plaint in which the melody seems forever seeking resolution like a troubled soul searching for respite. Only in the closing bars does peace seem to take over. The final movement, marked Allegro non troppo, starts with a cheering fanfare that leads to a bright and breezy romp, with a rustic feel about it. When the fanfare reappears we are suddenly immersed in exaltations of joy that really give a feeling of optimism as we proceed to the end of the piece via a short Coda.

    Estimated dispatch 7-14 working days
  • £202.99

    Avalon Wind Band Set (Score & Parts)

    The magical world of King Arthur, Merlin and Mordred is the setting for Avalon. Unexpected opening figures portray the sudden entrance into another world. A choral-like melody represents the procession of ghosts headed by the mighty magician Merlin. Suddenly, ostinato figures and bi-tonal motifs indicate the attempt of Mordred and his horde to disturb the peace and quiet in the otherwise calm Avalon. Following a powerful statement of King Arthur, we hear a glissando referring back to the opening bars, and... we are back in the normal world. The journey through the underworld has come to an end and the dream is over. 0:16:20

    Estimated dispatch 7-14 working days

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  • £37.95

    CATCHER OF SHADOWS (Concert Band - Score only) - Wilby, Philip

    Score only. Catcher of Shadows was written in celebration of the work of photographer Frank Meadow Sutcliffe who lived and worked in the Yorkshire fishing port of Whitby at the end of the 19th and beginning of the 20th centuries. His work is largely of the sea, its tall ships and the people that live by and from it. The world which he catalogued is gone into our Romantic heritage, and a true northern nostalgia is one of the strongest flavours of his work. The music has sought to catch the flavour as well as some of the substance of his original work, even though particular photographs are directly connected with particular parts of the music. Duration: 15 mins.

    Estimated dispatch 7-14 working days