Results
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£102.99A Western Suite Wind Band Set (Score & Parts)
A Western Suite paints the musical picture of a group of gold diggers and adventurers in the Wild West! Opening with an optimistic march, followed by wistful sounds around the campfire, A Western Suite sees an exciting rodeo take place before the main theme brings the piece to an end. Bring the atmosphere of the Wild West onto the concert stage! 07:00
Estimated dispatch 7-14 working days
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£19.95CAMBRIAN SUITE (Prestige Concert Band Extra Score) - Ball, Michael
Extra Score. This suite - originally a brass band work - was commissioned jointly by the Black Dyke Band and the Brass Band Heritage Trust. The composer later made this version for concert band. The work is intended to be played without a break but divides naturally into three sections. Each section is based upon a traditional Welsh melody treated in free variation manner, respectively Gwyr Harlech (Men of Harlech), Suo-Gan (Cradle Song) and Codiad Yr Hedydd (The Rising of the Lark). There is a momentary reference to Yr Deryn Pur (The White Bird) at the end of the second section. (Grade 4) Performance time: 12:00 Recorded on Polyphonic QPRM152D MOSAIC: Great British Music Vol. 13
Estimated dispatch 7-14 working days
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£137.99Domus Wind Band Set (Score & Parts)
When composing this work the brief from the commissioning band was for the composer to base the work on a chorale-like subject matter and this he has done with aplomb. In the very first bars a chorale melody is presented and gradually the same thematic material is more extensively orchestrated with the melodic themes becoming more varied. With afew surprising harmonic turns the piece comes to a majestic end. This is a well-structured work of extreme elegance. 0:09:12
Estimated dispatch 7-14 working days
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£109.99Gate 11 Wind Band Set (Score & Parts)
Gate 11 is a piece by John Emerson, inspired by the mood of a bustling airport in which passengers dream quietly of the loved ones that await at the end of their journey. Equally accessible to young and old alike, Gate 11 is an atmospheric piece ideal for concert performance. 06:00
Estimated dispatch 7-14 working days
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£69.95REEL TIME British Dances No.3 (Programme Concert Band) - Wiffin, Rob
This work seeks to capture the quintessential spirit of Irish Reels. Like Grainger's Molly on the Shore, Reel Time is a work-out for the woodwind, not that the brass remain completely unscathed! The reels appear in various guises and the dancing becomes more frenzied as the pace accelerates to the end.
Estimated dispatch 7-14 working days
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£13.95VITORIA (Peninsula March No.2) (Programme Concert Band Extra Score) - Ellerby, Martin
Extra Score Vitoria was fought towards the end of the campaign in 1813 and this major key march depicts this overwhelming victory and happy spiritis of the soldiers after the confrontation. Also available: Salamanca (Peninsula March No.1) Duration: 2:59 Grade 3
Estimated dispatch 7-14 working days
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£69.95VITORIA (Peninsula March No.2) (Programme Concert Band) - Ellerby, Martin
Vitoria was fought towards the end of the campaign in 1813 and this major key march depicts this overwhelming victory and happy spiritis of the soldiers after the confrontation. Also available: Salamanca (Peninsula March No.1) Duration: 2:59 Grade 3
Estimated dispatch 7-14 working days
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£34.95WILL YE NO' COME BACK AGAIN? (Simply Classics Concert Band) - Turnbull, Kit
Will Ye No' Come Band Again?' is the common name given to the poem "Bonnie Charlie" by Carolina Oliphant (Lady Nairne). The Poem is about the end of the Jacobite rising of 1745, which culminated in the battle of Culloden. The poem was later set to a traditional Scottish folk tune, and is commonly used as a song of farewell.
Estimated dispatch 7-14 working days
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£53.50O LITTLE TOWN OF BETHLEHEM (Mannheim Steamroller Concert Band) - Davis & Longfield
Rich contemporary harmonies in a setting that features a flugelhorn soloist at the beginning and again at the end.?
Estimated dispatch 7-14 working days
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£99.99Veni Immanuel
The Advent hymn we all know today as O Come, O Come, Immanuel was arranged in its modern form by Thomas Helmore and published in Hymnal Noted in 1856. Both the words and melody, however, predate this version by centuries.The tune, Veni Immanuel, is taken from a 15th century processional of French Franciscan nuns, part of the setting for the funeral hymn Libera Me. This arrangement aims to expand on the power and mystery of the original tune and will be most effective if the solo trumpet at the start and end of the piece can be placed away from the band, maybe at the back of the auditorium.
Estimated dispatch 7-14 working days
