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£91.20Du und Du - Johann Strauss
Strausss Waltz Du und Du (You and You), published around the end of 1874, is based on motives from the operetta Die Fledermaus (The BaT) and named after one of its melodies, the famous chorus of Act II. The introduction, in triple meter(3/4), never modulates away from its basic key, F major. Du und Du contains 3 waltzes, each of them in the traditional structure ABA. After the third and last waltz, the piece concludes with a coda that elaborates fragments from the previouswaltzes.
Estimated dispatch 7-14 working days
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£109.99Grnemeyer! - Herbert Grönemeyer
The German singer and actor Herbert Grnemeyer has remained faithful to his own style since the beginning of his career in the eighties, yet still managed to further develop his craft and himself, all the while remaining successful. His albums sell well, and his concerts,especially in Germany, are frequently sold out. Wolfgang Wssner chose four diverse songs from Grnemeyer's extensive repertoire (Mnner, Mensch, Flugzeuge im Bauch and Mambo), creating a medley that remains exciting to the very end.
Estimated dispatch 7-14 working days
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£57.50O Come, O Come, Emmanuel
Here is a traditional Christmas favorite in a totally new and unexpected setting! Michael Brown's stylized version uses new harmonies and a contemporary driving 5/4 pattern in the beginning and end to achieve a wonderful effect.
Estimated dispatch 7-14 working days
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£149.99
Concertante Ouverture - Jef Maes
This fantastic overture of the Belgian composer Jef Maes formed the end work of Georges Moreau, in the same class as Jan Van der Roost. Virtuoso passages alternate with rich instrumented melodic fragments and thereby create a wide symphonic sound image. A stylish opening work for your concert, but also ideal for coming straight to the point in competitions.
Estimated dispatch 7-14 working days
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£89.99Centennial Prelude - Jan Van der Roost
This short opening music was composed on commission of the symphonic band of Jan Van der Roost's village (= Kontich near Antwerp / Belgium). In 1991, this community band celebrated its 100th anniversary. After composing commissioned pieces from different countries (even from Japan), this was the most 'near' commission he ever received indeed!It is a short but varied piece, featuring all sections of the band. After a short introduction, played by the brass instruments, a crisp rhythm starts and boxes the main theme. After a second theme, played by brass and percussion, a short melodical passage brings some 'rest'. At the end, the fanfare of the introductionreoccurs.Although this "Centennial Prelude" isn't a really demanding piece, it sounds colourful and energetic. It has been recorded on CD by the band of the 'Royal Dutch Airforce' and the 'Desford Colliery Brass band'.
Estimated dispatch 7-14 working days
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£54.99Who's next? - David Well
Who begins? Who follows? In 'Who's next?' the orchestra is divided up into two parts a number of times. The division seems random, but on close scrutiny it becomes clear at the end that sides are clearly taken, also in playing the melody, first one section and then .... who'll be next? 'Who's next?' is solid Rock, no nonsense, going straight ahead.
Estimated dispatch 7-14 working days
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£252.50Gopak - Eric Ewazen
Gopak is the first movement of a set of Symphonic Dances written for the Hofstra Unibersity Wind Ensemble, directed by Peter Boonshaft, who commissioned and premiered the work in 2009. Gopak is a tribute to my Polish and Ukrainian roots. My father used to dance traditional Ukrainian dances including the Gopak, and some of my earliest musical memories include the joyful, energetic, and rhythmic feel of those wonderful folk dances.Gopak has a strong feeling of two beats, is accented quite heavily, and is energetic from beginning to end. The melodies are completely original, but the lively feel of the music calls to my mind the energy of the Gopak, notes composer Eric Ewazen.
Estimated dispatch 7-14 working days
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£121.00Tock - Kenneth Froelich
Tock is a single movement work for concert band that uses percussion and asymmetrical rhythms to mimic the "tocking" of a broken clock. The repetition of melodies and of motive fragments are used to establish a regular pulse; however, while this pulse is steady, it is not even. A five-four time signature, a syncopated bass line and irregular phrases are all used to offset the central beat of the music. Much like the clock, the end result is a dance that seems consistent but is in fact "broken." Its a work that is both fascinating and creative, excellent cutting-edge writing for upper-level ensembles.
Estimated dispatch 7-14 working days
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£71.50Evening Song - David Gorham
The warm, lyric nature of Evening Song creates a quiet and peaceful moment on concert programs. The flowing melodic lines create a calm and serene setting reminiscent of the peace and tranquility that comes at the end of a long and eventful day. While quiet in nature, the work makes a strong statement about the ability of music to directly influence ones emotion and feelings.
Estimated dispatch 7-14 working days
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£245.50Abstractions 1 - Marcel Peeters
With this composition I have tried to reproduce, in an abstract way, the different aspects of the actual life. One will discover alternatively spiritual and secular aspects - the never ceasing boisterous agitation, the electronically disturbed society and, from time to time, the modern romanticism of the end of the twentieth century. I want to express my gratitude to the conductor and the musicians for their enthusiasm and technical dexterity which any performance of this composition fully requires.Marcel Peeters
Estimated dispatch 7-14 working days
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