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£38.50The Blue Iguana - Robert Longfield
Here is a solid teaching piece for beginning bands featuring an infectious rhythmic groove and a contemporary Latin feel. The tuneful melody is passed around to all sections, and the percussion section is featured throughout. The First Concepts Series features simplified instrumentations, unison bass lines, optional advanced snare drum parts, and optional piano accompaniments.
Estimated dispatch 7-14 working days
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£48.60O Northern Star - Stephen Pollock
O Northern Star was originally composed for saxophone by Stephen Pollock, reminiscent of many an old folk song from the British Isles. Here, it has been arranged for Concert Band by Ryan Westberry.
Estimated dispatch 7-14 working days
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£72.99Lodestar Fanfare - Richard L. Saucedo
Named for the star which is used to guide the course of a ship, this two-minute fanfare for mature players is an exciting way to open any concert. Featuring colorful harmonies, antiphonal passages for the upper woodwinds, andplenty of rhythm energy, your players will enjoy digging into the rewarding technical challenges and the musical pay-off provided by Lodestar Fanfare!
Estimated dispatch 7-14 working days
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£89.99Hymn of Cittaslow - Jacob de Haan
Cittaslow is an international network of more than 220 towns in 30 countries. Its members are towns where people are still finding themselves reminiscing over the old times; towns that are rich in theatres, squares, cafs, restaurants and spiritual places; towns with untouched landscapes and charming craftsman where people are still able to recognize the slow course of the seasons, and respect their authentic products, true taste as well as their health. The Hymn of Cittaslow, which was commissioned by the organisation itself, is entirely inspired by their commitment to the preservation of the member towns. The tempo is naturally 'slow', and the themes somehow soundfamiliar. On the one hand, the music emanates peace and quiet, but it also sounds grand in its lyricism, thereby reflecting the beauty of the Cittaslow towns.
Estimated dispatch 7-14 working days
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£89.60Quando, Quando, Quando - Tony Reins
The song was originally with Italian lyrics, recorded by Tony Renis and Emilio Pericoli in 1962. American entertainer Pat Boone recorded the song the same year, with English lyrics; "Tell Me When Will You Be Mine". The song is one of the best-selling singles of all time. It has been used by many artists and in many different arrangements, including Engelbert Humperdinck in 1968, Connie Francis in 1963, Michael Bubl in 2005. "Quando, Quando, Quando" is arranged in a samba rhythm style, and gives an opportunity to add some Latin hand percussion to the group, such as Chocalho (shaker), Cabasa, Tamborim (Hand Drum), Agogo bells, etc.
Estimated dispatch 7-14 working days
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£209.99Euphonium Concerto - Satoshi Yagisawa
This three-movement concerto (Allegro con brio, Espressivo and Vivacissimo) was commissioned by the famous Japanese euphonium player Tamao Araki. It demands a high level of instrumental proficiency from the soloist, while the accompaniment is less demanding and accessible for a band of an average level. Yagisawa's clever use of the euphonium's colourful sound palette with its beautiful melodic lines makes this composition a rare jewel.
Estimated dispatch 7-14 working days
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£53.50Let It Be - John Lennon
From the Beatles later period and featured in the recent movie Yesterday, here is an easy setting of this familiar rock anthem. Powerfully scored for second year players.
Estimated dispatch 7-14 working days
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£144.99The Air Race - Otto M. Schwarz
In 1934, the city of Melbourne celebrated its centenary and marked the occasion with the MacRobertson International Air Race. KLM's entry was its first DC-2, PH-AJU 'Uiver' (Stork), which took off on 20 October 1934. Shortly before the finish, the plane had to make an emergency landing due to poor weather conditions. The following morning, the entire town turned out to dig the aircraft out of the mud, enabling to resume its flight. Nonetheless, the distance was covered in three days, 18 hours and 17 minutes: a winning performance! This programmatic piece tells the story describing the start of the engines in bar one, the flight over the clouds, the thunderstorm, theemergency landing and many more scenes!
Estimated dispatch 7-14 working days
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£205.30Mitt hjerte alltid vanker - Fantasi - Hans Adolph Brorson
This arrangement was commissioned by B3 (The Bergen Woodwind Ensemble). B3 is a large woodwind ensemble located in Bergen with a mix of professional and amateur players. My Heart Remains in Wonder is a well-known Christmas hymn in Scandinavia. I wanted my version to be different to the traditional hymn tune style in which it is normally performed. One day I was outside walking and this idea came to me: an ostinato-like, mechanical skeleton of arpeggio semiquavers on which I could 'hang' the melody. However, I also wanted to do the melody line a bit different. The inspiration for this comes from folk music and the way fiddlers hardly ever lift their bow off the strings when they play. Because of this, it is important that the melody is played in a very sostenuto style in this arrangement. The harmonies lie somewhere between jazz and folk music with a little nod towards Grieg (himself heavily influenced by folk music) in the slow middle section.
Estimated dispatch 7-14 working days
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£435.40Goldberg 2012 - Svein H. Giske
The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-
Estimated dispatch 7-14 working days
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