Results
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£154.99Achnaton - Jan Bosveld
The Egyptian pharaoh Amenhotep IV, better known as Achnaton, was the second son and successor of Amenhotep III. He reigned the New Kingdom from 1353 until 1336 BC. Achnatons lack of interest in the economic well-being of Egypt ushered ina revolutionary period in Egyptian history. His harsh reign induced much suffering under the population. During this period when it was customary for a pharaoh to have many wives, he had taken his cousin Nefertete to reign as queen at hisside. An elegant and very beautiful woman, she used her influence to ease the turmoil caused by Achnaton. Combined with her grace, her presence at public functions led to a greater popularity among her subjects than the pharaoh enjoyedhimself. Being mostly preoccupied with religious questions, he declared that all the other gods did not exist. There was only one god, the Aten, and it was the sun itself. It was now necessary to change his name: 'Amenhotep' meaning 'the god Amun is satisfied', because he didnt want to be associated with Amun or any of the other deities. He renamed himself 'Achnaton' which means 'servant of the Aten' -- a much more appropriate title! In the sixth year of his reignAchnaton also moved the capital to a brand new city called Achet-Aton ('the Horizon of the Aten') which was where Tel el-Amarna stands today. He did this to further isolate himself from the 'old' religion, since the previous capital Thebes was thecentre of worship of Amun. This new religion created an up rise among the population and high priests. In spite of Nefertetes influence, the falling economy and religious conflict resulted in the decline of the Egyptian empire. Hoping toforget it ever happened, people later tried to eradicate all traces of Achnaton and his successors rule by smashing their statues, mutilating their mummies, and ruining their relief carvings. From that moment on he was remembered as the'heretic king'. This composition was partially funded by the 'Prins Bernhard Cultuurfonds'.
Estimated dispatch 7-14 working days
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£149.99The Road to the West - Carl Wittrock
As he did before in the often played and commonly appreciated 'Lord Tullamore', in which he poetically depicted the landscape and the cultural elements of a small Irish village, in his composition 'The Road to the West' Carl Wittrock has sketched pioneer existence in America in a cinematic manner.In 'The Road to the West' the composer has tried to capture images of pioneer life during the period dating from 1850 to 1890, the days of the so-called Wild West.In those days, the Wild West used to be the territory west of civilization, the domain of cowboys, trappers, and other fortune hunters. In short, ample ingredients for a captivating story.In the firstscene a lonely adventurer struggles against nature and the elements. After an exciting adventure he passes through 'the Plains', where majestic views alternated by colossal mountain ranges display an almost unimaginable beauty.After weeks of isolation civilization is reached again. 'The Saloon' is the perfect meeting place here news is exchanged and hilarious scenes regularly take place.
Estimated dispatch 7-14 working days
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£84.99Make my day - Ron Gilmore
Make My Day is an aptly titled piece by Ron Gilmore, designed to put a whole concert hall in the mood. Features a dramatic encore that will linger long in the ear and the mind of the listener. An ideal addition to your repertoire that really will 'make your day'!
Estimated dispatch 7-14 working days
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£279.99Analecta Varia - Harrie Janssen
Harrie Janssen composed Analecta Varia in memory of Henk van Lijnschooten (1928-2006). He has been of great influence on the Dutch music for wind instruments. As a conductor and as a member of the jury, but above all as a prominent composer. Consists of eight sound studies that can also be performed separately. In each part a particular orchestral aspect is the central point. The eight parts 1. Choral: ensemble in monophonic texture. 2. Air: relatively free line patterns combined with a constant pulse. 3. Pavana: constant rhythmicity culminating in an orchestral tutti. 4. Lullaby: dissonant harmonyabove an organ point in a filigree instrumentation. 5. Chaconne: color and virtuosity combined with a rigid pasacaglian theme. 6. Interlude: antithesis woodwind/brass and followed by a synthesis of the before. 7. Fugue: ensemble in a polyphonic texture. 8. Epilogue: final canto in a preponderating strong dynamic, where a constant euphony has to be pursued.
Estimated dispatch 7-14 working days
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£89.99Deilig er Jorden
The pilgrim's song "Deilig er Jorden " can be called an international carol. The Norwegian text was written by Danish poet Inge Bernhardmann on a melody of Polish origin. A majestic carol! Therefore particularly suitable as an opening work for your Christmas concert. Optional with organ.
Estimated dispatch 7-14 working days
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£102.99Consolat de Mar - Ferrer Ferran
Consolat de Mar is an uplifting Spanish paso doble, expertly crafted to make it an ideal concert opener. The introduction and the following runs convey the pride of the Spanish character. The trio develops a gentle melody that provides a nice contrast to a solemn march-like passage. Dance music at its best!
Estimated dispatch 7-14 working days
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£134.99Iberian Trumpets - Ferrer Ferran
Iberian Trumpets is a characteristically Spanish, lively and warm-hearted composition in four movements. The opening cadence is in the form of a cante jondo - a _x005F_x001D_flamenco song. Now follows a fandango, which in turn heralds a gypsy dance with castanets. The middle section is a bolero, an enchanting melody over a continual ostinato, which leads to an energetic repeat of the fandango.
Estimated dispatch 7-14 working days
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£90.30Hymne a la Musique - Serge Lancen
This hymn, written in 1970 and published in 1971, is dedicated to the youth of the famous 'Banda Primitiva' of Lliria (Spain), an outstanding symphonic band that has welcomed Serge Lancen many times. The composer performed as a soloist with this prestigious band and was made an honorary member of their society. The Banda Primitiva, conducted by Jos Maria Malato Ruiz, premiered the Hymne la Musique at a concert in Lliria on 23 October 1972. This tribute to music is one of Lancen's easiest compositions, yet it is a little jewel based on a simple theme introduced by the clarinets and the saxophones. The tune develops slowly and, by means of a crescendo, ends in a culminating point bringing together all musicians.
Estimated dispatch 7-14 working days
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£159.60Cordilleras de Los Andes - Arie Malando
Subtitled Bergen Cyclus (Cyclus of Mountains) as it should be considered a continuation of an earlier work Rivieren Cyclus (Cyclus of Rivers).The Dutch composer Malando was often inspired by original Latin-american music. Being a percussionist himself he often made use of exotic percussion-instruments in his orchestrations. Malando earned his greatest fame as a composer of tangos. His most famous tango Ol Guapa was said to be played almost every minute in some or other place in the world. Short before his death Malando made two tours to Japan where his music (and his orchestra) enjoyed a tremendous popularity.Kees Vlak is not only active as an arranger - as is the case with this Malando composition - but also as a composer in the Spanish and Latin-american idiom. In the Spanish genre he wrote several Suites: Paso Cabaio,Paso Flamenco, El Paso Montanesa and El Paso Moro Gitano. In the Latin-american genre he wrote the Antillian Suite and the Windward Islands Suite.
Estimated dispatch 7-14 working days
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£286.40Fourth Symphony - Alfred Reed
Commissioned for the World Music Festival in Kerkrade, Holland, in July 1993, this work was completed in the summer of 1992, with the composer reading the final proofs in November of that year. The music is in three movements, an opening Elegy built largely on a gentle, insisting, basic rhythm first heard in the flutes under the main theme in the oboe. These two motifs are developed through all of the colours of the wind band, at times sorrowful and song-like, and at other times highly dramatic in character, before the movement finally settles down to a soft close on an E minor chord after having been heard mainly as non-tonal in structure and feeling throughout. The second movement, by way of contrast, a gracious Intermezzo, is developed from a quiet, lilting theme with just a touch of Latin flavour, featuring the woodwind colours of the band cast in 5/8 meter through much of the texture. Joining the wind and soft percussion colours here is the harp, which at times seems almost to be sounding as a large Spanish guitar strumming accompaniments to the various melodic lines. The third movement, again as a major contrast to what has come before, is a fiery Tarantella, drawing on a fugal-like theme that is developed with all of the virtuosity inherent in the modern, fully integrated wind group, and which sweeps along relentlessly to a final, brilliant conclusion both as to its own movement and the work as a whole.
Estimated dispatch 7-14 working days
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