Results
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£48.95Campfire Sketches
Campfire Sketches was inspired by songs of the old west-folk songs that pioneers might have sung while sitting around a campfire. The first movement, All the Pretty Little Horses, is a lullaby that is perfect for teaching legato playing and phrasing. The second movement, Cindy, is an up-tempo number in an old west style that gives all sections a chance to sparkle.
Estimated dispatch 7-14 working days
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£66.95Vistas - Steve Hodges
Featuring two melodic motives that are developed texturally and rhythmically throughout the piece, Vistas begins in a light, reflective manner before gradually building into a majestic contrapuntal statement by the brass. A driving percussion introduction begins the Vigoroso section and provides the rhythmic foundation for the second Vista. This minor setting of the initial motives provides an exciting variation that features a variety of meter changes and syncopated passages. A restatement of the initial motives with the driving rhythmic accompaniment begins an extended conclusion that brings the piece to a dynamic finish.
Estimated dispatch 7-14 working days
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£52.95Flight of the Intrepid - Vince Gassi
Canadian composer Vince Gassi takes your young musicians on a voyage of courage and bravery with Flight of the Intrepid and its driving rhythms and heroic harmonies. A solemn lyrical section with independent melodic lines provides the perfect contrast to the dynamic opening and closing sections of this work. This is an ideal piece for your developing snare drummers, and is an excellent concert or contest selection. This title is available in SmartMusic.
Estimated dispatch 7-14 working days
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£53.95Percussion Mystique - Frank Erickson
Mystique: a complex of attitudes developing around an idea and a special skill, essential in an activity. The attitude in this composition is that of the excitement, as well as the subtleties of percussion playing. The special skill is apparent in the featured percussion parts themselves.
Estimated dispatch 7-14 working days
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£118.99Fascinating Ribbons - Joan Tower
G. Schirmer Concert Band - Grade 3-5 Joan Tower's first major work for winds is characterized by an energetic style that is colorful, rhythmic, and muscular. The title refers to the many contours of motives shaped in curved ribbonpatterns. Commissioned by the College Band Directors National Association and premiered at the national conference in 2001, this is an important addition to the contemporary repertoire for band. (Grade 5) (11:00)
Estimated dispatch 7-14 working days
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£140.80Concertino for Tuba - Carlos Marques
At last here we have an interesting and quite playable solo concert for the tuba, a too often undervalued wind instrument. This concerto was written for and dedicated to the Portuguese tuba player Adlio Carneiro. Composer Carlos Marques who wrote already some successful pieces for Molenaar Edition such as 'Cassiopeia' and 'Transit of Venus' warrants an accessible and excellent wind band orchestration.
Estimated dispatch 7-14 working days
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£119.60BAIA - Lionel Beltrán-Cecilia
BAIA is a symphonic episode inspired by the submerged Italian city. Through its melodies and sound effects, the authoraims to transport the audience to different moments, providing an aquatic perspective from the eyes of a restless andadventurous fish. This musical journey leads to the exploration of the city of Baia and its archaeological richness preservedbeneath the marine depths, even across time.[...In its time, Baia was an ancient Roman city that flourished during the 1st and 2nd centuries AD. It was a luxuriousdestination and a significant political and social centre in the Roman Empire. Renowned for its thermal baths, impressivearchitecture, and beautiful natural surroundings, the city became a popular retreat for Roman high society, including emperors,nobles, and artists. However, over the centuries, Baia was affected by volcanic activity and changes in the coastline, resulting ina significant portion of the city being submerged underwater. Today, the remains of Baia lie beneath the waters of the gulf,turning it into a fascinating underwater archaeological site...]
Estimated dispatch 7-14 working days
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£138.00San Pedro de Alcntara - Valdemar Gomes
The Spanish war galleon with 64 cannons, built in Cuba between 1770 and 1771 for an English shipowner in the service of the King of Spain left Peru for Cadiz in 1784 with a huge cargo of copper, gold, silver and other valuables on board. There were also more than 400 people on board, including passengers, crew and Inca prisoners after a revolt. The Atlantic crossing went smoothly, passing Portugal to take advantage of favourable winds. The shipwreck off Peniche was the result of human error, apparently due to French maps with dramatic errors in the position of the islands of Berlengas and neighbouring islets. On 2 February 1786, the sea was calm and the night clear, but they hit the rock formation Papoa and the hull immediately broke in two. The bottom sank quickly, while the deck remained afloat for some time. 128 people lost their lives, including many Indians who were trapped in the basement. This shipwreck is considered one of the most important in maritime history.What the composer wants to convey, and what can be felt as one listens, is first of all the sound of power, of hope, of the glory of conquest, of the splendour of wealth. This is followed by the perception of the maritime environment, the harmony with the softness of the ocean, the gliding of the hull in the foam of the sea on sunny, blue days. But along with this tranquillity, you soon hear a rhythmic chain that makes you feel a representation of the hustle and bustle, of the busy crew, of the hard work of a sailor, of the desperation of an exotic people imprisoned in a dark, damp cellar. A distinct rhythm that reminds us of the "salero" of Andalusia, with its Arab influences and its people, the soothing of the resignation of others who are forced to submit. Then we clearly hear a crescendo that makes us imagine the agony of the collision that precedes the shipwreck. The breaking of the hull, the water flooding everything, the despair, the clash of bodies on the rocks, the tragedy to come. Before the "grand finale", in which the return of musical softness reminds us that the story is over. The supremacy of nature over human greed. The waves, though gentle, sweep the wreckage, the lives and the treasures of the New World to the bottom of the sea.
Estimated dispatch 7-14 working days
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£59.80Alte Kameraden - Carl Teike
It is the greatest tragedy in the life of a young composer if he happens to write his most successful piece at the beginning of his musical career. This holds true for Carl Teike, as the unsurpassed success at the beginning of his musical life was his march "Old Comrades". It is a sparkling piece that may well be labeled to be the German "march of marches". Carl Teike was born on Feb. 05, 1864 in Altdamm. After his parents had moved to Stettin, he had early contacts with military music as a youngster. The enthusiasm for this kind of music never left him throughout his life. He began a musical apprenticeship with City Music Director Bttcher in Wollin and already played in the spa orchestra of Bad Misdroy, which Bttcher conducted. Upon completing his apprenticeship, he enlisted as a volunteer in the band of the (5th Wrttemberg) King Karl Grenadiers No. 123 in Ulm. The musical and military environment there proved to be ideal for the ambitious young musician, who hoped to eventually study band music at the University of Music in Berlin. Above all, his military superior, bandmaster Julius Schreck supported young Teike wherever he could. Unfortunately the time in Ulm took a very unhappy turn, as Schreck's successor was extremely resentful towards Teike, and musical support was replaced by sheer harassment. On account of this, Teike retired from the military towards the end of 1889. Short employments in Ravensburg and Ulm evidently did not suit Teike, who was of northern German descent. This is why he applied for the Royal Police Force in Potsdam. Teike was accepted and entered service in 1895. The royal capital of the Hohenzollerns obviously stirred Teike to write a number of brilliant marches. He even became known abroad as the "musical policeman". Unfortunately he contracted a severe pneumonia while on duty, which eventually forced him to retire from the Royal Police Force in Potsdam. On February 01, 1909 he and his family moved to the prosperous provincial city of Landsberg on the Warthe (which is located east of Berlin in present-day Poland). There, Count Clairon d'Haussonville proved to be an understanding superior who paved the way for modest Carl Teike to continue composing, as his creativity had not suffered from this move. The disease which he had caught in Potsdam evidently was more severe than he was inclined to accept. In spring 1922, his state of health became worse, and in May of that year he passed away. Much too early - as many people felt. Teike's marches constitute an enrichment of the German concert march, as he never composed any street marches. Clear structures, musical ingenuity and a multitude of tone colors distinguish his works and shape them into something really new. It is this type of the march in particular that became the bedrock of the universal appeal of the German march. Even today Teike's marches stand unrivaled for musical quality and content - and they never are aggressive. Toward the end of his tour of duty in Ulm, Teike handed a new march to his superior, which, at the time, did not have a title yet. He in turn told Teike to "put it in a stove and burn it". As we know today, this was a classic misappraisal, as Teike subsequently named his march "Old Comrades" in view of his impending retirement. We do not even need to discuss the acceptance the march has met and still meets all over the world, as "Old Comrades" simply always has been a march of universal appeal. In his new arrangement, Siegfried Rundel did not change the essence of Teike's music, he rather sensitively adapted it to modern musical practice and to the instrumentation of the symphonic band on the basis of his deep respect for the works of Carl Teike.
Estimated dispatch 7-14 working days
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£228.70Reflections - Suite on a Norwegian Folk Tune - John Brakstad
The suite is constructed around a Norwegian folk tune. The melody is called "Dark Forebodings", and the words of the song revolve around thoughts and reflections on a future that can take unexpected, insecure, or perhaps dramatic and tragic turns.This is essentially a sad song with a beautiful melody. The folk tune itself is presented in the 2nd movement. In the 1st movement, the folk tune is joined with fleeting themes that indicate the unexpected; as if the music sometimesis confused as to which way to go. There are constant changes in atmosphere and feeling, from the harsh and dissonant, to the harmonious and melodic. The 3rd movement presents a more lively variant of thefolk tune, showing optimism andhappiness, even though the "halting" character of the rhythm underscores the unpredictable. The title "Reflections", therefore, refers to thoughts we can have about life. To the Conductor:The 2nd movement has an alternativeending which is may be used if the movement is played as an independent lyrical piece in a concert.It is advisable to begin first rehersal with the 2nd movement so that the main theme is known, before beginning on the 1st movement with itsmore semi-tonal parts. Intervals and intonation can provide much of the challenge in this movement.The 3rd movement can be more technically challenging, but there is considerable leeway in the tempo marking! It is important to maintain theenergy and intensity of the music through the whole movement.
Estimated dispatch 7-14 working days
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