Results
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£159.99Carnival - Thomas Doss
This work was commissioned by Marktmusik Timelkam to celebrate its 170th anniversary. It describes the cultural life and hustle and bustle of the band's home base, the Austrian town of Timelkam. Carnival pictures a festive procession starting at the marketplace and lasting well into the night. The work features many 'carnivalesque' elements and is a joy for players to perform. There is a lot of merry activity going on in the music; people cheerily chatting in the inn; singing and dancing together and having fun. There is also room for a melancholy mood, accompanied by reminiscences about eternal goodbyes and searching for love. With the added musical representation of children's playing and pranks, a beautiful sunrise as well as a depiction of the churches and societies in town, this composition is not just an account of a carnival parade but a small portrayal of life.
Estimated dispatch 7-14 working days
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£105.80No War - Marco Somadossi
The theme of this composition is immediately evident from the title, which almost requires no further explanation. It will never be possible to represent or reproduce the full implications of a tragedy such as war, all too often forgotten, concealed, exploited or written off as being an evil that is "necessary" for the development of civilisation. War changes the course of human history: man kills man, fathers bury their sons, children take up arms, and mankind is devastated by evil, choosing death over life. The atrocities, repeatedly perpetrated and evident to all observers, are an offence to human dignity. Yet they are tolerated and, at times, even re-interpreted as inevitable remedies for "obstacles" to the global economy, in order- it would seem- to build "a better world". And all this goes on despite the fact that the terrible scars left by past wars are still evident and should serve as a warning to ensure that such tragedies do not return to devastate our world. "No War" is thus a heart-felt protest against any form of culture that justifies war as a means of gaining wealth and power, satisfying the economic needs of the richest countries at the expense of the poorest nations. In so doing the one truly fundamental value is annihilated, that of human life.
Estimated dispatch 7-14 working days
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£159.99Carnival (Concert Band - Score and Parts) - Doss, Thomas
This work was commissioned by Marktmusik Timelkam to celebrate its 170th anniversary. It describes the cultural life and hustle and bustle of the band's home base, the Austrian town of Timelkam. Carnival pictures a festive procession starting at the marketplace and lasting well into the night. The work features many carnivalesque elements and is a joy for players to perform. There is a lot of merry activity going on in the music; people cheerily chatting in the inn; singing and dancing together and having fun. There is also room for a melancholy mood, accompanied by reminiscences about eternal goodbyes and searching for love. With the added musical representation of children's playing and pranks, a beautiful sunrise as well as a depiction of the churches and societies in town, this composition is not just an account of a carnival parade but a small portrayal of life.Duration: 11.30
Estimated dispatch 7-14 working days
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£60.99
Der Zaubermarsch - Rob Ares
On 30th September 1791, a few months before his death, the opera "Die Zauberflote" (The Magic Flute) by Wolfgang Amadeus Mozart was given its first performance. It was remarkable that despite his ill health and his disastrous financial situation he was able to compose a work of such comic genius. Mozart composed the overture in the two days before the premier of the opera and it is on this overture that this transcription is based. To perform the work 'a la Mozart' only the timpani part should be used, the additional percussion parts have been added by the arranger and are therefore optional.Mozart 40th SymphonyThe Austrian composer Wolfgang Amadeus Mozart lived atragically short life of thirty-five years. Towards the end of his life in the summer of 1788, he wrote three symphonies in the span of a little over six weeks. His Symphony No.40 in G Minor was one of those great works. This setting of the first movement from that Symphony provides ample demonstration of the composer's grace, inventiveness and pervasive sense of humour, which can be found throughout his music.
Estimated dispatch 7-14 working days
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£69.99Westminster Prelude - Philip Sparke
London is famous for its history and pageantry. No part of the city epitomises this better than the area known as Westminster. It is home to The Houses of Parliament and Big Ben, Westminster Abbey, Westminster Bridge and numerous other historical sites. It also hosts many annual parliamentary ceremonies that characterise London life. Westminster Prelude aims to capture the mood of life in this famous part of London, both the majesty of its history and the pomp of its ceremonies.
Estimated dispatch 7-14 working days
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£141.60Story Book - Daniele Carnevali
The piece, commissioned in 2001 by the Banda Civica di Soncino, is one of several works that have been specifically written for this prestigious wind orchestra by a number of well-known North European composers. "Story Book" is inspired by a group of tales that are a mixture of history and legend- the former based on historical facts, the latter on traditional beliefs- all connected with life in Soncino (a farming and industrial community in the Cremona plain). The tales are all involves events in the castle (which is still in very good condition) and life at court during the late Middle Ages and early Renaissance period. As the piece develops, it recounts the legend of strange presences in the castle tower (Phantom of the red tower), the bloody battle against invaders (The battle), the foggy landscape and strange female figures seen floating over marshland where there was once a lake (Enchanted lake), and finally the ceremony in the castle's Piazza d'Armi to celebrate victory over the invaders.
Estimated dispatch 7-14 working days
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£75.00I Believe in Springtime (Trumpet Solo (or Childrens Choir) with Concert Band - Score and Parts) - Rutter, John - Noble, Paul
I Believe in Springtime is a celebration of life, with text and music by John Rutter. The original scoring was for children's choir, optional SATB chorus, and small orchestra. This arrangement maintains the original elements, with children's choir, optional SATB chorus, and band. In the absence of the children's choir, the arrangement is scored for solo trumpet, with the SATB parts performed by various sections of the band. Either way, the simple beauty of the melody gives this piece an air of refreshment to the meaning and beauty of life.
Estimated dispatch 7-14 working days
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£69.99Westminster Prelude (Concert Band - Score and Parts) - Sparke, Philip
London is famous for its history and pageantry. No part of the city epitomises this better than the area known as Westminster. It is home to The Houses of Parliament and Big Ben, Westminster Abbey, Westminster Bridge and numerous other historical sites. It also hosts many annual parliamentary ceremonies that characterise London life. Westminster Prelude aims to capture the mood of life in this famous part of London, both the majesty of its history and the pomp of its ceremonies.Duration: 2:30
Estimated dispatch 7-14 working days
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£123.203 Letzte Motetten - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892.Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra.These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz.From this developed his personal standpoint, which always pursues the connection between the old and the new.
Estimated dispatch 7-14 working days
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£256.0014 Motetten - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892.Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra.These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz.From this developed his personal standpoint, which always pursues the connection between the old and the new.
Estimated dispatch 7-14 working days
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