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£84.99A Copland Portrait - David Conte
Originally commissioned by maestro Neal Gittleman, A Copland Portrait was premiered by the Dayton Philharmonic Orchestra in January 2000. In March of 2015, First Lieutenant Ryan Nowlin's transcription of this work for band was premiered by "The President's Own" United States Marine Band under the direction of Lieutenant Colonel Jason Fettig. ECS Publishing is proud to offer both the band and the orchestra version. Conte on the creation of this overture: "I set out quite consciously to evoke various aspects of Copland's work by combining and recombining them within the terms of my own musical personality. For example, the first theme of A Copland Portrait combines the character of a theme from The Red Pony with the rhythmic texture of the scherzo of the Third Symphony. While composing the piece I was conscious of drawing inspiration from many of Copland's works; a melodic shape here, a harmonic gesture there, until I arrived at something that felt fresh and new to me. A Copland Portrait is cast in a traditional Sonata-Allegro form. After a vigorous, syncopated orchestral tutti, the first theme is announced in the solo oboe, accompanied by a steady eighth-note ostinato. Playful interjections are stated in the flute and bassoon. The syncopated tutti returns; the first theme is stated again, this time in the low winds. This theme builds to a colorful climax, leading into a more dissonant transition section, which gradually slows and gives way to a lilting, more lyrical second theme in the clarinet. After some modest development of the second theme, a more plaintive theme stated in the muted trumpet brings the exposition to a close. A scherzando development section follows; the first four notes of the first theme are inverted and subjected to various contrapuntal treatments. This development section ends with a return of the opening syncopated motive, leading into a recapitulation of the first theme, this time in canon, and the second theme and closing theme, broadly sung. A brilliant toccata-style coda brings A Copland Portrait to a brisk conclusion."
Estimated dispatch 7-14 working days
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£94.99O Christmas Tree
The tradition of the Christmas tree in Western Europe dates back to a time long before any Christianization had taken place. During the severely cold winter nights, so it was believed, evil spirits tried to 'kill' nature. Needle-leaved trees were the only ones which kept their green colour throughout the year, and therefore became symbols of immortality. These 'living' trees, said to be the work of benign spirits, were brought into people's houses to ward off evil, life-threatening powers. In the 14th century people first started to decorate Christmas trees. It was a pagan custom, originated by the inhabitants of Alsace. This custom was taken over by the Church inthe course of the 15th and 16th century. At first the decoration consisted mainly of edibles, such as apples and wafers, but later small presents were added. Legend has it that the reformer Martin Luther was the first person to decorate a Christmas tree with candles. The flickering candle flames were meant to create the image of a starry sky in which Christ's apparition could be recognized. The German organ-player Ernst Anschtz from Leipzig was the first person to notate the song 'O Tannenbaum', the melody being a well-known folk song. Next to 'Stille Nacht' 'O Tannenbaum' is the most famous German Christmas song, now known throughout the world. In the United States of America the melody of 'O Tannenbaum' has even been used in four States (among which the State of Maryland) for their State song. In David Well's arrangement the song is first heard as many of us know it. After this introduction, however, it is transformed into a solid rock version, and the beat has been changed. In the second part the familiar three-four time is back, but here the rhythm is different from the original. After the richly ornamented rock beat the basic theme can be heard once again and the composition is concluded in a festive manner.
Estimated dispatch 7-14 working days
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£84.99
Creamy and Crispy - Marc Cunningham
This composition of Marc Cunningham has four parts, and takes place on a sunny day in a picturesque town. 1. Promenade Many people walk through the city. The band passes through the streets. People are strolling along the avenues and amorous couples are sitting on a park bench. 2. Lovey Dovey One of these couples is knee-deep in love. 3. Crispy and Creamy Here the contrasts between a crisp staccato section in two-four time signature and a smooth legato section in three-four time signature are depicted. Is Crispy the boy and Creamy the girl? 4. Farewell In the last particle the couple says goodbye. We still think back tothe walk through the city. It sounds a little less happy now. Not everyone is good at saying goodbye, sometimes a tear flows.
Estimated dispatch 7-14 working days
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£141.99Concerto for Wind Ensemble - Karel Husa
Commissioned by the Michigan State University Alumni Band, this three movement work by Karel Husa was the winner of the first Louis Sudler International Wind Band Composition Competition in 1983. A note from thecomposer: 'Divided into three movements, this work is a display of virtuoso passages given to solo instruments as well as to the groups of the ensemble. In the Fanfare of the first movement, the Brass section concertises in groupsof four Brass quintets (2 Trumpets, Horn, Trombone and Tuba or Baritone), spread from left to right in back. The Saxophones (SATB) are placed in front of the Brass quintets, and the Woodwinds occupy the front of the stage, withPercussion on the left and right side. These groups, like the Brass quintets, play in the concertante style, particularly in the first and last movements. 'At the same time, each movement contains individual solo passages(for example, Timpani and Flute in Movement I - Drum Ceremony and English Horn and other low Woodwinds in Movement II - Elegy). The composition of this piece was prompted by the excellence of Wind and Percussion players today, andby the incredible growth of Wind ensembles, orchestras, and bands in the last 25 years. It is intended for their enjoyment.'
Estimated dispatch 7-14 working days
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£89.95Paddy Lay Back
Sea shanties (or chanties) are songs sung by sailors to keep them synchronized (and mentally interested) while doing the hard labor of sailing. "Paddy Lay Back" is a capstan shanty, a capstan being a vertically-axled rotating machine used to raise and lower a ship's anchor. Sailors would rotate the capstan by pushing poles radiating from it, with three or four men working a pole. The song would help them keep momentum; if not, something could slip. Not only would the anchor drop uncontrolled, but the capstan would spin quickly and the poles could throw and harm the sailors. 1st trumpet's highest note is G. 1st & 2nd clarinets cross the break
Estimated dispatch 7-14 working days
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£115.60Hymne til gleden - Ludwig van Beethoven
Schiller's text of 1785 was partially used by Beethoven in1824 when he did finish the 4th movement of his 9th Symphony. The melody has later been used in very many contexts. As the anthem of the European Union, a lot of movies (A clockwork Orange, Die Hard, etc.), music to video games, as the anthem of Rhodesia, as rebel song in Chile and by FIFA. Therefore, it can be used in most settings This Young Band arrangement focuses on the main melody. In the original, the B part is repeated in each variation, but to get three variations (out of four), this repetition has been cut. The first variation should be played as soft as possible, but still with a nice sound. Crescendo to forte(f) and going back to pp should be as a surprise.
Estimated dispatch 7-14 working days
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£154.60Sabor Caribeo - Sverre Indris Joner
"Sabor Caribeo" means "Taste of Caribbean". This original composition is written by Norwegian composer Sverre Indris Joner who has studied Caribbean music since mid-80s.The music presents traditional elements from Cuban and Puerto Rico. Polyrhytmics is an important part of the music which consist of up to four melody lines at the same time.It's recommended that both conductor and the percussionists study the rhythm patterns very closely. Especially congas and timbales which vary patters a lot. The role of the guiro must not be underrated.It is possible to simplify the percussion parts by choosing some patterns and play these for longer periods than written.
Estimated dispatch 7-14 working days
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£135.80Ad Quartum - Luciano Feliciani
The city of Quart derives its name from the Latin "Ad quartum ab Augusta lapidem", or four Roman miles from Augusta Praetoria, present-day Aosta, along the ancient Roman consular road of the Gauls. The fortress of Quart, whose construction began in 1185, is the main source of inspiration for the composition. The work begins, in fact, as if wrapped in a mysterious, suspended atmosphere, when the fog that envelops the manor suddenly thins out and lets one see the majestic building in all its austerity. A rhythmically exciting episode follows this brief introduction, ideally describing the events that have marked the long history of these places. The music highlights the percussion instruments, which evoke ancient medieval atmospheres in a modern language. The second theme, derived from the previous one, describes instead emotions and feelings of grandeur, beauty, and peace associated with the splendid Valle d'Aosta mountains that surround Quart. A developed melodic idea, supported by wide-ranging harmonies, attempts to musically portray the extraordinary natural beauty of these places. The reprise of the first theme, varied and presented in a lively and energetic movement, guides the final part of the piece: a coda where all the melodic and rhythmic ideas previously exposed are condensed.
Estimated dispatch 7-14 working days
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£121.00Prelude to Parsifal - Richard Wagner
Parsifal, written in 1882, was the final opera by composer Richard Wagner (1813-1883). The prelude is a miniature masterpiece consisting of only 116 measures. The form of the prelude is similar to that of the classical three-movement overture and consists of four musical motives: the mystical realm of the Holy Grail; the Grail itself in the Dresden Amen; Faith, represented by the brass chorale; and the Agony of Amfortas. This transcription by John R. Bourgeois faithfully adheres to Wagners intent both in key relationships and orchestration.
Estimated dispatch 7-14 working days
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£104.50River of Fire - Gary D. Ziek
Pele is the Hawaiian goddess of fire, lightning, wind, and volcanoes. According to legend, she lives in Kilauea, one of the worlds most active volcanoes. The chant of her devotees while Kilauea spews lava and fire into the sky is the basis of this composition. The first of four connected sections is Tribute, where the chant starts as a solo voice that adds weight to the chant with each repetition. The Awakening begins with an ominous mood that builds to an explosive climax as Pele wakes and reveals herself in full glory. March to the Sea comes at a faster tempo as two themes, creator and destroyer, interweave during Peles unyielding journey to the ocean, reaching fever pitch as Fire Meets Water.
Estimated dispatch 7-14 working days
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