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  • £121.00

    Prelude to Parsifal - Richard Wagner

    Parsifal, written in 1882, was the final opera by composer Richard Wagner (1813-1883). The prelude is a miniature masterpiece consisting of only 116 measures. The form of the prelude is similar to that of the classical three-movement overture and consists of four musical motives: the mystical realm of the Holy Grail; the Grail itself in the Dresden Amen; Faith, represented by the brass chorale; and the Agony of Amfortas. This transcription by John R. Bourgeois faithfully adheres to Wagners intent both in key relationships and orchestration.

    Estimated dispatch 7-14 working days

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  • £104.50

    Absolutely Sousa - Gary D. Ziek

    The rousing march music of John Philip Sousa has been an audience favorite for generations and continues to hold an important place in concert band repertoire. This spirited medley combines themes from four of Sousas most famous marches: The Washington Post; Semper Fidelis; The Thunderer and The Stars and Stripes Forever for an entertaining and stylish setting that will highlight any concert program. Great for any concert setting, its also the perfect addition to a patriotic event.

    Estimated dispatch 7-14 working days

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  • £104.50

    River of Fire - Gary D. Ziek

    Pele is the Hawaiian goddess of fire, lightning, wind, and volcanoes. According to legend, she lives in Kilauea, one of the worlds most active volcanoes. The chant of her devotees while Kilauea spews lava and fire into the sky is the basis of this composition. The first of four connected sections is Tribute, where the chant starts as a solo voice that adds weight to the chant with each repetition. The Awakening begins with an ominous mood that builds to an explosive climax as Pele wakes and reveals herself in full glory. March to the Sea comes at a faster tempo as two themes, creator and destroyer, interweave during Peles unyielding journey to the ocean, reaching fever pitch as Fire Meets Water.

    Estimated dispatch 7-14 working days

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  • £121.00

    Turkish Fragments - Mikhail Ippolitov-Ivanov

    Pursuing his interest in the Turkish peoples, the composer created this work for orchestra in 1930. It is a richly melodic suite notable for its characteristically oriental turns of phrase. This work is presented in four movements: Caravan, which depicts a steady journey over rolling sand dunes; At Rest, alternately tranquil and spirited; Night, serene in nature with a slight touch of mystery; and Festival, a dance-like finale with unyielding exuberance. All the movements use material from folk music of the region combined with a wonderful pallet of wind-instrumental colors. An exotic and colorful Turkish fabric in music.

    Estimated dispatch 7-14 working days

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  • £159.60

    Mini Symphonie - Serge Lancen

    This Mini Symphony in three movements (moderato - andantino - allegro) has been commissioned by the Swiss wind band happening 'Festliche Musiktage Uster' in 1967. It was premiered at Uster (Switzerland) on 26 October 1968 by the above mentioned 'Banda Primitiva de Lliria' (Spain). This witty composition was the very first wind band composition which Serge Lancen orchestrated himself, after he had had his first four wind band pieces orchestrated by Dsir Dondeyne. Anyhow, the result is remarkable.

    Estimated dispatch 7-14 working days

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  • £159.60

    Big Ben Variations - Kees Vlak

    The main theme of these variations is composed of the first four notes played each hour by the carillon of the world famous bell tower of the London Parliament. After a foggy introduction the first variation presents us the Guards on duty in front of Buckingam Palace, whereas the second variation portraits a nice Irish lady visiting London town. In the third variation we meet the legendary Teddy-Boys with their leather outfits and impressive motorbikes. After the description of the bagpipers in the fourth variation, the composer concludes with an overall picture of the majestic British capital.

    Estimated dispatch 7-14 working days

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  • £116.40

    Versailles - Serge Lancen

    Serge Lance was born in Paris 1922. The whole of his life has been dominated by music. He wrote his first work at the age of four.Lancen studied the piano with Marguerite Long and composition with Tony Aubin at the conservatory of his native town. In 1949 he won a prize for his Etudes, and some time later he was awarded the Prix de Rome! His work as a composer is very varied and includes symphonic music, choral works, ballet music and several concertos.Versailles, composed and premiered in 1980, is a 4-part piece in which Serge Lancen seems to paint a musical portrait of the wellknown castle of Versailles.

    Estimated dispatch 7-14 working days

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  • £140.80

    Aunis et Saintonge en Fete - Serge Lancen

    Serge Lance was born in Paris 1922. The whole of his life has been dominated by music. He wrote his first work at the age of four.Lancen studied the piano with Marguerite Long and composition with Tony Aubin at the conservatory of his native town. In 1949 he won a prize for his Etudes, and some time later he was awarded the Prix de Rome! His work as a composer is very varied and includes symphonic music, choral works, ballet music and several concertos.Aunis et Saintonge en Fete was composed in 1986, the same year Lancen wrote Symphonie de l'Eau and Ouverture pour un matin d'Automne.

    Estimated dispatch 7-14 working days

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  • £159.60

    Sculptures Of An Exhibition - Kees Vlak

    This composition was commissioned by the village of Midden-Beemster to commemorate the 375th anniversary of the polder of the same name. It was premiered in august 1987 by the Beemster Fanfare Band. On this occasion some twenty sculptors were invited to create a work of art. Those sculptures were set up at the most picturesque areas of the polder. On a 40 km long bicycle route one can admire the curious statues wile enjoying the beautiful scenery as well. The compostition is based on two themes: a main theme and the promenade theme.1.Introduction: After the grandiose presentation of the main theme, on the dominant, we leave the village to the sound of some pretty music.2.Promenade and Watchman: After some time, we discover a dark statue hidden in the bushes; it is shaped like a square standing on one of its corners. It is called "Watchman". We hear the promenade theme as a solo and all next themes will be variations.3.A Building of Willow-trees: Far away on a dike, we discover the huge skeleton of a kind of house. It is a construction of skilfully interwoven willow-branches. The musical themes are also interwoven. The sculpture is called "Construction of wood used by the farmers".4."Die Flsse, ah die Flsse"and Promenade: We continue our trip and see now a horn of plenty, made of brown ceramics and set up on the green slope of an old fortress. The sun shines on the sheep being at pasture under the willow-trees. No doubt, this scene will have something to do with abundance.5.Cardplayers in front of the Nightingale: A statue in cast iron, representing two carplayers, has been erected in front of the windmill called "The Nightingale". This sculpture suggests a rather animate atmosphere. The opponents with the trumpets and the trombones suggest the cardgame. The trumpets are constantly changing from players. At a certain moment the trumpet gets hold of the decisive trick and starts a victorious blow. The trombone, however, repeats this shout of joy with quite some perverse delight and in a completely wrong pitch. The game continues and after a climax all cards are finally thrown on the table.6.Autumn and Promenade: The trip now brings us a white sculpture in ceramics, decorated with some autumn leaves. Is this a seated man or a chair? Anyway, it looks very nostalgic. This is the time for a moment of reflection with the oboe or the saxophone. It is called "Autumn".7. The Powerlifter: Somewhat hidden in a ditch, we discover a small statue in cast iron, representing a powerlifter who is going to give way under the weight. The music uses the main theme with powerlifting euphoniums, saxophones and clarinets.8.The Bull: Here we have another cast iron sculpture, but this time it is a really powerful figure. This "Bull" statue uses the same theme as that of the powerlifter, but it gets a stronger foundation from the bass insturments.9.Mirror and Promenade: While strolling alongside the channel we suddenly see four mirrors. They not only reflect themselves, but also mirror in the water of the channel. These reflections are suggested by the use of tuned percussion. The promenade theme is also used in mirror image.10.Reflictions or...?: On top of the dike we have a nice view on a farmyard with its orchard. A very big net, coverd with sparkling tin plates, has been stretched between the trees. This sculpture is called "Reflections of ...?. Of what? Yes, of course, reflections of the times when the polder was a lake and the sun was reflecting in the wild waves.11.Willpower: Finally we discover a big statue in cast iron. It is not clear whether it is a man or a woman. Anyway the enormous bundles of muscles in the legs and the thighs are striking. This sculpture is called "Willpower". The idea of determination is musically suggested by a very long preamble to the promenade theme in one great stringendo, leading to the conclusion of the trip.12.The beautiful country: Here we have the most beautiful picture. The magnificent Beemster Polder in bloom. We see a nice windmill with decorated wings. We hear the main theme, now on the tonic.

    Estimated dispatch 7-14 working days

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  • £131.30

    Hymns And Dances II - J. Slothouwer

    In 1990 Jochem Slothouwer composed Hymns and Cances II. This work for symphonic band and harp (ad libitum) is based on Hymns and Dances I for piano, mixed choir and percussion. The compostition is based on the contrast between hymnlike melodies and dance music episodes. The work, in five connected parts, seems to look for a reconciliation of both melodic and rythmical elements. The initial theme with the horns and the answer of the band form the base of the first part.The second part, charcterized by a vitorous dance rhythm, is dominated by the percussionn and syncopated motifs with the brass. A melody with the euphoniums almost imperceptibly slips into the ensemble and gradually gets to the foreground. The dance and the hymn reach a real climax interrupted by a short and dark intermezzo (part three). The clear sonority of part four, a fiery tarantella with many small byt virtuoso solos, is a new contras. The final adagio reuses the previously developed ideas of part one and ends in sheer ecstasy.

    Estimated dispatch 7-14 working days

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