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  • £204.99

    Credentium - Jan van der Roost

    A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets, horns and trombones resound in rhythmic patterns, buttressed by restless motifs in the percussion. A second theme, in the woodwinds, begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the musical expression of the sometimes tumultuous early history of the town of Peer in Belgium. It closes with a D scale played over two octaves and repeated three times, symbolizing the church steeples that dominate the townscape. Peer has the credentials of a town, and people should know about it.There followsa rhythmic, turbulent passage: in the course of history, Peer has not been spared the ravages of war, arson, occupation, epidemic and other evils. In contrast, a slow, pastoral, lyrical part expresses the periods of peace and prosperity the town has known, as well as the serene geographic setting that still characterizes the place. Various instruments in groups are developed in solo style while the accompaniment displays vast, painterly images of sound. Now and then an exotic intonation is heard: a variety of peoples and cultures have left their mark on the town.This episode of tranquility and peacefulness comes to a sudden end when, via a surprising, almost chaotic transitional passage, we are in effect transported back to our own time. A hopeful, festive march expresses the confidence in the future that the Royal Concert Band of Peer exudes. This confidence is wholly justified: under the direction of conductor Willy Fransen, the 95 members of the concert band have experienced an extended period of good fortune, and the 75 musicians of the youth band - and the 45 little musicians of the mini-band - are involved in thriving operations.

    Estimated dispatch 7-14 working days

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  • £248.99

    Refraction - Jan Hadermann

    Refraction is a work that uses the entire band and all the colours it can possibly produce. As the title suggests, it was inspired the fascinating physical phenomenon known as refraction. Just like light is split and disbursed into all its colours, the main theme is split into little motives. As the individual motives are disbursed throughout the band, different sections become more prominent, only to recede into the general texture again. The work concludes with the fusion of all these elements in a monumental climax of movement, sound and colour.

    Estimated dispatch 7-14 working days

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  • £174.99

    Two Symphonic Interludes - Harrie Janssen

    Based on the poems by German poet Carl Hauptmann (late Romanticism) and the English poet William Wordsworth (early Romanticism). Carl Hauptmann was in poor health as a child, but highly intelligent. He studied philosophy, psychology and biology. In the latter he was admitted to the degree of doctor. His marriage provided financial independence, so that he could focus on his studies. Hauptmann wrote various novels, plays, poetry and scientific works. Night Twilight floats above the valley's night mists are hanging, there's a whispering brook. Now the covering veil is lifting quite: come and look! See the magicland before our gaze: tall as dreams the silver mountains stand, crossed by silent silver paths shining from a secret land. Noble, pure, the dreaming country sleeps. By the path the shadow black and hogh of a beach. a wisp of a white smoke creeps to the dark'ning sky. Where the valley is the darkest hued countless little lights shine silently. O my soul! Drink of solitude! Carl Hauptmann Wordsworth 'introduced' a new type of poetry, based on the speech of the common man. This was his answer to the poetry of the classicism which was bound by rigid rules. His definition of poetry was: the spontaneous overflow of powerful feelings from emotions recollected in tranquility. My heart leaps up when I behold a rainbow in the sky My heart leaps up when I behold A rainbow in the sky: So was it when my life began. So is it now I am a man. So be it when I shall grow old, Or let me die! The Child is father of the Man. And I could wish my days to be Bound each to each by natural piety. William Wordsworth In a truly poetic manner Harrie Janssen has transformed the contemplative thoughts of the poets into two compositions for Concert Band.

    Estimated dispatch 7-14 working days

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  • £84.99

    Creamy and Crispy - Marc Cunningham

    This composition of Marc Cunningham has four parts, and takes place on a sunny day in a picturesque town. 1. Promenade Many people walk through the city. The band passes through the streets. People are strolling along the avenues and amorous couples are sitting on a park bench. 2. Lovey Dovey One of these couples is knee-deep in love. 3. Crispy and Creamy Here the contrasts between a crisp staccato section in two-four time signature and a smooth legato section in three-four time signature are depicted. Is Crispy the boy and Creamy the girl? 4. Farewell In the last particle the couple says goodbye. We still think back tothe walk through the city. It sounds a little less happy now. Not everyone is good at saying goodbye, sometimes a tear flows.

    Estimated dispatch 7-14 working days

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  • £72.99

    Nature's Way - Gunther Schuller

    From the composer: Nature's Way for intermediate level band was commissioned by BandQuest, a project initiated by the American Composers Forum. Their mission is for major composers of national reputation to write works of high quality that take into consideration the (still comparatively limited) levels of musical development--both technical and conceptual--typical of such ensembles. I eagerly accepted the commission and the challenges implied thereby--that is, to reign in my creative imagination to some extent and limit the technical/conceptual demands to a more moderate level than is to be found in my previous compositions for band. Nonetheless, since the process of rehearsing, studying and performing a work created specifically for the school student market is--and must be, in my view--primarily educational, it was very clear to me that my work would (and should) challenge the players at least to their top levels, and even a little beyond that. Thus Nature's Way in no way represents a compromise of my personal style, nor my long held concepts of form, continuity, texture, and instrumentation. I have known for a long time that young, inquisitive minds are eager to learn from new experiences, from previously never encountered challenges, that is to say, to be pushed--gently--to rise above their present levels of achievement. That's what education is all about. BandQuest, an exciting series of new music and accompanying curricula for band, is a program published by the American Composers Forum. The series was started as a response to feedback from music educators that there is a pressing need for new, fresh band music. The heart of this program is new works written by a diverse group of leading American composers who have created challenging pieces that are a true departure from standard middle school repertoire. Every BandQuest project includes a residency component in which the composer works collaboratively with a middle school as they create their new piece. Many BandQuest pieces are accompanied by an interdisciplinary curriculum designed to assist students as they learn the music and to integrate each piece with non-music studies. Visit www.bandquest.org to learn more about this innovative series, and email [email protected] to request a free downloadable audio catalog.

    Estimated dispatch 7-14 working days
  • £149.40

    Dancing Trolls [Norwegian Dance] - Øystein Olsen Vadsten

    "Dancing Trolls" is a sequel to "The Battle of the Hats", which was published in 2015. Like "The Battle of the Hats", "Dancing Trolls" is a piece of music based on Norwegian traditional dances. This time around,its the reinlender dance which takescentre stage.The music is composed by ystein Olsen Vadsten who keeps the strong melodic and tempo, which is dear to this kind of dance. Admittedly given a make-over with a more rhythmic accompaniment and more excitingharmonization.This makes it a fun piece, both to Listen to and play. The reinlender dance derives from the Rhineland in Germany,and is also known as the German Polka.To the conductor:Because this is a dance form whichisdependent on the right "swing", it is of great importance to keep as close to the metronome mark as possible. A steady groove, primarily specified by the drum set, is also essential for a good result. Remember to keep a good balance between themelody carrying instruments and the accompaniment. Good luck and have fun with this "crazy" little tune.

    Estimated dispatch 7-14 working days
  • £149.40

    Starsleet - Aslak Dørum

    Stjernesludd is a hit single from the popular Norwegian band DumDum Boys. The song-writer Aslak Drum is the bass-player in the band. It was recorded in 1997, and it has been a well know radio-hit ever since. The lyrics are set in a dark tone, andthey tell the story of a gloomy and "black and white" feeling in the cold weather before Christmas. "But when the winter comes, we can make angels in the snow..." In 2010, Norwegian singer Kurt Nilsen accompanied by The Norwegian RadioOrchestra recorded it for their CD "Have Yourself a Merry Little Christmas".If performed with Tenor Sax soloist, the first time bracket can be omitted.

    Estimated dispatch 7-14 working days
  • £149.40

    Tenn Lys - Eyvind Skeie

    "Candles in Advent" is a beautiful melody with great lyrics. It was originally written for an Norwegian Advent TV-series in 1985.In this arrangement, the oboe has some solo passages (cue notes in flute). I Have tried to vary the instrumentation without going beyond the beautiful Christmas mood.The harmonization is simple and functional. Let the soloists "speak" with good phrasing and focus also on harmony in the unison melody lines. Good balance and intonation in the accompaniment can make the performance a little gem on the Christmas concert.- Reid Gilje -

    Estimated dispatch 7-14 working days

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  • £60.99

    Der Zaubermarsch - Rob Ares

    On 30th September 1791, a few months before his death, the opera "Die Zauberflote" (The Magic Flute) by Wolfgang Amadeus Mozart was given its first performance. It was remarkable that despite his ill health and his disastrous financial situation he was able to compose a work of such comic genius. Mozart composed the overture in the two days before the premier of the opera and it is on this overture that this transcription is based. To perform the work 'a la Mozart' only the timpani part should be used, the additional percussion parts have been added by the arranger and are therefore optional.Mozart 40th SymphonyThe Austrian composer Wolfgang Amadeus Mozart lived atragically short life of thirty-five years. Towards the end of his life in the summer of 1788, he wrote three symphonies in the span of a little over six weeks. His Symphony No.40 in G Minor was one of those great works. This setting of the first movement from that Symphony provides ample demonstration of the composer's grace, inventiveness and pervasive sense of humour, which can be found throughout his music.

    Estimated dispatch 7-14 working days

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  • £102.99

    Valse Sacre - Frédéric Devreese

    For Frdric Devreese, a dance, and especially the waltz, is increasingly linked to the person as a dancer, so that a dance becomes an experience, an adventure; and as a result, they in fact waltz to human emotions. Those who follow Devreese's music a little know that, for him, the different facets are not separate from each other. The film scores and the concert pieces strengthen and influence one another. His most famous film score themes, such as the Valse Sacre", belong to the collective memory of Flemish music. This waltz was composed for the Hugo Claus film "The Sacrament". The assignment was to compose a whirling waltz for a dance scene set during an emotional familycelebration."

    Estimated dispatch 7-14 working days

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