Results
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£225.00Snowdonia (Concert Band - Score and Parts) - Glyn, Gareth - Noble, Paul
From the composer's home on Anglesey, the magnificent mountain range of Eryri ('abode of the eagles'), known as Snowdonia in English, can be seen clearly, and it is this fine view that spurred him to compose this tone-poem. Just as the mountains change from season to season, and the view alters as one climbs the slopes, there are several distinct and contrasting sections to the piece itself. First we hear the bustle and excitement of the area in summer, as tourists flock to the foot of Snowdon; then an impression of the confident striding of those setting off to climb. After a brisk climax, the codetta to the energetic theme becomes the basis of a new, folk-like, idea which develops into a majestic anthem suggesting the grandeur of the mountain-range. The famous little train of Snowdon is brought to mind by a repetitive, mechanical idea which leads to a section combining both the main themes of excitement and grandeur, and to a powerful climax. Then, after a moment of silence, the atmosphere changes completely. Here is the ineffable solitude - and timeless beauty - of Snowdonia; but from the cellos (saxophone) we soon hear the folk-like theme slowly re-asserting itself, resolving into a peremptory fanfare which leads back to the opening mood and a return of the opening theme. But the final word is given to the 'solitude' motive, now transformed into a resolute chorale representing the eternal permanence of these extraordinary mountains.
Estimated dispatch 7-14 working days
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£75.00Here We Come A-Wassailing (Concert Band with Optional Choir - Score and Parts) - Noble & Rutter
Here We Come A-wassailing (or Here We Come A-caroling) is an English traditional Christmas carol and New Year song, apparently composed c. 1850. The old English wassail song refers to 'wassailing', or singing carols door to door wishing good health, while the a- is an archaic intensifying prefix; compare A-Hunting We Will Go and lyrics to The Twelve Days of Christmas (e.g., Six geese a-laying). According to Readers Digest; the Christmas spirit often made the rich a little more generous than usual, and bands of beggars and orphans used to dance their way through the snowy streets of England, offering to sing good cheer and to tell good fortune if the householder would give them a drink from his wassail bowl or a penny or a pork pie or, let them stand for a few minutes beside the warmth of his hearth. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
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£75.00Once in Royal David's City (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
Once in Royal David's City is a Christmas carol originally written as a poem by Cecil Frances Alexander. The carol was first published in 1848 in her hymnbook Hymns for Little Children. A year later, the English organist Henry John Gauntlett discovered the poem and set it to music. According to The New Oxford Book of Carols, the text was conceived by Cecil Alexander after overhearing a group of her god children complaining about the dreariness of the catechism. Cecil masterfully took doctrines from the Apostle's Creed and simplified them for her hymns. Cecil wrote about 400 hymns in her lifetime, among which are All things bright and beautiful and There Is a Green Hill Far Away. She used the money for charitable purposes, and was a tireless advocate (and visitor) of the poor and sick. Henry John Gauntlett had spent the first half of his career as a lawyer before abandoning his practice to pursue music. He served as the organist at a number of leading London churches. Gauntlett was a prolific writer and is said to have composed over 1000 hymn tunes. He made tremendous contributions to the world of music, even inventing mechanical improvements to the organ. As a result, he was praised by the famous Felix Mendelssohn and was awarded an honorary doctorate in music from the Archbishop of Canterbury. In 1919, Arthur Henry Mann, organist at King's College (1876-1929), introduced an arrangement of Once in Royal David's City as the processional hymn for the service. In his version, the first stanza is sung unaccompanied by a boy chorister. The choir and then the congregation join in with the organ on succeeding stanzas. This has been the tradition ever since. It is a great honor to be the boy chosen to sing the opening solo--a voice heard literally around the world. In this arrangement for band accompaniment, the first five verses may be performed as directed by the conductor, with different groupings of instruments for each verse, i.e., Vs.1, A cappella; Vs. 2, Fl., Oboe, E.H., Bsns; Vs. 3 Cl., Saxes; Vs. 4, Brass; Vs. 5, All, and Vs. 6 as written with featured descant. This arrangement is one of the Series of Band Arrangements compatible with the David Willcocks Carols for Choir, Book 2 (#31).
Estimated dispatch 7-14 working days
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£200.00A Sousa Celebration (Concert Band - Score and Parts) - Sousa, John Philip - Noble, Paul
A Sousa Celebration is the arranger's collection of excerpts from several of Sousa's interesting marches, creating a patriotic presentation of greater length than the typical march. This selection includes a variety of content, offering a showpiece to several sections of the band: Hail to the Spirit of Liberty, composed for the Paris Exposition of 1900, for the unveiling of the Lafayette Monument on July 4; Yorktown Centennial (1881), written to commemorate the hundredth anniversary of the last important battle of the Revolutionary War: the surrender at Yorktown; Mother Hubbard March (1885), based on nursery rhymes; "Three Blind Mice," "Thus the Farmer Sows His Seed," "Old Mother Hubbard," "Hey Diddle Diddle," "Little Redbird in the Tree," "London Bridge is Falling Down," "Scotland the Brave," and "The Minstrel Boy." The celebration concludes with excerpts from Sousa's most celebrated march, The Stars and Stripes Forever.
Estimated dispatch 7-14 working days
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£89.99Heroes Near and Far (Concert Band - Score and Parts) - Saucedo, Richard L.
Each of the five movements of this innovative work is designed to invoke a particular type of emotion associated with leadership. Courage is stately in nature and written in a marcato style. Vision is playful in character and focuses on mixed meters as well as mixed emotions. The lyrical and sensitive Compassion is meant to stir the soul, while the contrasting Selflessness offers some of the most intense and demanding music of the set. The energetic final movement Heroes will bring to mind your own favourite superhero! Educator and speaker Scott Lang helped develop the concept for this unique work, and has made available supplemental curricula centred around leadership and character development. This material is tied to the Common Core Standards relating to reading, writing, music, art, and critical thinking. Each movement and its accompanying curriculum can stand on its own, allowing the director the flexibility of using as much or as little as desired. A tremendous resource for today's teacher!Duration: 9:30
Estimated dispatch 7-14 working days
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£39.95Barnaby Behaves Badly (Concert Band - Score and Parts) - Wiffin, Rob
This vivacious programme number was written for Barnaby (more often known as Barney), Simba's (see At The 'Splash' with Sim) predecessor in the composer's Golden Retriever succession. He was a very laid back and happy soul, not the brightest-ever retriever, but with the potential for a little mischief when the mood took him. It was written with the intention of being eminently playable so both the range and the technical demands are carefully controlled and the scoring is designed to make the music sound strong with a band of less experienced players.
Estimated dispatch 7-14 working days
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£7.95
Barnaby Behaves Badly (Concert Band - Score Only) - Wiffin, Rob
This vivacious programme number was written for Barnaby (more often known as Barney), Simba's (see At The 'Splash' with Sim) predecessor in the composer's Golden Retriever succession. He was a very laid back and happy soul, not the brightest-ever retriever, but with the potential for a little mischief when the mood took him. It was written with the intention of being eminently playable so both the range and the technical demands are carefully controlled and the scoring is designed to make the music sound strong with a band of less experienced players.
Estimated dispatch 7-14 working days
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£72.00Blue and Orange (Flute Solo with Concert Band - Score and Parts) - Wiffin, Rob
A song and dance for flute with wind band accompaniment. Blue is a gentle, tuneful solo. The accompaniment is very much in a chamber-music style and there are very few places where the whole ensemble plays at the same time. There is nothing overt or dramatic in the music and subtlety and rubato are very much the required manner. It is not a desperately sad piece but is just tinged with a little melancholy. Orange on the other hand is a fiery, driving dance which gives the soloist a chance to display technical prowess. During the outer sections Latin percussion carries the music along but the inner sections are more dissonant and are built on inner rhythm. The two pieces are as contrasting as possible, just like the colours of the title.Duration: 3.15 & 4.15
Estimated dispatch 7-14 working days
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£248.99Refraction (Concert Band - Score and Parts) - Hadermann, Jan
Refraction is a work that uses the entire band and all the colours it can possibly produce. As the title suggests, it was inspired the fascinating physical phenomenon known as refraction. Just like light is split and disbursed into all its colours, the main theme is split into little motives. As the individual motives are disbursed throughout the band, different sections become more prominent, only to recede into the general texture again. The work concludes with the fusion of all these elements in a monumental climax of movement, sound and colour.Duration: 17:30
Estimated dispatch 7-14 working days
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£179.99Academic Festival Overture (Concert Band - Score and Parts) - Brahms, Johannes - Takahashi, Tohru
The German composer Johannes Brahms (1833-1897) wrote his Academic Festival Overture in the summer of 1880, together with the Tragic Overture. The occasion was the honorary degree which Brahms had received a year before from the University of Breslau. Initially, Brahms had sent a thank-you note, but he was expected to express his gratitude with a composition. The premiere took place on 4 January, 1881 - conducted by the composer himself - in Breslau. For this sparkling work, Brahms used various German student songs as a basis in an inventive way - and a little jestingly. Owing to the accessible development, lyrical warmth, humour, and persuasiveness, the Academic Festival Overture is still a popular concert work. This transcription for concert band, which has been written by Tohru Takahashi, does justice to the original composition.Duration: 9:45
Estimated dispatch 7-14 working days
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