Results
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£76.99Risoluto - James Barnes
Risoluto is a music term of Italian derivation, first appearing in the mid 1700s. A great many musical terms such as this are in Italian, because many of the important composers from the Renaissance to the Baroque were from the geographic area known today as Italy and spoke some form of Italian. Consequently, performance markings in their published music, widely disseminated through the rest of Europe, were in the language that they best understood. Music marked in this manner is to be played firmly and decisively with firm resolve and little variance from the marked tempo. It can be seen that while there are several stylistic changes in this piece, the tempo varies not a bit, holding firm at Allegro vivo, quarter note at 120, from first measure to last.
Estimated dispatch 7-14 working days
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£244.00Sinfonietta No. 3 "Zwlfmalgreien Sketches" Op. 56 - Franco Cesarini
In composing the Sinfonietta No. 3 "Zwlfmalgreien Sketches" , Franco Cesarini was inspired by the municipality of Zwlfmalgreien made up of twelve towns, villages and scattered districts which were incorporated into the city of Bolzano (South Tyrol, Italy), over one hundred years ago. The peculiarity of these places, different from each other, but all characterized by rare beauty have contributed to the creation of this 3-movement piece.The first movement - City Life- illustrates activities, tourists and shopping in some of the villages, followed by Mountain Shadowsa slow movement that describes the mountain hamlets where there is little sun in winter. The third and last movement - Classic Vineyards- is lively, in vivid contrast to the previous one. Lots of sun and warmth of the typical wine regions, with echoes of folk dances and Bacchic festivals coming from far away.
Estimated dispatch 7-14 working days
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£104.99Solemnitas - Jan Van der Roost
This short but solemn overture was written on the occasion of the 110th jubilee of Harmonie Hautcharage, Luxembourg. It is an homage to Jean-Paul Frisch and his son Grard (the present conductor), who each have been conducting the ensemble for many years. Under their leadership, the band has developed and improved remarkably. The very first musical theme, presented during the introduction of this little overture, is based on the letters hidden in the names Jean-Paul and Grard Frisch (in which h is considered b - as it is in German), thus aiming the spotlight on both key figures in the history of Harmonie Hautcharage. After the rather stately intro, the allegro is more joyful and lighthearted, thus depicting the optimism of the many young players of the band. The end is exciting and energetic: it radiates positivity and belief in the future.
Estimated dispatch 7-14 working days
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£205.30Mitt hjerte alltid vanker - Fantasi - Hans Adolph Brorson
This arrangement was commissioned by B3 (The Bergen Woodwind Ensemble). B3 is a large woodwind ensemble located in Bergen with a mix of professional and amateur players. My Heart Remains in Wonder is a well-known Christmas hymn in Scandinavia. I wanted my version to be different to the traditional hymn tune style in which it is normally performed. One day I was outside walking and this idea came to me: an ostinato-like, mechanical skeleton of arpeggio semiquavers on which I could 'hang' the melody. However, I also wanted to do the melody line a bit different. The inspiration for this comes from folk music and the way fiddlers hardly ever lift their bow off the strings when they play. Because of this, it is important that the melody is played in a very sostenuto style in this arrangement. The harmonies lie somewhere between jazz and folk music with a little nod towards Grieg (himself heavily influenced by folk music) in the slow middle section.
Estimated dispatch 7-14 working days
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£435.40Goldberg 2012 - Svein H. Giske
The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-
Estimated dispatch 7-14 working days
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£89.99Heroes Near and Far - Richard L. Saucedo
Each of the five movements of this innovative work is designed to invoke a particular type of emotion associated with leadership. Courage is stately in nature and written in a marcato style. Vision is playful in character andfocuses on mixed meters as well as mixed emotions. The lyrical and sensitive Compassion is meant to stir the soul, while the contrasting Selflessness offers some of the most intense and demanding music of the set. The energeticfinal movement Heroes will bring to mind your own favorite superhero! Educator and speaker Scott Lang helped develop the concept for this unique work, and has made available supplemental curricula centered around leadership andcharacter development. This material is tied to the Common Core Standards relating to reading, writing, music, art, and critical thinking. Each movement and its accompanying curriculum can stand on its own, allowing the directorthe flexibility of using as much or as little as desired. A tremendous resource for today's teacher! Dur: 9:20 Accompanying curricula and materials available at www.scottlang.net
Estimated dispatch 7-14 working days
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£98.99
Twelve Irish Songs
"The Minstrel Boy""Savourneen Delish""Killarney""Come Back to Erin""Believe Me, If All Those Endearing Young Charms""The Meeting of the Waters""The Last Rose of Summer""The Pretty Girl Milking Her Cow""The Dear Little Shamrock""Wearing of the Green""The Harp That Once Through Tara's Halls""The Cruiskeen Lawn"
Estimated dispatch 7-14 working days
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£47.50Error Detection - Student's Edition
The Error Detection: Exercises for the Instrumental Conductor texts are designed to improve the critical listening skills of the conducting student through real music excerpts that contain planted errors in the parts for the conductor to find. Both books contain 54 excerpts from standard band literature from grades 2 to grade 6 so students gain knowledge of real music they can use later, not just non-musical etudes. The teacher's edition contains over 350 pages of materials with analysis sheets and answer keys to help the conducting teacher to easily evaluate the student's progress. The teacher's edition also comes with a CD-ROM containing all of the instrumental parts for allof the musical excerpts as PDF files, so the teacher can just print the amount of parts needed for each example, and the examples are arranged to sound satisfying with as little as five players. The Error Detection program has been tested for over 3 years at major university programs like the University of Minnesota, Illinois State University, and the College-Conservatory of Music at the University of Cincinnati.
Estimated dispatch 7-14 working days
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£69.99
Gettin' Gospel - Carmine Pastore
Fun for all!! The chorale style opening soon turns into a rousing, funky-jazzy-gospel riff-style roof-raiser that will have your audience tapping along. It's nice for the concert band to get the opportunity to play something "jazzy" once in a while, and you know the audience will love it as much as the band does.Plenty of opportunity to study jazz-style phrasing in the concert band, interesting Percussion parts, a catchy tune and good linear motion for all move GETTIN' GOSPEL to the "top of the list". The only danger here is that the band might like it a little TOO much, and want to play it every day.
Estimated dispatch 7-14 working days
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£84.99
Three Holiday Scenes - Timothy Johnson
An imaginative look at a good old-fashioned Christmas! From aromas of family favorites cooking in the kitchen, to the images of decorated trees, snow scenes, and caroling - all are a part of that wonderful celebration.Rather than just taking the same old Public Domain Christmas carols for one more go 'round, Timothy Johnson has composed the majority of THREE HOLIDAY SCENES using fresh and original melodies. The first scene opens with fragments of "Oh Tannenbaum" but quickly moves into a beautiful Christmas waltz. An "effets de neige," or "Snowfall effect," carries the luscious second and contrasting scene. In the 3rd and final scene, the phrases from well-known carols mergewith one another, creating the effect of "caroling." Finally, melodies serve as counterpoint for one another and bring this delightful vignette to a close. This piece presents an excellent opportunity to work with the Art department in creating drawings and paintings of holiday images. Pull your chair a little closer to the fireplace and sit back for a winsome holiday treat!
Estimated dispatch 7-14 working days
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