Variations on an African Hymnsong (Concert Band - Score and Parts) - Hilliard, Quincy

Exciting music based on a Nigerian folk hymn, Quincy Hilliard's setting is perfect for contest or concert use. Interesting harmonies, beautiful tone colours and driving polyrhythms all combine to make this a very appealing selection, especially for groups with large percussion sections. Give your students a glimpse of music from another culture rarely heard or performed by wind bands. Truly Exceptional!Duration: 6.00

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Variations on an Austrian Folksong (Concert Band - Score and Parts) - Oswald, Gerald

Hot off the press! Composer Gerald Oswald bases this new work on an old Austrian folksong, O du lieber Augustin! The Augustin in questions is a ballad singer and an ad lib poet who apparently wrote this folksong about himself. His grim sense of humour and his attitude towards life, that humour can get you through anything, are readily apparent in this new piece. Gerald Oswald's Variations on an Austrian Folk Song received top honours at the 2010 Austrian Composition Contest.Duration: 6:45

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Variations on an English Carol (Concert Band - Score and Parts) - Moss, John

Based on the well-known carol God Rest Ye Merry, Gentlemen, John Moss has created a unique setting that takes the familiar tune through a series of creative variations and styles. The variety in textures and compositional devices makes this one particularly appealing.

Variations on an English Folk Song (Concert Band - Score and Parts) - Gassi, Vince

How beautiful are English Folk Songs! This simple, yet appealing setting of Green Bushes is a perfect change of pace for your next concert and will provide ample opportunity for your students to work on expression and shading. Melody and countermelody interweave amidst dreamy harmonies, transporting you to another time and place.Duration: 3.00

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Variations on an English Folk Song (Concert Band - Score and Parts) - Smith, Claude T.

Claude T. Smith's easy, effective set of variations is destined to become a classic grade III overture. This is easy festival programming at its best.

Variations on L.B.I.F.D. (London Bridge is Falling Down) (Concert Band - Score and Parts) - Reed & Wagner

Alfred Reed needs no introduction for those who admire his distinguished concert band works. This arrangement for concert band draws from five movements of his original 28 composed for brass quintet based on "London Bridge Is Falling Down." Included are: "Statement," "Waltz," "March Fo(u)rth!," "A Little Funeral Music, Please (Eine Kleine Trauermusik)," and "Finale." A demonstration of compositional techniques practiced during the past three centuries, the work is filled with captivating and highly musical moments. Even though players will encounter a few changes in tonal centers, meters, and tempo throughout, there is not much that would get in the way of having a fun experience learning and performing. Duration: 2:45

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Variations on Shalom Chaverim Wind Band Set (Score & Parts)

Shalom Chaverim is an ancient Hebrew (farewell)song, which was originally sung at the end of a celebration or meeting. It was and is mostly sung as a round. Freely translated the words mean "Goodbye, friends, goodbye and see you again!". The varying moods at a parting have been captured very well by Andreas Schulte in his arrangement 'Variations on Shalom Chaverim'. The composer himself says about the song, 'Although the melody is in a minor key, the overall atmosphere in the song is positive. one wishes each other all the best. Saying goodbye, however, also hurts. When you slow down the pace of the melody and add 'blue notes' in the harmonies, this can be sensed immediately.' Schulte refers here to the first variation. The second variation is very intense with possibly even deeper-felt emotions. 'Variations on Shalom Chaverim' ends on a cheerful and positive note, in fast tempo, and with oriental elements in the melody: 'L'hitra'ot, Shalom' (See you again, and farewell!). 05:00

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Variations VIII & IX (From Enigma) (Concert Band - Score and Parts) - Elgar, Edward - Brand, Geoffrey

Elgar's Variations for orchestra were written during 1898-9; they are dedicated "To my friends pictured within" Each of the 14 variations is a musical portrait to one of the composer's friends. Over the 17 bar theme which inspired the Variations, Elgar wrote the word ENIGMA. Later he said, "The ENIGMA I will not explain - its "dark saying" must be left unguessed" In Variation VIII W.N. is Winifred Norbury. In 1897 local friends organised a choral and orchestral society for Elgar to conduct. The secretaryship of The Worcester Philharmonic, as the society was called, was shared by two ladies, of whom W.N.. was one She has been described as "very sedate and calm, rather like a kind governess with Elgar, but had a sense of humour - and a laugh, rather like a deep bell". Variation IX Nimrod is Elgar's deeply felt tribute toA.J.Jaeger, his German-born friend who worked for the publisher Novello and Co. His sincere support meant a great deal to Elgar. Jaeger, in German, means "hunter". Elgar concealed this in the nickname Nimrod. The variation has become extremely popular and is often played on thoughtful occasions. In this arrangement, either W.N. or Nimrod can be played alone. However, in the Variations they are linked by Elgar in an inspired manner.

Variations VIII & IX (From Enigma) (Concert Band - Score Only) - Elgar, Edward - Brand, Geoffrey

Elgar's Variations for orchestra were written during 1898-9; they are dedicated "To my friends pictured within" Each of the 14 variations is a musical portrait to one of the composer's friends. Over the 17 bar theme which inspired the Variations, Elgar wrote the word ENIGMA. Later he said, "The ENIGMA I will not explain - its "dark saying" must be left unguessed" In Variation VIII W.N. is Winifred Norbury. In 1897 local friends organised a choral and orchestral society for Elgar to conduct. The secretaryship of The Worcester Philharmonic, as the society was called, was shared by two ladies, of whom W.N.. was one She has been described as "very sedate and calm, rather like a kind governess with Elgar, but had a sense of humour - and a laugh, rather like a deep bell". Variation IX Nimrod is Elgar's deeply felt tribute toA.J.Jaeger, his German-born friend who worked for the publisher Novello and Co. His sincere support meant a great deal to Elgar. Jaeger, in German, means "hunter". Elgar concealed this in the nickname Nimrod. The variation has become extremely popular and is often played on thoughtful occasions. In this arrangement, either W.N. or Nimrod can be played alone. However, in the Variations they are linked by Elgar in an inspired manner.

Variazioni in Blue (Concert Band - Score and Parts) - De Haan, Jacob

Variazioni in Blue is a series of variations in which elements from the Blues, such as the specific blue notes, run throughout the piece. Following a stately introduction, which includes part of the theme, is an ornamental variation in classical style. We then hear a variation in Blues style, followed by a fast variation with an Eastern European folklore feel. The Andante con espressivo is particularly fine with its attractive harmonic changes. This variation develops into a repeat of the previous folklore variations with its major variation forming a climax towards the end.Duration: 6:30

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