Triumphant! (Concert Band - Score and Parts) - Wiffin, Rob

This vivacious and tuneful overture was written for Rob Wiffin's friends in the Chiltern Concert Band. One of the tunes is actually based on the rhythm of the names of some of the stalwart members who were in the band when Rob Wiffin conducted it in the early 1990s and are still there now.In compositional terms this piece is in the light vein of Chase the Sun and High Spirits, featuring a fanfare opening that reappears towards the end, a slow middle section and a number of bright melodies, mostly built around the interval of a third.Duration: 7.20

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TRIUMPHS OF TCHAIKOVSKY (Advanced Concert Band) - Richards, Scott

Duration: 9:00

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Triumphs! (Concert Band - Score and Parts) - Hinkel, Joshua

Everyone has experienced defining moments where they have been faced with what seemed to be insurmountable challenges. We are often defined by how we succumbed to the challenge or rose to meet it. Inner strength and spirit powers us to triumph over all who might seek to test us or divert us from our desired path. Teachers know that many of these triumphs go unrecognised, but can have a significant and resounding impact on our students, community, and ourselves. Triumphs! is a symbolic work that serves to celebrate these successes that occur every day in every walk of life.Duration: 3.00

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Trocadero March (Concert Band - Score and Parts) - Brand, Michael

More than a hint of the circus here! The motif in the horns and trombones suggests an element of slapstick and certainly the piece should not be taken too seriously. The trio is a contrast - Elgarian in flavour, using the dark lower register of the clarinets.

Trocadero March (Concert Band - Score Only) - Brand, Michael

More than a hint of the circus here! The motif in the horns and trombones suggests an element of slapstick and certainly the piece should not be taken too seriously. The trio is a contrast - Elgarian in flavour, using the dark lower register of the clarinets.

TROIKA (Concert Band) - Prokofiev, Sergei - Woodfield, Ray

Grade: Medium

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Troika (from Lieutenant Kije) (Concert Band - Score and Parts) - Prokofiev, Sergei - Lavender, Paul

This familiar theme by Prokofiev features a light and energetic style in this setting for young players by Paul Lavender. Suitable for any occasion and particularly winter concerts, this arrangement is easy to learn and will sound full with virtually any band.

Troika Rushing (Concert Band - Score and Parts) - Johnson, Timothy

Troika Rushing is one of many popular traditional folk songs that exist in Russia. Though not all Russian folk songs are in the minor key, many of them are, including this one. All of the wind instruments take their turn in playing the melody making it enjoyable for all to play.Duration: 2.00

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Trois Odelettes (Soprano Solo with Concert Band - Score and Parts) - De Haan, Jacob

Odelettesis the title of a cycle of poems by the 19th-century French writer, Gerard de Neval. In his work, Trois Odelettes, Jacob de Haan set three of de Neval's poems to music for soprano voice and concert band: Une Allee du Luxembourg describes a fleeting moment of love; Espagne is a typically sounding ode to Spain; and Chanson Gothique describes the joy of life itself.Duration: 7.15

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Trois Rag - Caprices (Concert Band - Score and Parts) - Milhaud, Darius - De Meij, Johan

The French composer Darius Milhaud (1892-1974) was a member of the Groupe des Six. This group of six composers gathering Honegger, Poulence, Auric, Durey, Tailleferre and Milhaud, imitated Erik Satie by revolting against the deeply rooted traditional conventions of that time. They reacted against impressionism (Debussy) and romanticism (Wagner, Mahler) and felt very strongly about the music of Satie and Stravinsky. Milhaud's most popular work is undoubtedly the ballet La Creation du Monde, one of the most striking examples of jazz influences in classical music. The premiere at the Theatre des Champs Elysees in October 1923 caused a real scandal with the Paris public. The Trois Rag-Caprices for piano were composed one year earlier, in the summer of 1922, and could be considered as a kind of preliminary sketch for La Creation du Monde. There are indeed clear similarities between both compositions as to the rhythmical and harmonic aspects. The Trois Rag-Caprices were orchestrated for symphony orchestra by Milhaud himself some time later. The same happened to Saudades do Brasil (1920), a piano composition punctuated with Latin-American influences, which was written after his stay in Rio de Janeiro (1917-18) exactly as his ballet Le Boeuf sur le Toit. Johan de Meij's orchestration of Trois Rag-Caprices for symphonic band is a most welcome addition next to the original band works of Milhaud, such as Suite Francaise (1945) and West Point Suite (1951).Duration: 8.00

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