Trombo Mambo (Trombone Section feature with Concert Band - Score and Parts) - Story, Michael

The sales of cold cream will soar! (Or do trombone players have a more trendy slide lubricant?!) In any case, you'll want those slides moving for this spectacular sonic experience. Those glissin' right arms will be great fun to watch, and if they can't reach 'sixth,' don't sweat it, no one will know. Trombontastic! Duration: 1.30

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Trombone Blues

This famous trombone novelty is slip-slidin' fun for the whole band from start to finish. Originally written for circus bands in the early 1900's, the slightly "raggy" feeling makes it an instant favorite with audiences and performers. Andrew Glover's new arrangement is as impressive as you will hear and we're sure you'll be performing this one for years to come! Very Highly Recommended!

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Trombone Concerto (Concert Band - Score and Parts) - Bourgeois, Derek

Bourgeois, Derek'?Trombone Concerto?is a substantial twenty-minute piece in three movements, "Allegro," "Adagio," and "Presto." Because trombonists from the worlds of pop and jazz would attend the premiere as well as classical artists, Bourgeois decided to make his new concerto musically ecumenical, and it was deliberately tailored to have an appeal wider than the usual classical audience. The third movement, in particular, was a great hit.?

Trombone Concerto (Concert Band - Score Only) - Bourgeois, Derek

Bourgeois, Derek'?Trombone Concerto?is a substantial twenty-minute piece in three movements, "Allegro," "Adagio," and "Presto." Because trombonists from the worlds of pop and jazz would attend the premiere as well as classical artists, Bourgeois decided to make his new concerto musically ecumenical, and it was deliberately tailored to have an appeal wider than the usual classical audience. The third movement, in particular, was a great hit.?

TROMBONE CONCERTO (Ellerby) (Prestige Concert Band Extra Score) - Ellerby, Martin

Extra Score. This work is cast in three movements. 1. Panache 2. Elegy 3. Mosaic. This work makes many demands on the soloist giving opportunities to display both technical and lyrical prowess. The themes and undercurrents owe much to dance forms. (Soloist - Grade 6 Band - Grade 5) Performance time: 15:00 (The movements may be played independently) Recorded on QPRM151D TIME LINES: Great British Music for Wind Band Vol.12 (Royal Northern College of Music)

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TROMBONE CONCERTO (Ellerby) (Prestige Concert Band Set) - Ellerby, Martin

Score and Parts. This work is cast in three movements. 1. Panache 2. Elegy 3. Mosaic. This work makes many demands on the soloist giving opportunities to display both technical and lyrical prowess. The themes and undercurrents owe much to dance forms. (Soloist - Grade 6 Band - Grade 5) Performance time: 15:00 (The movements may be played independently) Recorded on QPRM151D TIME LINES: Great British Music for Wind Band Vol.12 (Royal Northern College of Music)

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Trombone Concerto (Trombone Solo with Concert Band - Score and Parts) - Sparke, Philip

Duration: 25.30

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Trombone Concerto (Trombone Solo with Concert Band - Score and Parts) - Wiffin, Rob

The composer writes:My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout. The concerto was composed in Spain the summer of 2010. Once I started writing I realised this concerto was, inevitably, going to draw on my own experiences as a trombone player.The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo.The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write ineluctably cantabile as we trombone players rarely get a chance to play the melody! There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson (my teacher at college) died in the summer of 2010 so it seemed appropriate to dedicate this movement to him.The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist.While wanting to test the instrument, I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.Recorded on Polyphonic CD QPRM161D Roman TrilogyDuration: 19:30

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Trombone Concerto (Trombone Solo with Concert Band - Score and Parts) - Yagisawa, Satoshi

Satoshi Yagisawa's Trombone Concerto is both impressive and original at the same time. It features a slow-fast-slow structure with each movement being connected to the next. The second movement, with its rich choralelike writing, is especially noteworthy, bringing out the warmest and most delicate sounds of the trombone. Yagisawa also takes extreme care in how the soloist and band interact with each other, creating an unforgettable work!Duration: 15:00

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Trombone Concerto (Trombone Solo with Concert Band - Score only) - Wiffin, Rob

The composer writes:My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout. The concerto was composed in Spain the summer of 2010. Once I started writing I realised this concerto was, inevitably, going to draw on my own experiences as a trombone player.The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo.The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write ineluctably cantabile as we trombone players rarely get a chance to play the melody! There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson (my teacher at college) died in the summer of 2010 so it seemed appropriate to dedicate this movement to him.The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist.While wanting to test the instrument, I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.Recorded on Polyphonic CD QPRM161D Roman TrilogyDuration: 19:30

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