Repercussions

An exciting work for concert band by Robert W. Smith. The term "repercussions" is defined as an effect, influence or result that is produced by an event or action. Repercussions uses this concept of "cause and effect" in its creative approach. Rhythmic figures introduced in the winds are echoed in the percussion. Antiphonal percussion effects throughout create new layers of effect and interest as they interact throughout the piece. Accessible to most concert bands, the driving rhythms and musical interplay of this energetic work offer multiple teaching opportunities in a very appealing setting.

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Rephrygeration (Concert Band - Score and Parts) - Stalter, Todd

A dynamic concert opener or closer cast almost entirely in the Phrygian mode. The half steps that make this scale mode so unique are celebrated both in a melodic and harmonic sense, with aggressive low brass figures, crisp and rhythmic percussion, and winding passages in the woodwind.Duration: 2:50

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Requiem (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul

John Rutter's Requiem is a musical setting of parts of the Latin Requiem with added psalms and biblical verses in English, completed in 1985. This arrangement is scored for soprano, mixed choir and Concert/Wind Band. It may be performed by band alone. Five of its seven movements are based on text from the Latin Requiem Mass, while the second movement is a setting of Out of the deep (Psalm 130) and the sixth movement is an anthem The Lord is my Shepherd (Psalm 23) which Rutter had earlier written. The cello solo of the second movement is maintained, but also scored as a bassoon solo. The first movement combines the Introit and Kyrie, the third is Pie Jesu, with soprano solo. The central movement is a lively Sanctus, followed by Agnus Dei and finally Lux aeterna. In the Agnus Dei and Lux aeterna, Rutter combines the liturgical Latin text with English biblical verses. The arranger has added the tolling of the bell at the end, which can be as few or as many as may be appropriate for the occasion.

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Requiem Aeternam (from Edgar) (Concert Band - Score and Parts) - Puccini, Giacomo - De Meij, Johan

Giacomo Puccini was commissioned to write a second opera after the resounding success of his first, Le Villi. However, the original four-act, grand opera Edgar, to a libretto by Ferdinando Fontana, received a rather lukewarm reception at its premiere in La Scala in Milan in 1889. Initially, the work was only performed three times. Of all the planned performances in the subsequent two years, only one took place, in Lucca, Puccini's birthplace. There, the work was well received. Nevertheless, the composer decided to make drastic changes to Edgar the most radical being the reduction of the opera to three acts, as well as altering a few arias, characters and instrumental parts. In its revised form, the work was even less popular than before. The discarded fourth act later provided material for Tosca (the duet Amoro sol' per te), but Puccini never felt the need to defend Edgar as he did other less fortunate operas, such as La Rondine and Suor Angelica. On a piano excerpt for his female friend Sybil Seligman he even corrupted the title to 'E Dio ti Guarda da quest' opera' (may God preserve you from this opera). This did not prevent Arturo Toscanini performing the Requiem from the third act at Puccini's funeral in Milan Cathedral on 3 December 1924. The Requiem in the third act is being played when the long funeral procession carries the alleged body of Edgar, the confused young man hesitating between the love of the virtuous Fidelia and the exotic Tigrana. The mass hails Edgar as a hero, but a monk claims that he has betrayed his country for a few gold pieces. When the soldiers try to desecrate the body, they discover that the armor contains none. The monk reveals himself as Edgar. He wants to leave with his faithful Fidelia, but the vengeful Tigrana stabs him and kills Fidelia. Edgar grieves over the lifeless body of his beloved, while Tigrana is arrested and the people submerge into prayer. Duration: 3.30

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Requiem aeternam (from Requiem) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul

John Rutter's Requiem is a musical setting of parts of the Latin Requiem with added psalms and biblical verses in English, completed in 1985. This arrangement is scored for soprano, mixed choir and Concert/Wind Band. It may be performed by band alone. Five of its seven movements are based on text from the Latin Requiem Mass, while the second movement is a setting of Out of the deep (Psalm 130) and the sixth movement is an anthem The Lord is my Shepherd (Psalm 23) which Rutter had earlier written. The cello solo of the second movement is maintained, but also scored as a bassoon solo. The first movement combines the Introit and Kyrie, the third is Pie Jesu, with soprano solo. The central movement is a lively Sanctus, followed by Agnus Dei and finally Lux aeterna. In the Agnus Dei and Lux aeterna, Rutter combines the liturgical Latin text with English biblical verses. The arranger has added the tolling of the bell at the end, which can be as few or as many as may be appropriate for the occasion.

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Requiem K.626 (Concert Band - Score and Parts) - Mozart, Wolfgang Amadeus - Longfield, Robert

Mozart's last work was actually unfinished when he died in 1791. Completed by friend and pupil, Franz Xavier Sussmayr, it has become a testament to Mozart's enduring greatness, unmatched for melodic eloquence and emotional depth. This marvelously effective adaptation for winds includes the opening 2 movements, Introit and Kyrie Eleison.

Requiem to a Land Forgotten (Concert Band - Score and Parts) - Sheldon, Robert

Whether by geo-political strife or natural disaster, many people across the world have been displaced far from their homes. Requiem to a Land Forgotten represents the sadness of leaving, the joyous anticipation of returning, and, upon that return, the tragedy and loss that is experienced by victims of war-torn nations or the ravages of nature. Duration: 5.00

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Reserva (Concert Band - Score and Parts)

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Residence of the Lords (The Medieval Castle) (Concert Band - Score and Parts) - Lopez, Victor

Lyrical and exciting, this original piece captures the essence of the feudal castle and residence of the lords during the Slavic period. A solid composition with simple melodic and rhythmic content and minimal technical demands that is both fun to play and guaranteed to sound full and mature even with limited instrumentation. Duration: 2:00

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Residence of the Lords (The Medieval Castle) (Flexible Ensemble - Score and Parts) - Lopez, Victor

This version of Residence of the Lords by Victor Lopez is designed with maximum flexibility for use by any mix of instruments: wind, strings, and percussion, including like or mixed-ensembles with as few as 4 players. The suggested instrumentation and a customisable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. The 4-part instrumentation will support balanced instrumentation of the lower voices. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys. Lyrical and exciting, this original piece captures the essence of the feudal castle and residence of the lords during the Slavic period. A solid composition with simple melodic and rhythmic content and minimal technical demands that is both fun to play and guaranteed to sound full and mature even with limited instrumentation. Duration: 2.00

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