Procession to Machu Picchu (Concert Band - Score and Parts) - Orcino, Leonard A.

Machu Picchu is the site of a pre-Columbian (1462AD) Inca ruin, often referred to as The Lost City of the Incas. It is situated on a mountain ridge 8000 feet above the Urubamba Valley in Peru. American historian Hiram Bingham rediscovered the site and brought it to the attention of the world in 1911. Machu Picchu is now considered one the seven wonders of the modern world and is a highly visited tourist destination. Procession to Machu Picchu is written in a bolero style and brings to life visions of he Incas as they marched to the summit over 500 years ago.Duration: 2.30

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PROCESSIONAL (A Little Ceremonial Music No.3) (Programme Concert Band) - Wiffin, Rob

This spirited work can be played simply as a concert piece, but would be very appropriate for occasions such as weddings or graduation ceremonies. Duration 3'15"

Processional (Concert Band - Score and Parts) - Sparke, Philip

Philip Sparke composed Processional as a wedding present for two of his friends. It is an extremely versatile piece as it can be played simply as a concert piece but has been designed specifically for occasions such as weddings or graduation ceremonies, where its duration can be altered according to your needs. A must for any ceremonial occasion.Duration: 2:30

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Processional Overture (Concert Band - Score and Parts) - Sparke, Philip

Processional Overture provides a good opportunity for developing a healthy band tone in both soft and loud dynamics and introduces the concepts of 'DS al Coda'.Duration: 2:00

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Proclamation & Symphonic Decree

Commissioned by the Yamaha Corporation for the Japan Band Clinic Committee, this impressive Ed Huckeby composition is one of his nicest. Full of dramatic writing, including mixed meters and heavy doses of syncopation, it's a superlative selection for either concert or contest use. One of the best Ed Huckeby concert band pieces in our concert band catalog!

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Proclamation and Procession (Concert Band - Score and Parts) - Smith, Robert W.

Robert W. Smith's Proclamation and Procession is certain to make your ensemble sound its best. Bold and commanding, the work opens with a majestic fanfare and develops the heroic theme in a variety of textures, building to an energetic conclusion. Scored to accompany Band Expressions Book Two, but perfect for any developing band, here's a sure winner for both concerts and contests. Duration: 2.30

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Proclamations (A Symphonic Celebration for Band) (Concert Band - Score and Parts) - Romeyn, Rob

Proclamations is a shimmering way to begin your next concert featuring a spectacular opening fanfare followed by a memorable melodic theme. A second celebratory fanfare introduces a variation on the first theme. Powerful scoring, varied textures, and contrasting styles make this the perfect choice for a concert. A very impressive Symphonic Celebration for band!Duration: 6.15

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Prof. Googleheimer's Clarinet Polka (Clarinet Section Feature with Concert Band - Score and Parts) - Sparke, Philip

Duration: 2.00

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Project Mars (Concert Band - Score and Parts) - Story, Michael

Reflecting on the new data arriving from the red planet, this original work contains a "tip of the hat" to Gustav Holst's revered melody. Opening and closing with a distinct fanfare, the solidly scored overture will spotlight your beginners with this bold work suitable for concert or contest. Interstellar!Duration: 2:00

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Prologo e Fantasia (Concert Band - Score and Parts) - Walton, William - Noble, Paul

William Walton's last 'original' work of note was the Prologo e Fantasia in 1981-2, commissioned by Mstislav Rostropovitch and the National Symphony Orchestra in Washington D.C. It was first performed in London by Rostropovitch and the National Symphony Orchestra. The work consists of three sections. The first movement forms the Prologo, which is slightly reminiscent of the French Overture. The Fantasia opens briskly with characteristic Waltonian energy, and leads, after a climax, into the thematically connected final section Fuga finta (or 'make-believe fugue'). Note to conductors: orchestra performances of this work vary significantly, from a total length of just under five minutes in one performance to over six minutes and forty seconds in another. The audio presented with this arrangement is somewhat in the middle of the timings. So the metronomic markings may not necessarily be taken literally.

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