The Cosmographic Mystery - Ingebjørg Vilhelmsen

"The Cosmographic Mystery" outlines the great mysteries and secrets of the universe. The musical foundation is a tribute to composer Gustav Holst, and his suite "The Planets". Each movement from the suite is quoted in the course of the piece. The title is taken from a book by the German astronomer Johannes Kepler, which was published in the 17th century. The book explains Kepler's cosmological theory that the distance relationship between the planets could be understood in light of the five Platonic solids. The theory proposes that the solids dictate the structure of the universe through geometry. "The Cosmographic Mystery" is supported by the Norwegian Composers' Fund, and was commissioned by Oslofjord brass.

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The Cosmopolita - J. S. Taylor

Note: This is a reprint from a vintage publication of 1897. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide.Due to the era of this work, saxophone and double-reed parts are not published. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.

The Cossack - W. Rimmer

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The Cossack - William Rimmer

The Cotton Phoenix - Alex Poelman

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The Count Of Morestel - Bertrand Moren

The Country Club Stomp! - Jarod Hall

Now in ColorFlex format for groups with limited instrumentation !Experience a New Orleans vibe with this exciting, parade-inspired crowd-pleaser! The Country Club Stomp! is based on an infectious rhythmic groove and spirited melody. JaRod Hall uses elements of jazz as well as a strong reference to the West African circle dances from which this music evolved. Stellar writing that is fun, catchy, and informative! (3:00)About ColorFlexConductors no longer need to choose between function and texture! Ensembles with instrumentation challenges still have numerous options to cover all parts, yet orchestration is elevated significantly to be faithful to the composer's original intent. Musicians have more opportunities to rest, and timbre once again becomes a central element of each work. So go ahead and have the best of both worlds: flexible and colorful.

The Court Jester - Bob (Robert) Lowden

"Catchy" melodies displayed against a solid rhythmic background highlight this effective arrangement that is guaranteed to be a favorite of your young band students.

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The Courtier - G. E. Holmes

The Courts Of Granada - Ruperto ChapÝ

a. Introduction and March to the Tournamentb. Meditationc. Serenatad. Finale