Results
-
£115.00NAME PERPETUAL, A (Concert Band) - Pierce, Eseld
Under the leadership of Michael An Gof and Thomas Flamanck, a Cornish host, sometimes estimated to number as many as 15,000, marched to London in protest against excessive taxation. Arriving at Blackheath, they were attacked by the King's army and defeated, and the two rebel leaders were hung, drawn and quartered. On his way to his death, An Gof stated that he would have "a name perpetual and a fame permanent and immortal". A Name Perpetual tells the story of the Rebellion in four connected scenes. The music includes strong elements of the Celtic music tradition, being structured around an old Cornish folk tune. The first scene introduces fragments of the folk theme and reflects the anguish of the Cornish people. The second scene opens with the folk theme on solo piccolo and, as different instruments enter one by one, the march is depicted with its accumulation of forces en route. The march halts suddenly as the Cornishmen discover the unexpected arrival of the English army and the subsequent music portrays the Blackheath Skirmish. In this scene the orchestra is divided into four parts, each working independently to create a sense of chaos, with the stronger elements of the brass and bass instruments representing the English, while the woodwind and saxophones represent the Cornish, struggling to sustain the folk tune throughout the battle. Eventually all the parts come together and the final section is a lament for the lost Cornishmen, fading away to leave only a haunting off-stage trumpet solo.
Estimated dispatch 7-14 working days
-
£135.95NAPOLI Variations on a Neopolitan Song (Cornet Solo with Intermediate Concert Band) - Hunsberger, Donald
Born in Germany, Hermann Bellstedt immigrated to America in 1867, where his family settled in Cincinnati. A prodigy on the cornet, he played with Patrick Gilmore as cornet soloist and assistant to the famous Ben Bolt, and, in 1904, joined the Sousa Band, playing alongside Walter Rogers and Herbert L. Clarke. Bellstedt's variations on Napoli feature the popular Neopolitan song "Finiculi, Finicula" (composed by Luigi Denza in 1880) that celebrated the funicular railway built up the side of Mt. Vesuvius in 1880. Other popular Amalfi Coast songs include "'O Solo Mio" and "Torna a Sorriento." A variety of solo textures, whimsical to intense, are demonstrated by this Donald Hunsberger arrangement dedicated to Wynton Marsalis as a part of the "Carnaval" project. A grandiose opportunity to feature your cornet or trumpet soloist! (5:45)
Estimated dispatch 7-14 working days
-
£84.99Remembrance Day Wind Band Set (Score & Parts)
Remembrance Day (Totengedenken) is a chorale-like piece in memory of those who have died in service. Jacob de Haan composed this work for a concert by the symphonic wind orchestra Symphonic Winds, which he conducted in Germany on Volkstrauertag (national remembrance day). The composition is based on a text from Totengedenken (Commemoration of Those Who Have Died). This narrative text is provided in four languages, and is intended to be spoken (using a microphone) ad libitum during the performance. Choir parts are also available to complement the performance. 0:04:30
Estimated dispatch 7-14 working days
-
£89.99
Unity Fanfare (Concert Band - Score and Parts)
The Musikkapelle St. Johann in Tyrol commissioned Otto M Schwarz to compose an energetic and exciting fanfare for their band and that is exactly what they got. If you are looking for a work to open your concert with, this is it! Otto M. Schwarz' passion for lm scoring is evident as he e ectively mixes movie sounds into this fanfare. Festive chorales and heart warming melodies culminate in an exciting Finale Furioso! 03:47
Estimated dispatch 7-14 working days
-
£76.99
Uptown Girl Wind Band Set (Score & Parts)
Apparently Billy Joel's muses when he wrote Uptown Girl were the model, Elle MacPherson, and then his later wife, model Christie Brinkley. With this catchy pop song about a simple guy who loves a rich girl from downtown, Joel wanted to encourage the ugly guy to win the heart of the most beautiful woman. In Billy Joel's case, his great talent in writing hit songs was obviously also a factor! And now Stefan Schwalgin has arranged this chart-topper into a lively and compelling performance piece. 03:20
Estimated dispatch 7-14 working days
-
£51.95Hallelujah Chorus (Concert Band with Optional Chorus - Score and Parts) - Handel, George Frideric - Kinyon, John
The Hallelujah Chorus is the best known and most dramatic section from The Messiah, an oratorio first performed in Dublin in 1742 with the composer conducting. In addition to the chorus, the original orchestration called for two oboes, two bassoons, two horns, timpani, strings and keyboard instruments. King George III, in attendance at the premier performance, is said to have suddenly leaped to his feet on hearing the opening chords. Historians disagree, however, as to whether his majesty was merely showing his appreciation of the music or whether, as one story goes, he had been startled out of a sound sleep. Whichever, the entire audience followed the regal example, thereby instituting a tradition which has persisted for more than two centuries. Even today it is customary for an audience to rise during the performance of this exciting work. Duration: 4.00
Estimated dispatch 7-14 working days
-
£1.95Hallelujah Chorus (SATB Choral Octavo) - Handel, George Frideric - Kinyon, John
The Hallelujah Chorus is the best known and most dramatic section from The Messiah, an oratorio first performed in Dublin in 1742 with the composer conducting. In addition to the chorus, the original orchestration called for two oboes, two bassoons, two horns, timpani, strings and keyboard instruments. King George III, in attendance at the premier performance, is said to have suddenly leaped to his feet on hearing the opening chords. Historians disagree, however, as to whether his majesty was merely showing his appreciation of the music or whether, as one story goes, he had been startled out of a sound sleep. Whichever, the entire audience followed the regal example, thereby instituting a tradition which has persisted for more than two centuries. Even today it is customary for an audience to rise during the performance of this exciting work. Duration: 4.00
Estimated dispatch 7-14 working days
-
£55.00Capriccio (Concert Band - Score and Parts) - Holst, Gustav - Boyd, John
Holst composed this short, light-hearted but tuneful work in 1932, while on a visit to the USA, for Nathaniel Shilkret's concert jazz band. He was asked to use a folk tune but invented one of his own. The piece was not performed and remained in manuscript. This version for wind band was arranged by John Boyd with the approval of Imogen Holst. Duration: 5.00
Estimated dispatch 7-14 working days
-
£79.99
Sir Roger de Coverley - Frank Bridge
Frank Bridge (1879 – 1941) was one of the leading English composers of his time. In October 1922 he adapted his popular string quartet Sir Roger de Coverley for full symphony orchestra and Sir Henry Wood agreed, at the last minute, to include it in the last night of the Queen’s Hall Promenade Concerts at the end of that month. This elaborate and colourful orchestral version has never been widely performed, but has now been brilliantly transcribed by Alastair Wheeler to provide a miniature dance poem for grade 5 level concert band. Bridge’s lively treatment of one of England’s most famous traditional dance melodies will make a fitting end to any concert, with the strains of Auld Lang Syne introduced by Bridge as a nod towards Sir Roger de Coverley’s traditional function as the final dance of a Christmas Ball, as it was in Old Mr. Fezziwig’s party in Dickens’ A Christmas Carol.
Estimated dispatch 7-14 working days
-
£85.00
Sir Roger de Coverley - Frank Bridge
Frank Bridge (1879 - 1941) was one of the leading English composers of his time. In October 1922 he adapted his popular string quartet Sir Roger de Coverley for full symphony orchestra and Sir Henry Wood agreed, at the last minute, to include it in the last night of the Queen's Hall Promenade Concerts at the end of that month. This elaborate and colourful orchestral version has never been widely performed, but has now been brilliantly transcribed by Alastair Wheeler to provide a miniature dance poem for grade 5 level concert band. Bridge's lively treatment of one of England's most famous traditional dance melodies will make a fitting end to any concert, with the strains of Auld Lang Syne introduced by Bridge as a nod towards Sir Roger de Coverley's traditional function as the final dance of a Christmas Ball, as it was in Old Mr. Fezziwig's party in Dickens' A Christmas Carol.
In stock: Estimated delivery 1-3 days
View Music