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£218.30Norsk Kunstnerkarneval Op.14 - Johan S. Svendsen
This well-known work was composed in Christiania in 1874 for a burlesque Carnival in "Kunstnerforeningen".An early title for the work was "Bryllup paa Dovre". The manuscript score and parts at The National Library in Oslo of the early version with this title have much more music than the version printed by C.F. Peters, Leipzig in 1881. The form in this first version was ABA with an additional trio part that later were discarded. In the trio Svendsen used the melody Sterreisen (Os har gjort kva gjeras skulle) from Lindeman's collection of Norwegian Folk Tunes. (Vol. I/115). In the A-part a wedding tune (Bruraslaatten) from Sogn is used (Lindeman Vol. I/476). The Carnival's literary theme was the connection between the cold north and the warm south. Musically the south is represented in Svendsen's music by Raffaele Sacoo's melody from 1835 "Te voglio bene assai".I believe that if Norwegian quality music from this period is going to be performed, it must at least be available. There must be editions for modern instrumentations with full scores. I do this as my contribution to expand and enrich the repertoire for Concert Bands.- Stig Nordhagen -
Estimated dispatch 7-14 working days
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£78.20Cloud(iu)s ... der Wolkenmann - Thiemo Kraas
4 Miniatures for Winds: 1. Wind 2. Storm 3. Rain 4. Sun and Snow There was a little child who enthusiastically told a story ... and a composer who was equally inspired by the child and its story to write these miniatures. At the premier performance of my composition "Arcus" in March 2011, when I explained how a piece about the rainbow came into being, a little girl came up to me and asked: "Thiemo, what about the man in the clouds?" I obviously had forgotten to include him, though he is as the little girl informed me of extreme importance in the sky: "He sits in the clouds and is responsible for the weather. He shakes rain, wind, storm or snow out of the clouds, he pushes them aside to let the sunshine through or he models them into funny figures, making people on earth smile." Fascinated by the girl's ingenuous ideas I created this small composition, sitting in my study and letting my mind wander into the sky. As the man in the clouds naturally has to have a name, I decided to call him "Cloud(iu)s ... man in the clouds". I dedicate this piece to the children of my beginner's band, who show me again and again how wonderful and precious it is to delight in the small things in life ...
Estimated dispatch 7-14 working days
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£91.99The Sun Will Rise Again - Philip Sparke
The composer writes:"On March 11th 2011 a massive 9.0- magnitude earthquake occurred off the coast of north-eastern Japan.I'm writing these programme notes barely a week later and the death toll caused by the quake and resulting tsunami already exceeds 6000, with thousands of people still unaccounted for. I have many friends associated with many bands throughout Japan and one of these, Yutaka Nishida, suggested I write a piece to raise money to help those affected by the disaster. I was immediately attracted by the idea and have arranged Cantilena (a brass band piece recently commissioned by the Grenland International Brass Festival, Norway) for wind band, giving it a new title tohonour my friends in the Land of the Rising Sun.I will be donating royalties from this piece to the Japanese Red Cross Society Emergency Relief Fund and am delighted to say that my distributors, De Haske, who will generously also donate all net profits from sales of this piece, have pledged a substantial advance payment to the Red Cross so that what little help this project generates can be immediate.It is my sincere wish that this 'Band Aid' project will allow wind bands around the world support the people of Japan, where bands are a way of life for many, in this difficult time".Philip Sparke
Estimated dispatch 7-14 working days
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£202.99
Porco Rosso - Joe Hisaishi
From the 1992 Japanese animated film about an Italian World War I flying ace who, for a wartime misdeed, was transformed into an anthropomorphic pig. The flamboyant post-war story of Porco Rosso (Crimson Pig) battling air pirates is full of intrigue and romance, and the film's diverse and lush soundtrack is one of the more rare Studio Ghibli scorings. Mr. Tomoki Ubata, (band director at Ina Gakuen Sr. High School) assisted with medley design as we both became intrigued with the music.The sixth song, Kyouki ~ hishou (insanity & soaring), appearing on Joe Hisaishi's album "My Lost City", is often performed for his concerts. Due to its complexity I am sure this is one of Hisaishi's favorites. I also added the French chanson "Le Temps des cerises" (Antoine Renard) that Madame Gena sings in the film. This is my favorite of all chansons; I was happy to include this bittersweet, beautiful melody.The following themes are contained in the arrangement:1. Le Temps des cerises2. Jidai no kaze (Wind of the Times)3. Mammaito4. Pikkoro no onnatachi (Women of Piccolo)5. Porco e Bella6. Kyouki ~ hishou (Insanity & Soaring)7. Tooki jidai o momomede (Seeking for Far Times)You can hear how the story folds without a screen.(Kazuhiro Morita)
Estimated dispatch 7-14 working days
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£245.50Symphonie de l'Eau - Serge Lancen
This symphony was composed in 1984 and is dedicated to the great French composer Ida Gotkovsky a good friend of the Lancen family. It was the test piece in the Seccion Primera of the famous Spanish wind band contest Certamen International de Bandes de Msica Ciudad de Valncia and was recorded by the Symphonic Band of the Maastricht Conservatory of Music conducted by Sef Pijpers. Serge Lancen himself related the genesis of this symphony as follows:When I was twelve years old I had started composing a piece which described the cycle of the water. The project was however abandoned and only some themes were left unused. In July 1983, I went by boat to the WASBE conference in Skien, Norway and was seduced by the North Sea. During the travel a musical theme was born and was the trigger for the realisation of my ancient project which I still fancied'. The 'Symphonie de l'Eau' is in fact a musical description of the cycle of the water which the composer defines as follows:'A slight mist rises and turns into a cloud. Water drops fall on the mountain. A brooklet rises and clears a way throughout the alpine pastures. Soon other small watercourses join the original brook that is now reinforced as to become a real roaring mountain river falling in a lake amidst a quiet and poetic surrounding. The water turns again into a river when leaving the lake and gradually becomes a big stream which majestically flows towards the sea. A slight mist is rising from the huge surface and so the cycle of the water starts all over again.
Estimated dispatch 7-14 working days
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£174.99Two Symphonic Interludes - Harrie Janssen
Based on the poems by German poet Carl Hauptmann (late Romanticism) and the English poet William Wordsworth (early Romanticism). Carl Hauptmann was in poor health as a child, but highly intelligent. He studied philosophy, psychology and biology. In the latter he was admitted to the degree of doctor. His marriage provided financial independence, so that he could focus on his studies. Hauptmann wrote various novels, plays, poetry and scientific works. Night Twilight floats above the valley's night mists are hanging, there's a whispering brook. Now the covering veil is lifting quite: come and look! See the magicland before our gaze: tall as dreams the silver mountains stand, crossed by silent silver paths shining from a secret land. Noble, pure, the dreaming country sleeps. By the path the shadow black and hogh of a beach. a wisp of a white smoke creeps to the dark'ning sky. Where the valley is the darkest hued countless little lights shine silently. O my soul! Drink of solitude! Carl Hauptmann Wordsworth 'introduced' a new type of poetry, based on the speech of the common man. This was his answer to the poetry of the classicism which was bound by rigid rules. His definition of poetry was: the spontaneous overflow of powerful feelings from emotions recollected in tranquility. My heart leaps up when I behold a rainbow in the sky My heart leaps up when I behold A rainbow in the sky: So was it when my life began. So is it now I am a man. So be it when I shall grow old, Or let me die! The Child is father of the Man. And I could wish my days to be Bound each to each by natural piety. William Wordsworth In a truly poetic manner Harrie Janssen has transformed the contemplative thoughts of the poets into two compositions for Concert Band.
Estimated dispatch 7-14 working days
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£186.20Fin de Siecle - Henk Alkema
About his composition 'Fin de Sicle', completed in 1995, Alkema writes: 'At the end of each century 'everything is allowed' for some time. Everything is being summarized and eventually leads to a last climax. I felt that same feeling of freedom when I started composing 'Fin de Sicle'. Everything is allowed. I did not want to summarize all musical expressions of the twentieth century; I only wanted to summarize my own experiences. To me, this music is the very end and yet also the beginning of something else. I do believe in evolution and growth.'
Estimated dispatch 7-14 working days
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£186.20Music for Gentry - Mickey Nicolas
Let's go back to the fifties. As I have played as a musician at such famous places as Carrre and Maxim's in Paris and the Palm Beach in Cannes, I wanted to recreate the musical climate of that time. This was highly appreciated by the high-life of that time: show business stars, politicians and millionaires alike. Of course, I used the most popular tunes of the fifties as well as the accompaniments to the popular musical acts, the latter mostly using two beat measures. With some nostalgia I used the scale of Jerome Kern's 'I get a kick out of you' to conclude.
Estimated dispatch 7-14 working days
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£129.99And Then the Ocean Glows - Johann Strauss
And Then the Ocean Glows was commissioned by Niihama Grade School and its director, Mr. Shinichi Tagawa and completed in April of 2002. Mr. Tagawa and I titled the piece together, drawing from sectional themes of "Shining Morning Ocean", "Wind Stormy Ocean" and "Large Mother Ocean." Before I began composing the piece, I visited Niihama's rehearsal and met the band's inspired young students. The work's theme and melodies are enjoyable and compelling for musicians; I would be delighted for bands to experience this fresh composition.Niihama Grade School Band performed this work for the All Japan Band Contest in 2002 and advanced to divisional level to receive a gold prize. The band also appeared in the TBS Children's Music Contest and received a first prize. (Satoshi Yagisawa)
Estimated dispatch 7-14 working days
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£159.99
Fantasia Per La Vita E La Morte - Bert Appermont
The mystique surrounding life and death formed the starting point of this composition. I wanted to write a work without a story, mixed up in a kind of musical quest for a new world of sound, original rhythm sequences, melodies filled with suspenseand distinct orchestral tones.The indirect cause was the birth of my first child which took place during this time, followed by the death of a close family member. At such a moment you experience just how close life and death are to each other, anddespite one being the antithesis of the other, they are incredibly similar. Both radical events are passages into new worlds and have great emotional impact. Moreover, the work was commissioned by "New Life", an orchestra that lost one of itsmusician in a plane crash, which also led me to believe that this approach would be appropriate.I would prefer not to comment on which passages in the composition concern life (birth) and which refer to death. It seems to me that it is moreinteresting to question traditional conceptions and leave it open for the listener. If you think that a passage is about birth, and this idea then shifts, it is this that raises fascinating questions, on both a musical and metaphysical level.Music isin an indirect but incredibly persuasive way in which to express the endless striving and seeking of mankind. Music can even touch eternity, as it were, and give us the feeling that we can transcend death. This endless search (and also longing) canbe heard throughout the work; as much in the sound fields and accent shifts in the first part as in the enormous tension curves and compelling themes of the second part. The semi-tone functions in this way as a guide or something to hold on to,running through the whole work and upon which much of the musical material is based. Traces of profound love resound with quiet simplicity in the slow section's melodious solos, after which the work contemplates life and death one last time, musesupon joy and sadness, on the possibilities and limitations of people and on the why of all things.I would like to dedicate this work to my dearest daughter Paulientje, to Meterke and to Johan de Jong of the "New Life" orchestra. May it fare themwell, here or in another dimension...
Estimated dispatch 7-14 working days
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