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£79.50American Visions - Travis J. Weller
Soaring themes and dazzling fanfares collide in this exuberant work that weaves original themes with America (). A multitude of harmonies, melodies and meter changes are seemlessly woven together to create a piece that works equally well as a concert opener / closer or a patriotic selection. Absolutely stellar!
Estimated dispatch 7-14 working days
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£89.99MetaMarch - Steven Bryant
The Music of BCM International In this third installment of a series of pieces that quote and rework familiar band themes (after Chester Leaps In and ImPercynations), composer Steven Bryant uses the classic march themes Americans We, Liberty Bell March and National Emblem as the basis of this humorous and unexpected take on the traditional march. Slightly warped, but unmistakably entertaining, this well-constructed novelty is sure to bring a smile. (4:00)
Estimated dispatch 7-14 working days
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£154.60Rendezvous - Torstein Aagaard-Nilsen
Rendezvous was commissioned by Krohnengen Brass Band for their 50th Anniversary in 2019. This version for Concert Band was scored autumn 2020.Rendezvous is devided into three sections. Each section are referring to Edvard Grieg's own titles. but twisted, to make sure that everybody understand that this music is a mash-up of themes Edvard Grieg used in opus 54 (for piano) and opus 61 (songs for children).1. Trolltog med avsporing (March of the Trolls derailment)March of the Trolls is a famous part of Edvard Grieg lyric pieces, opus 54.2. Klokkeklang i feil sang (Bell ringing in wrong tune).Bell ringing show that Grieg was one of the first composers to write the way impressionists did. What happens if this beatiful piece is combined with several other themes from the same book? It somehow works in its own way.3. Pep talk til Blakken (Pep talk to Blakken)The riff used in the first part becomes an important part of the third part: a funky treat of the childrens song "Kveldssang for Blakken" (Evening song for Blakken).I felt that a rather tired old horse needed a pep talk more than a slow tune. So that is why you get this music(!) - and this is how my rendezvous with Grieg ends.Not sure what maestro Grieg would have thougt... But, I have read that the fiddlers that played the tunes Grieg used was not happy with the way Grieg used them.So there you go...Torstein Aagaard-Nilsen
Estimated dispatch 7-14 working days
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£82.50Creepy Classics For Band - Robert E. Foster
A great way to introduce some of the best-known themes from classical literature in a fun and spooky package! Four of the most haunting classical themes: In the Hall of the Mountain King; The Sorcerers Apprentice; Danse Macabre and A Night on Bald Mountain conjure up images of ghosts, witches, sorcerers and all manner of creepy, spooky creatures. Especially suitable for Halloween concerts, youll want to program this all year round!
Estimated dispatch 7-14 working days
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£72.95
The Last Chivalrous Knight - Richard Summers
Knights in shining armor, damsels in distress and jousting come to mind when you hear this original composition from composer Richard Summers. Students are intrigued by the music of the Medieval Times, and it has crept its way into many video game themes and epic sports themes. This piece brings it all into a format for young bands to enjoy. Richard has provided some nice modal writing and excellent counterpoint to give it the flavor of the time period. Your band will sound full with this program piece that can also be used for contest or festival.
Estimated dispatch 7-14 working days
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£84.99
Classics on Parade - Michael Friedmann
Classics on Parade is a wonderful and original compilation of nineteen famous classical themes. Pieces by Beethoven, Mozart, Haydn, and a number of other well-known composers are heard, some on their own and some interwoven with other themes. Classics on Parade will enrich the light classical repertoire available for concert band. Includes such well know works as: Eine Kleine Nachtmusik (W.A. Mozart), Trumpet Concerto (F.J. Haydn), La Traviata(G. Verdi), New World Symphony (A. Dvorak), Clarinet Concerto (W.A. Mozart), Orpheus in the Underworld (J. Offenbach) and many more.
Estimated dispatch 7-14 working days
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£137.99Sword of Honour - Tom De Haes
With Sword of Honour, Tom De Haes brings to life the noble knightGawain of King Arthur?s court. The composition is built around twomain themes, which express the audacity and noble character ofGawain. The varied harmonies and orchestrations of both themesreflect the many layers of these courtly qualities. Both themes cometogether towards the end of the work to form a stately closing.
Estimated dispatch 7-14 working days
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£83.50Across the Great Divide - Rob Romeyn
A delightful programmatic work depicting the day in the life of a cowboy in the American northwest. From the glorious mountain sunrise, to the exciting rodeo, and finally to the beautiful sunset, the themes are very memorable and enjoyable. Includes solo opportunities for trumpet, flute and clarinet. Contrasting moods, styles, and engaging themes make this piece a winner. Don't miss this one!!"
Estimated dispatch 7-14 working days
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£85.50Return of the Crusaders - Larry Neeck
Full of cinematic grandeur and epic style, "Return of the Crusaders" provides an exciting and effective vehicle for your next concert. Gorgeous melodies, rousing themes, and effective changes of mood and character portray the crusaders and their quest. The ample percussion parts provide sparkle, and power the bold themes of the piece, which are balanced by the beautiful lyrical melodies that are also present. An especially effective piece for contest, take your audience on a trip to the ancient world with "Return of the Crusaders."
Estimated dispatch 7-14 working days
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£184.99
Rubicon - Bert Appermont
The Rubicon is a river in Northern Italy which Julius Caesar crossed with his army in 49 BC in defiance of the leaders of Rome, who feared his power. A civil war against rival Pompey ensued, which culminated in Caesar seizing power as the absoluteruler of Rome. The phrase "crossing the Rubicon" therefore refers to any person committing himself irrevocably to a risky, decisive and irrevocable of course of action.The work consists of three parts that deal with this important moment in history.Part 1 (Meditation) symbolises Caesars request to the Gods to assist him in his difficult choice. In a slow introduction we hear the melancholy and beseeching sounds of the duduk (alternatively, this part can be played by a soprano saxophone)and of the soprano solo singer over the bourdon accompaniment. The soprano solo singer then sings "dona tibi pacem" (give him rest) in a melodious and probing theme.In Part 2 (Battle of Pharsalus) trumpets and trombones resound alternately ina stately Roman fanfare, producing a stereophonic effect. This develops into a martial theme in which Caesars impressive army goes to battle against the army of rival Pompey. While the theme of Caesars army fades away, Pompeys theme emerges as anaive dance in six-eight time. His army is definitely in the majority and it believes it can easily defeat the enemy. Suddenly trumpets and trombones clash on two sides of the orchestra: Caesars army advances and attacks. A fierce battle ensues inwhich the two themes are played alternately as well as simultaneously. Thanks to his shrewd battle tactics, Caesar manages to win this legendary battle after all: his theme resounds ever louder in trumpets and horns until everything dies out andchanges into a kind of reconciliation between the soldiers of the two armies. The melancholy "dona tibi pacem" from part 1 now serves as a reconciliation theme.Caesar is now the sole ruler of the New Roman Empire, which would be destined to leave itsmark on our Western civilisation to this day. The third part is a sparkling succession of dance music (Dance) with many Greek and Roman elements in which Caesars victory is praised and celebrated. It is common knowledge that the culture(arts, gods, etc.) of the Romans drew heavily on Greek culture. I have therefore used an authentic Greek theme (the Seikolos song) several times in this part (bar 17 in the euphonium, bar 60 in the base section, bar 68 in the sopranosaxophone) to suggest the music of that era and to evoke the right atmosphere. After a gradual increase in tempo in the entire orchestra, the opening melody gloriously resounds once more, surrounded by virtuoso dance music. The work ends withbombastic brass fanfares in which Caesars theme triumphs once more.NOTE FOR THE CONDUCTOR:The Armenian duduk and the monochord that are used in the introduction give a special tone to the music, but could be substituted (soprano saxophone instead ofthe duduk) or left out (monochord). The soprano solo is also doubled within the orchestra and could therefore also be left out if necessary, although it does provide the work with an extra dimension. The male voices in the introduction and the finalecould possibly be replaced with a synthesizer with choral setting.As a visual and acoustic element in part 2, the trumpets, the e-flat cornet, the small drum and trombones can be stood up and placed at two sides of the orchestra (bar 80).Seen fromthe point of view of the conductor, put the trumpets, the e-flat cornet and the small drum in the left section and the trombones in the right section of the orchestra. This also helps to create a visual contrast between the two themes of the secondpart. The players can be seated again at bar 97 or bar 121. The soprano soloist can be placed in or in front of the orchestra, depending on what gives the best result. For the conclusion of the work the soprano solo can be sung from afar (from thewings) to create additional atmosphere.This work was composed especially for the "St Joseph" brass band from Pey/Echt (Belgium) with conductor Mark Prils.
Estimated dispatch 7-14 working days
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