Results
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£46.90Magical Movie Themes (Flexible Ensemble - Score and Parts) - Fernie, Alan
4 Part Flexible Ensemble and PercussionIncludes:Chim, Chim Cheree from Mary PoppinsA Whole New World from AladdinCan You Feel the Love Tonight from The Lion KingThe Bear Necessities from The Jungle Book
Estimated dispatch 7-14 working days
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£109.99James Bond 007
In this selection of well-known James Bond melodies, arranger Johan de Meij has availed himself of the following themes successively: All Time High (from Octopussy, Roger Moore's last role as secret agent 007),James Bond Theme (from the film Dr. No), For your eyes only and Goldfinger (from the same movie, starring Sean Connery). The most important musical contributor to the James Bond movies has been composerJohn Barry (1933 2011). Apart from the above-mentioned themes of Goldfinger and Octopussy, he has also added to his name the themes of Thunderball, From Russia with Love, Moonraker and Diamonds areForever. He also wrote the music for other famous films such as The Deep, Midnight Cowboy, Born Free and Out of Africa.
Estimated dispatch 7-14 working days
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£76.99Doctor Who: Through Time and Space - Murray Gold
Composer Murray Gold has contributed a new dimension of dramatic and evocative musical themes to the long-running and iconic BBC television series Doctor Who.Spanning a period from 2005 to the present, this masterful setting for Concert Band includes familiar themes for the Doctor, along with the alien monsters Cybermen and Daleks, and also memorable companion themes for Rose and Martha. (The signature Theramin part heard on the main theme is optional, but an app for this sound is easily obtained online.)
Estimated dispatch 7-14 working days
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£126.50Expansion - Claudio Dorigato
This piece features two themes: one is slow and contemplative, the other is quicker and more rhythmic. The themes are repeated and rearranged several times in a combination of different harmonies and sound mixtures. Both arising out of one phrase, the two themes have been developed in a number of ways using modality as a language. Tiny fragments of the theme introduce and link the various moments. These fragments, repeated using different rhythms and combinations, lead to a finale where the melodic and harmonic elements come closer, continuously imitating each other and becoming more and more similar, until everything overlaps in different scales.
Estimated dispatch 7-14 working days
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£159.60Sculptures Of An Exhibition - Kees Vlak
This composition was commissioned by the village of Midden-Beemster to commemorate the 375th anniversary of the polder of the same name. It was premiered in august 1987 by the Beemster Fanfare Band. On this occasion some twenty sculptors were invited to create a work of art. Those sculptures were set up at the most picturesque areas of the polder. On a 40 km long bicycle route one can admire the curious statues wile enjoying the beautiful scenery as well. The compostition is based on two themes: a main theme and the promenade theme.1.Introduction: After the grandiose presentation of the main theme, on the dominant, we leave the village to the sound of some pretty music.2.Promenade and Watchman: After some time, we discover a dark statue hidden in the bushes; it is shaped like a square standing on one of its corners. It is called "Watchman". We hear the promenade theme as a solo and all next themes will be variations.3.A Building of Willow-trees: Far away on a dike, we discover the huge skeleton of a kind of house. It is a construction of skilfully interwoven willow-branches. The musical themes are also interwoven. The sculpture is called "Construction of wood used by the farmers".4."Die Flsse, ah die Flsse"and Promenade: We continue our trip and see now a horn of plenty, made of brown ceramics and set up on the green slope of an old fortress. The sun shines on the sheep being at pasture under the willow-trees. No doubt, this scene will have something to do with abundance.5.Cardplayers in front of the Nightingale: A statue in cast iron, representing two carplayers, has been erected in front of the windmill called "The Nightingale". This sculpture suggests a rather animate atmosphere. The opponents with the trumpets and the trombones suggest the cardgame. The trumpets are constantly changing from players. At a certain moment the trumpet gets hold of the decisive trick and starts a victorious blow. The trombone, however, repeats this shout of joy with quite some perverse delight and in a completely wrong pitch. The game continues and after a climax all cards are finally thrown on the table.6.Autumn and Promenade: The trip now brings us a white sculpture in ceramics, decorated with some autumn leaves. Is this a seated man or a chair? Anyway, it looks very nostalgic. This is the time for a moment of reflection with the oboe or the saxophone. It is called "Autumn".7. The Powerlifter: Somewhat hidden in a ditch, we discover a small statue in cast iron, representing a powerlifter who is going to give way under the weight. The music uses the main theme with powerlifting euphoniums, saxophones and clarinets.8.The Bull: Here we have another cast iron sculpture, but this time it is a really powerful figure. This "Bull" statue uses the same theme as that of the powerlifter, but it gets a stronger foundation from the bass insturments.9.Mirror and Promenade: While strolling alongside the channel we suddenly see four mirrors. They not only reflect themselves, but also mirror in the water of the channel. These reflections are suggested by the use of tuned percussion. The promenade theme is also used in mirror image.10.Reflictions or...?: On top of the dike we have a nice view on a farmyard with its orchard. A very big net, coverd with sparkling tin plates, has been stretched between the trees. This sculpture is called "Reflections of ...?. Of what? Yes, of course, reflections of the times when the polder was a lake and the sun was reflecting in the wild waves.11.Willpower: Finally we discover a big statue in cast iron. It is not clear whether it is a man or a woman. Anyway the enormous bundles of muscles in the legs and the thighs are striking. This sculpture is called "Willpower". The idea of determination is musically suggested by a very long preamble to the promenade theme in one great stringendo, leading to the conclusion of the trip.12.The beautiful country: Here we have the most beautiful picture. The magnificent Beemster Polder in bloom. We see a nice windmill with decorated wings. We hear the main theme, now on the tonic.
Estimated dispatch 7-14 working days
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£116.40Amadeus Favorites - Wolfgang Amadeus Mozart
This work contains 5 themes by W. A. Mozart. These themes have been transformed - with due respect to their original conception - into a more contemporary sound idiom. In this way the arranger hopes to offer musicians of all ages an opportunity to get familiar with the music of one of the foremost masters of music. The themes used are: 1. Allegro from Eine Kleine Nachtmusik (1st part), 2. Sonate Facile (1st part), 3. Turkish March, 4. Symphony in G minor (1st part), 5. Rondo from Eine Kleine Nachtmusik (4 th part).
Estimated dispatch 7-14 working days
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£214.80Skies - Oliver Waespi
Program notes by Oliver Waespi on his composition Skies:Skies is the plural of Sky. We may wonder are there several skies? Is the sky we all long for not the same for everybody? While travelling on foot and "in the open air" I have observed the firmament often in quite different shapes, so that I can say I have indeed experienced the sky in different ways. Years ago I already wanted to portray "my sky" in music; I finally have been able to realise this long-cherished dream.This composition deals with the sky, more precisely with my sensual and emotional experience of the sky in all its aspects. Two point of views are combined in this composition: one showing the sky as it presents itself to me, the other showing the sky as I observe it. The music was bom simultaneously by intemal and extemal inspiration: it describes nature but also the emotional and spiritual experience of nature. To me, the experience of nature is not abstract, but it is connected with concrete ages, places or people from my neighbourhood. This is why I have combined several parts of this composition with certain landscapes.The sky presents itself in different landscapes in the most varied ways: for the sensual experience, there is no sky as such. The indications of places spread all over the score, are primarily clues for myself; they represent certain atmospheres, which I have experienced especially in England and Scotland. They can however also be useful to the musicians and the audience, providing they know those landscapes and the celestial atmospheres linked to them.The music is independent from the atmospheres described in the subtitles, as those are rather connected to a tragic nature, and so the music is not based on any program. Musically spoken, the composition has a symphonic structure, which means that the complete musical material is derived from three contrasting main themes. In the first part, the description of a noctumal sky ("Night") two themes are developed in an organic way; the first, rather "dusky", is to be found with the horns, the second, "in bright daylight", with the oboe and flute, the third, "more quiet" , with the brass instruments. In the next part, we have clouds and rain over the Isle of Skye (one of the Hebrides islands in Scotland) and here several elements of the first theme are still more developed. Then we get an increasingly dark mood, which is released, in heavy chords. Then suddenly, the sun breaks through and the music gets a majestic character. We have a new shape of the initial theme, first with the French horns and then with the trombones. The music gets a quicker tempo and flows into a quick movement describing the winds and waves at sea ("Wind and Waves"). Three themes are gathering and some variations are developed. The music gets more and more energetic and, after a climax, calms down again. Then we have a kind of "summer pastoral" which suggests summer at the South coast of Cornwall ("South Coast of Penwith Peninsuia in Summer"). This is certainly not the hotte st summer in Europe, but still it is beautiful in this country that is blessed with so much rain. In the "pastoral" , the sea is already sketched in broad outlines in the French horn solo. The magnificence of an aftemoon at the seaside is developed at the end of the composition ("Noon at Treen Cliff', a rock protruding in the sea next to Porthcumo at the South Coast of Cornwall); here the music gets stronger and stronger and after a majestic climax it vanishes completely.
Estimated dispatch 7-14 working days
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£214.80Dance Suite - Joseph Horovitz
This work follows a tradition established at the end of the seventeenth century: the creation of a musical structure by using a succession of dance movements, composed in such a way that a satisfying cumulative effect is produced. This method can be traced, starting from the works of Corelli, through the so-called Mannheim school to Mozart, and on to Brahms and beyond. Indeed, most classical symphonies owe their origin to this tradition.Each of the three movements of Dance Suite contains themes and motifs which are based on clearly identifiable dance patterns, more or less traditional and tonal in harmonic language.The first movement is a mixture af march- and gavotte elements, but these occur as variants of a single main theme. The tempo is brisk and the strongly accentuated four-beat measures creates a feeling of motoric drive. This is often counteracted by unexpected syncopation and surprising modulations. Horovitz dispenses with a second subject in favour of a very elaborate development, which makes the final quotation of the theme into a sort of recapitulation.In contrast, the second movement is a gentle, gracefully undulating dance, using two steady beats in every measure. Here there are two themes, the first more rhythmic, the second more lyrical. The second theme always uses the first as accompaniment, rather as a singer might use a guitar. Both themes undergo several modulations before returning to the home key. A Spanish flavour pervades the rhythmic and melodic elements of this movement.The finale is a fast rondo (in 6/8) whose main theme is best described as a tarantella. This alternates several times with a more solid, rustic theme (in 2/4). However, the main theme is recalled in varying guises, including a parody Latin-American version. The orchestration becomes mor elaborate and exciting as the movement proceeds, and the whole work ends with a coda recalling the main rond-theme with an enthusiastic flourish.Joseph Horovitz wrote about Dance Suite: "Most of the melodies and rhythms in the Dance Suite have been in my thoughts for many years, ever since my eraly career as conductor of ballet, and later as composer of some sixteen ballet scores. Some of these ideas were sketched on manuscript paper, others remained in my head and even in my dreams. The composition of this work gave me the chance to search among these half-subconscious sources and to offer my discoveries to the wind-orchestra repertoire."
Estimated dispatch 7-14 working days
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£169.99Olympica - Jan Van der Roost
This "Grand Overture" was commissioned by the "Nagano Community Band" - Japan- on occasion of its jubilee in 1992 and is dedicated to the band's conductor, Ikuo Inagaki.The work is based upon three main themes, each symbolising a certain theme. The first part is characterized by its bright themes played mainly by the brass, accompanied by the woodwinds and festive percussion. This part symbolizes the jubilee which is the origin of the composition. This is followed by a bouncing allegro, in which each register of the band displays brilliant techniques. Especially the woodwinds come to the fore! This movement depicts the industriousness and enthousiasm shown by the members of the"Nagano Community Band" in the carrying out of their hobby. A third, main theme, is choral-like in character and is displayed both in the (soft) brass as well as in the warm medium register of the reeds. Here, nature's beaty in and around the city of Nagano is musically celebrated. Following a "chamber-music episode" (featuring the flute, oboe, clarinet, alto-saxophone and horn) the initial allegro re-occurs, weaving its way towards a grandiose finale, in which the two previous themes are once again apparent. Due to its very colourful scoring and the enormous diversity of musical thoughts and ideas, this composition is a fascinating and memorable piece, worthy a jubilee overture!
Estimated dispatch 7-14 working days
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£76.99Fantasmic! - Bruce Healey
Bring the incredible music from the spectacular nightime show performed at Disneyland and Disney's Hollywood Studios to your concert stage. This arrangement features the orginal themes by Bruce Healey from the intro and finale of the show. The powerful themes, colorful harmonies and cinematic orchestrations will leave the students and audience breathless and euphoric.
Estimated dispatch 7-14 working days
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