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  • £44.99

    The Way We Were - Alan Bergman

    Written for the 1973 movie of the same name starring Barbra Streisand and Robert Redford, this iconic ballad went on to win an Oscar for Best Original Song and to become a popular standard recorded by countless artists. Nicelyarranged for the concert stage. Dur: 2:40

    Estimated delivery 7-14 working days
  • £49.60

    THE WAY WE WERE - Hamlisch Marvin - Barry Darrol

    Estimated delivery 7-10 working days
  • £24.60
  • £105.80

    The Way we Were - M- Hamlisch

    Estimated delivery 7-14 working days
  • £36.95

    Lie in the Dark and Listen (Concert Band - Score and Parts) - Wiffin, Rob

    This piece was originally used on the RAF Massed Bands Concert Tour in 2002 when we were commemorating the role of RAF Bomber Command in World War II. It comprises the central theme of the fanfare Shining Sword which was commissioned for the same commemoration. In the concerts this music was played underneath a recitation of the Noel Coward poem Lie in the dark and listen which he composed at night while listening to the sounds of RAF bombers flying overhead on their way to Cologne.Duration: 3.35

    Estimated delivery 7-14 working days

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  • £59.99

    MARVIN HAMLISCH, Tribute to (Concert Band) - Brown, Michael

    The musical world celebrates the multi-faceted life achievements of Marvin Hamlisch as composer for stage and film, conductor, arranger, and entertainer. This well-paced tribute features some of his best-known works. Includes: They're Playing My Song; What I Did For Love; The Entertainer; The Way We Were; One.

    Estimated delivery 7-14 working days
  • £59.99

    A Tribute to Marvin Hamlisch - Marvin Hamlisch

    The musical world celebrates the multi-faceted life achievements of Marvin Hamlisch as composer for stage and film, conductor, arranger, and entertainer. This well-paced tribute features some of his best-known works. Includes:They're Playing My Song, What I Did For Love, The Entertainer, The Way We Were, and One.

    Estimated delivery 7-14 working days
  • £112.50

    To set the darkness echoing - Dana Wilson

    This intriguing composition, marked by its innovative sounds and haunting orchestration, is a tribute to Martin Luther King, Jr. The composer's intent was to capture the way Dr. King inspired profound change by leading us to see how we, not others, were behaving - and thus "set the darkness echoing," according to the words of poet Seamus Heaney. This dramatic and thought-provoking piece will truly inspire.

    Estimated delivery 7-14 working days
  • £141.99

    Scottish Dances - Peter Martin

    Scottish Dances is based on three Scottish traditionals: Cock of the North, The Bonnie Bank's O'Loch Lomond and Marie's Wedding. I. Cock of the North's name is used for multiple things or events. For example for a locomotive to a famous, it seems, delicious liqueur, and rallies to snowboard competitions. Furthermore is "Cock O' the North " a nickname of a famous Duke. (The 4th Duke of Gordon). In this composition Cock of the North (a Jig) is a traditional Scottish bagpipe tune, regularly played on tattoos by Pipe Bands. Not infrequently the drummers sing the text. Auntie Mary, had a canary, Up the leg of her trousers While she was sleeping Iwas peeping Up the leg of her trousers. II. " The Bonnie Bank's O'Loch Lomond " is about a sad story that took place during an revolt against the British. In 1745 Bonnie Prince Charlie had to retreat. Two of his men were captured. One was convicted and executed, while the other was released. The spirit of the executed soldier would arrive in Scotland via the 'low road' (underworld) before his companion, who had still a long way to go. You'll take the high road And I'll take the low road And I'll be in Scotland afore ye But me and my true love will never meet again On the Bonnie Bonnie Banks of Loch Lomond III. In a Scottish wedding, after the official ceremonies, there is often danced. This is called a ceilidh. For this we use traditional Scottish music such as "Marie's Wedding '. Mid dance we go back to the church, where a lovely song in honor of the couple sounds. Marie's Wedding has been recorded by Van Morrison (among many others). Step we gaely, on we go, heel for heel and toe for toe Arm and arm and on we go, all for Marie's wedding

    Estimated delivery 7-14 working days

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  • £271.99

    Symphony No. 2: States Of Mind, Opus 87 - Teo Aparicio-Barberán

    I- Logos (reason)II- Pathos (emotion)III- Ethos (credibility)The ancient Greeks believed that music shaped the character of man. In Egyptian temples, music was an essential part of the magical rites to alter the course of nature or to treat illness.And today we know that sound can actually alter matter. The secret of music lies in harmony and mathematics, as many great musicians and experts have always known.One of the most important qualities of music is that it enables the listener to focushis attention inwards instead of on what is around him. It is indisputable that music can inspire emotion. Music leads us into a universe of emotions that are difficult to put into words. In short, music reaches into corners of our soul and thoughtsthat words cannot reach and makes it possible to more clearly describe these different States of mind.The composer of this symphony also believes that each "musical argument" must be constructed so that it will induce the desired reaction in thelistener.Music: more than wordsIn recent times, most orchestral symphonies have been based on a story, a text or something similar so that their composition must be structured accordingly.The intention of this work by Teo Aparicio-Barbern is quitedifferent. The composer describes the three elements of the argument as the only formal structure of the work. Since certain philosophers in world history were able to subdivide grammatical argument, why shouldnt that also be possible for the musicalargument?Since ancient times the power of the spoken word has captivated mankind. How can an argument move people and mobilise the masses? Where does the power of words come from today? The answer lays not so much in what people say but in how theysay it.Rhetoric is one of the oldest humanist disciplines in Western civilisation. Aristotle, in the 4th century BC, called it the art of persuasion. Indeed, the terms rhetoric and persuasion are mutually interchangeable.More than 2000 years agoAristotle structured his rhetoric according to the following three elements: the logos, the pathos and the ethos.Logos (words, reason) is the reasoning that gives freedom to the structure of the text by expressing what one wishes to say usingspecialist terms. With logos we create arguments to receive public approval and to defend our ideas.Pathos, the second element, refers to the effective use of public psychology. Pathos can be considered as the capacity to induce the desired emotionalresponse in the public, by creating an emotional connection with the public so that they accept our message.The third element, ethos (credibility), refers to the character of the speaker and is perhaps the most important of the three elements.Aristotle based his concept of ethos upon his belief that truth and justice will always have the upper hand over anger. He believed that what was true and good was easier to prove and was more persuasive.This second orchestral symphony from thecomposer from Enguera follows these three parameters of the argument according to Aristotle. Each movement tries to summon a different state of mind in the listener so that the message itself can be better understood and appreciated. Apart from thesethree general concepts the music is only structured, as Claude Debussy would say, in a "formative way".The first movement, logos, is based on a scherzo melody that undergoes various changes in rhythm and harmony. The arguments are presented by meansof conventional techniques of composition. The second movement, pathos, is characterised by suggestions of sound. It is subdivided into two large parts. The first part is based on a five seven sequence with five sounds that are repeated in differentenvironments, structures and dynamics. The second part, which is largely tonal, brings out more directly the emotional overtones that each argument must have. The third movement, ethos, is a faithful rendition of the composers personality. In thislast part, clear rhythmic sequences stand out, there are large dynamic contrasts and lots of tone variation. In addition, and this is quite in keeping with the composers earlier work, the harmony in States of Mind is handled in a manner that is bothoriginal and efficient, as a result of which Aparicio-Barberns message is well understood by the listener.This second symphony by Teo Aparicio-Barbern is devoted to "my dear Henrie Adams, a guiding light in this eternally dark musical world. Thankyou for everything."

    Estimated delivery 7-14 working days

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