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  • £57.50

    Tribute to Ray Charles (Concert Band - Score and Parts) - Vinson, Johnnie

    Ray Charles' genius is evident in the wide variety of songs he recorded and made his own. Johnnie's solidly scored medley for young players includes such Ray Charles classics as: Georgia on My Mind, What'd I Say and Hallelujah I Love Her So.

    Estimated dispatch 7-14 working days
  • £108.10

    BY GEORGE! (Intermediate Concert Band) - Gershwin, George - Bellini, Joe

    Includes: I Got Plenty O' Nuttin'; The Man I Love; Swanee. Duration: 4:20

    Estimated dispatch 7-14 working days

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  • £64.95

    Guys and Dolls (Selection) (Concert Band - Score and Parts) - Loesser, Frank - Duthoit, W. J.

    Army Journal No.776Includes:Guys and DollsI'll KnowTake Back Your MinkSue MeA Bushel and a PeckI've Never Been In Love BeforeIf I Were a BellSit Down You're Rocking the BoatMore I Cannot Wish YouLuck be a Lady

    Estimated dispatch 7-14 working days

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  • £13.95

    Festival of Music 2002

    1Here's a Health unto Her MajestySavile arr. Rob WiffinThe Massed Bands of the Royal Air Force3.312Elizabethan SerenadeRonald BingeThe Massed Bands of the Royal Air Force3.143Trumpet Tune and AirPurcellThe Massed Bands of the Royal Air Force2.274Haba?eraBizet arr. Rob WiffinBernadine Pritchett with The Massed Bands of the Royal Air Force4.365Finale: The Sword and the CrownEdward GregsonThe Massed Bands of the Royal Air Force4.156Berceuse from The Dolly SuiteFaur? arr. Rob WiffinThe Massed Bands of the Royal Air Force2.577633 SquadronRon GoodwinThe Massed Bands of the Royal Air Force2.428American PatrolMeacham/GreyThe Massed Bands of the Royal Air Force3.209Danse ProfaneJean Michel DefayeThe Massed Bands of the Royal Air Force2.1410The Beatles - Echoes of an Eraarr. John HigginsCorporal Matthew Little with The Massed Bands of the Royal Air Force9.0011Shining SwordRob WiffinThe Massed Bands of the Royal Air Force1.4812Fields of GoldSting arr. Rob WiffinBernadine Pritchett with The Massed Bands of the Royal Air Force3.4413St. Clements PreludeRob WiffinThe Massed Bands of the Royal Air Force4.2814FireworksHandel arr. Irwin BertoffThe Massed Bands of the Royal Air Force3.1315Pathfinders' MarchLockyer/FenoulhetThe Massed Bands of the Royal Air Force4.2916Who Can I Turn To?Bricusse & Newley arr. RichardsCorporal Matthew Little with The Massed Bands of the Royal Air Force2.3717Crown ImperialWilliam Walton arr. DuthoitThe Massed Bands of the Royal Air Force6.2018Royal Air Force March PastDavies & DysonThe Massed Bands of the Royal Air Force1.56

    Estimated dispatch 7-14 working days
  • £13.95

    Festival of Music 2003

    1Reach for the SkyJohn AddisonThe Massed Bands of the Royal Air Force3.292The TrapRon GoodwinThe Massed Bands of the Royal Air Force2.573Come What MayBuerwaldCorporal Matthew Little with The Massed Bands of the Royal Air Force4.324Carnival of Venicearr. Duncan StubbsThe Massed Bands of the Royal Air Force5.595Tribute to Cole Porterarr. RichardsonThe Massed Bands of the Royal Air Force9.356CzardasMonti arr. Duncan StubbsCpl Barry Stringer & Cpl Justine Stringer The Massed Bands of the Royal Air Force3.547Coastal Command Suite, Excerpts fromR. Vaughan WilliamsThe Massed Bands of the Royal Air Force7.158The Other Side of the Rainbowarr. Hunt/LaidlerEmer McParland with The Massed Bands of the Royal Air Force8.339Clarinet ConcertoMozart arr. CasteelJnr Tech Gayle Williams (Clarinet) with The Massed Bands of the Royal Air Force5.3110On the Street Where You LiveLerner & LoeweCorporal Matthew Little with The Massed Bands of the Royal Air Force3.4811CartoonPaul HartThe Massed Bands of the Royal Air Force10.1212I've Got a Gal in KalamazooWarren & GordonThe Massed Bands of the Royal Air Force4.3713Songs of World War Iarr. RichardsonThe Massed Bands of the Royal Air Force4.2714Royal Air Force March PastDavies & DysonThe Massed Bands of the Royal Air Force1.56

    Estimated dispatch 7-14 working days
  • £5.99

    Praise!

    1Where Eagles SingPaul Lovatt-CooperThe Band of the Welsh Guards supported by The Band of the Life Guards4.322Swingtime ReligionBarrie GottThe Band of the Welsh Guards supported by The Band of the Life Guards3.583ShenandoahLeonard Ballantine arr. Brian BowenThe Band of the Welsh Guards supported by The Band of the Life Guards2.534Deep RiverWilliam BroughtonThe Band of the Welsh Guards supported by The Band of the Life Guards3.535CommitmentStephen BullaThe Band of the Welsh Guards supported by The Band of the Life Guards3.576Christmas JoyErik Leidz?n trs. Brian BowenThe Band of the Welsh Guards supported by The Band of the Life Guards2.197A Carol FantasyEric Ball trs. Stephen BullaThe Band of the Welsh Guards supported by The Band of the Life Guards6.108Angel TrumpetsRichard PhillipsThe Band of the Welsh Guards supported by The Band of the Life Guards3.499Yuletide RagRichard PhillipsThe Band of the Welsh Guards supported by The Band of the Life Guards2.3610Opening CeremonyRichard PhillipsThe Band of the Welsh Guards supported by The Band of the Life Guards4.2811Dance Like DavidAndrew MackerethThe Band of the Welsh Guards supported by The Band of the Life Guards3.0512Waltz in A FlatJohannes Brahms arr. Brian BowenThe Band of the Welsh Guards supported by The Band of the Life Guards1.3913DanielBarrie GottThe Band of the Welsh Guards supported by The Band of the Life Guards2.2614I Vow to Thee, My CountryGustav Holst arr. Ray Steadman Allen trs. Brian BowenThe Band of the Welsh Guards supported by The Band of the Life Guards3.2915PraiseWilfred Heaton trs. Brian BowenThe Band of the Welsh Guards supported by The Band of the Life Guards3.10

    Estimated dispatch 7-14 working days
  • £9.99

    Sinfonietta

    1Those Magnificent Men in their Flying MachinesRon GoodwinThe Central Band of the Royal Air Force2.012HammondKenneth Downie trans. Kevin HornerThe Central Band of the Royal Air Force4.043-5SinfoniettaRob WiffinThe Central Band of the Royal Air Force I. Dance with the Devil 4.53 II. A Glimpse of Paradise 5.20 III. Fiesta: Reyes Magos 3.526A Hymn of Endless LightPaul MealorThe Central Band of the Royal Air Force5.147The Galloping MajorGeirge Bastow arr. Gordon Jacon trans. Ray Steadman-AllenThe Central Band of the Royal Air Force2.368Keep the FaithDuncan StubbsThe Central Band of the Royal Air Force5.079Toccata, Oh the Blessed LordWilfred Heaton trans. Alastair WheelerThe Central Band of the Royal Air Force6.5310SouthdownRay Steadman-Allen trans. Richard PhillipsThe Central Band of the Royal Air Force2.3911A Child is BornThad Jones arr. Stephen BullaLewis Musson (Euphonium) with The Central Band of the Royal Air Force4.2312MalaguenaErnesto Lecuona arr. Sammy NesticoThe Central Band of the Royal Air Force3.2813Lakeside DrawingsRichard PhillipsThe Central Band of the Royal Air Force11.3014The Flag of FreedomBramwell Coles trans. Kevin HornerThe Central Band of the Royal Air Force3.13

    Estimated dispatch 7-14 working days
  • £159.99

    Eiffel Tower - Otto M. Schwarz

    The 330-meter-tall Eiffel Tower is one of the most famous landmarks in the world. Originally built as a temporary structure for the 1889 World's Fair, it was meant to symbolize the technological and industrial advancements of the 19th century. Construction began in 1887 and was completed in 1889, just in time for the fair, which celebrated the 100th anniversary of the French Revolution. Over two years, around 300 workers assembled the 18,038 iron pieces.Until the 1930s, the Eiffel Tower, standing at 330 meters, was the tallest structure in the world and was considered a triumph of engineering. With its striking and controversial design, the Eiffel Tower broke with architectural traditions and set new standards for the use of metal structures. However, its creation was accompanied by heated debates. Many artists and intellectuals, including Charles Gounod and Alexandre Dumas, criticized the "gigantic skeleton" as unaesthetic and a threat to the Parisian skyline. Some even called for the tower to be torn down after the World's Fair.But the Eiffel Tower survived these objections and developed into a symbol not only for Paris but for all of France. Its structure was not only aesthetically significant but also practical: during World War I, it played a crucial role in radio transmission, as an antenna on its top was key to French communication. This functional use helped prevent its demolition.Today, the Eiffel Tower is a global symbol of innovation, modernity, and French culture. At major events, such as the 2024 Olympic Games, it took again center stage, attracting millions of visitors every year. Its elegance and the spectacular view from its platforms make it an unforgettable experience. Since its construction, the Eiffel Tower has welcomed more than 300 million visitors, making it one of the most visited structures in the world.

    Estimated dispatch 7-14 working days

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  • £75.00

    Sonata - Derek Bourgeois

    This work, composed in 1998, was commissioned by the American trombonist Don Lucas as a work for trombone and piano and first performed by him in Birmingham on 19th May 2000. Subsequently, I arranged the music for both solo trombone and brass band and solo trombone and wind band so that it now exists in three formats. The first movement, in B flat major, is brisk and energetic, and is cast in sonata form. The second subject is gentler and more lyrical. The second movement, a scherzo in C major, is the most complex of the four. Basically the structure is a rond. For a long time the music remains in the opening 5/8 time until a new theme introduces more broken rhythms in a more jazzy idiom. After a return of the opening theme the following episode is more tonally ambiguous. Finally, the main theme returns to round off the movement. The third movement, a lyrical adagio, is really one long extended melodic flow. The harmonies are lush and the textures simple and direct. The tonal center is A minor, but the music meanders through so many keys, that this key centre is heavily disguised. The finale is a fiery affair. G minor is really its home key, but throughout the movement the music moves about a lot and the second subject is first heard in A flat minor. The movement's underlying sonata structure is masked not only by its loose tonality but also by its frequently changing time signatures. Like the first movement the second subject is more lyrical in nature and for a while it seems that the music will end peacefully, but a final flurry heralds a triple forte unison on the home note of the first movement - B flat. Derek Bourgeois

    Estimated dispatch 7-14 working days
  • £184.99

    Rubicon - Bert Appermont

    The Rubicon is a river in Northern Italy which Julius Caesar crossed with his army in 49 BC in defiance of the leaders of Rome, who feared his power. A civil war against rival Pompey ensued, which culminated in Caesar seizing power as the absoluteruler of Rome. The phrase "crossing the Rubicon" therefore refers to any person committing himself irrevocably to a risky, decisive and irrevocable of course of action.The work consists of three parts that deal with this important moment in history.Part 1 (Meditation) symbolises Caesars request to the Gods to assist him in his difficult choice. In a slow introduction we hear the melancholy and beseeching sounds of the duduk (alternatively, this part can be played by a soprano saxophone)and of the soprano solo singer over the bourdon accompaniment. The soprano solo singer then sings "dona tibi pacem" (give him rest) in a melodious and probing theme.In Part 2 (Battle of Pharsalus) trumpets and trombones resound alternately ina stately Roman fanfare, producing a stereophonic effect. This develops into a martial theme in which Caesars impressive army goes to battle against the army of rival Pompey. While the theme of Caesars army fades away, Pompeys theme emerges as anaive dance in six-eight time. His army is definitely in the majority and it believes it can easily defeat the enemy. Suddenly trumpets and trombones clash on two sides of the orchestra: Caesars army advances and attacks. A fierce battle ensues inwhich the two themes are played alternately as well as simultaneously. Thanks to his shrewd battle tactics, Caesar manages to win this legendary battle after all: his theme resounds ever louder in trumpets and horns until everything dies out andchanges into a kind of reconciliation between the soldiers of the two armies. The melancholy "dona tibi pacem" from part 1 now serves as a reconciliation theme.Caesar is now the sole ruler of the New Roman Empire, which would be destined to leave itsmark on our Western civilisation to this day. The third part is a sparkling succession of dance music (Dance) with many Greek and Roman elements in which Caesars victory is praised and celebrated. It is common knowledge that the culture(arts, gods, etc.) of the Romans drew heavily on Greek culture. I have therefore used an authentic Greek theme (the Seikolos song) several times in this part (bar 17 in the euphonium, bar 60 in the base section, bar 68 in the sopranosaxophone) to suggest the music of that era and to evoke the right atmosphere. After a gradual increase in tempo in the entire orchestra, the opening melody gloriously resounds once more, surrounded by virtuoso dance music. The work ends withbombastic brass fanfares in which Caesars theme triumphs once more.NOTE FOR THE CONDUCTOR:The Armenian duduk and the monochord that are used in the introduction give a special tone to the music, but could be substituted (soprano saxophone instead ofthe duduk) or left out (monochord). The soprano solo is also doubled within the orchestra and could therefore also be left out if necessary, although it does provide the work with an extra dimension. The male voices in the introduction and the finalecould possibly be replaced with a synthesizer with choral setting.As a visual and acoustic element in part 2, the trumpets, the e-flat cornet, the small drum and trombones can be stood up and placed at two sides of the orchestra (bar 80).Seen fromthe point of view of the conductor, put the trumpets, the e-flat cornet and the small drum in the left section and the trombones in the right section of the orchestra. This also helps to create a visual contrast between the two themes of the secondpart. The players can be seated again at bar 97 or bar 121. The soprano soloist can be placed in or in front of the orchestra, depending on what gives the best result. For the conclusion of the work the soprano solo can be sung from afar (from thewings) to create additional atmosphere.This work was composed especially for the "St Joseph" brass band from Pey/Echt (Belgium) with conductor Mark Prils.

    Estimated dispatch 7-14 working days

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