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  • £118.99

    Tribute to ROXETTE

    As a great fan of the Swedish pop rock duo Roxette, the top German arranger Wolfgang Wssner created a catchy pop medley for wind band as an ode to its lead vocalist Marie Fredriksson - who passed away in December 2019. Hits like 'Joyride', 'Listen To Your Heart', 'It Must Have Been Love' and 'The Look' can practically guarantee a good deal of enjoyment and demonstrate that this band is more than deserving of both its international recognition and its place in the Swedish Music Hall of Fame. Tribute to ROXETTE is sure to not only entertain your musicians, but also captivate the audience!

    Estimated dispatch 7-14 working days

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  • £81.80

    I'm a Believer - Flex 5 ShowBlow - Neil Diamond

    I'm a Believer is a song written by Neil Diamond and recorded by The Monkees for the first time in 1966. Late same year, December 31st, it enteret the first place of the Billboard chart and stayed there for seven successive weeks. This great success made it the bestselling single record in 1967. After this, the song has performed and recorded a numerous times. Among them are by Neil Diamond himself and Robert Wyatt. Smash Mouth also recorded it in 2001 for the first "Shrek" movie.

    Estimated dispatch 7-14 working days

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  • £435.40

    Goldberg 2012 - Svein H. Giske

    The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-

    Estimated dispatch 7-14 working days
  • £139.99

    A Man's Destiny - Jan de Haan

    A Man's Destiny has the Frisian line 'Yn Ieren en Sinen' ('with much conviction') as its subtitle. The work was commissioned by CMV Harmonie Sneek (based in Friesland, The Netherlands) to acknowledge their 95th anniversary. The composer based this work on the life of a former member of the band, who played flugelhorn in the ensemble until the age of 86. Their favourite piece of music, 'Canon' by Thomas Tallis, provided a great deal of musical inspiration for this characteristic and versatile work.

    Estimated dispatch 7-14 working days

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  • £104.99

    Seatbelts Fastened! - Jan Van der Roost

    Right from the outset until the very end, the speed, energy and "drive" of the tuneful music is palpable. It's abundantly clear why the title "Seatbelts Fastened!" was chosen: just like an airplane, this music takes off and neither tempo nor intensity are lost throughout the flight. Descending and ascending scales characterise the most important thematic material and the music explores a variety of different registers through Van der Roost utilising a great deal of different tonalities and metres. Please keep your seatbelts fastened and enjoy the flight!

    Estimated dispatch 7-14 working days

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  • £149.40

    In Charge - Concert March - Jerker Johansson

    In Charge was commissioned by the Home Guard Band of Eksj to honour Thomas Samuelsson, whose efforts with the orchestra have been of great significance. He was a driving person within Swedish military music and furthermore project manager for Eksj International Tattoo. Thomas worked at Eksj Energy and the title of this work hints both to his occupation and his administrative leadership in the band. The first part of this concert march concentrates a lot on syncopation, while the second part is more robust with a traditional and lyrical trio part. In Charge was premiered by the Home Guard Band of Eksj on the 22th of December 2018, conducted by Maria Sandberg.

    Estimated dispatch 7-14 working days

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  • £115.60

    A Dream is a Wish Your Heart Makes - David Mack

    Music has always been of great importance in Disney's magical world. The instrumental music and songs of the animated feature films provide a unique background and magic to any Disney story. Every Christmas, many families gather to watch the fascinating story of Cinderella who eventually gets her prince. One of the most beautiful songs from this movie is A dream is a wish your heart makes.,br> This Young Band arrangement is written with simple 2nd parts and some 1st parts challenges. It will surely be a hit in your next Christmas concert.

    Estimated dispatch 7-14 working days

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  • £67.95

    Waltzing Matilda - Randy Navarre

    This is the unofficial National Anthem of Australia. You hear it in movies, documentaries, and any time there is a mention of the land Down Under. It is a great song on its own, telling the story of the traveling migrant through the Outback. This is a very easy version that may be played along with the Grade 3 version by Randy Navarre (N300161). If you have an event to combine young musicians with a community or more advanced band, they may play together in this ideal composition. 1st trumpet's highest note is C. Only the 1st clarinets cross the break.

    Estimated dispatch 7-14 working days
  • £199.99

    Gemini Concerto - Philip Sparke

    Gemini Concerto was commissioned by and written for Ryukoku University (Japan), Andr Henry and Shoichiro Hokazono. Set in three movements, the concerto aims to explore the close relationship, as solo instruments, between the trumpet and euphonium, exploiting the many common factors between the two as well as the subtly different characteristics they possess in terms of both lyrical and rhythmic playing. The first movement is a bustling toccata and the second movement is lyrical and improvisatory in nature. A fantastic piece and a great addition to the repertoire!

    Estimated dispatch 7-14 working days

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  • £123.95

    Celebration! - Adolphus Hailstork

    "The years leading to the US Bicentennial (1976) saw a great flowering of artistic celebration, including the commissioning of American composers to write festive works for the occasion. The Nashville Symphony and its conductor Thor Johnson asked Adolphus Hailstork for such a work to premiere, and to distribute the music at no cost to high school orchestras around the United States. The present version for band followed as a natural offshoot of the infectiously exhilarating 3-minute work. Note: A large score (11"" x 14"") is also available as custom print (115-40235L - Large Score)."

    Estimated dispatch 7-14 working days