Results
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£71.28Sands of the Sahara
"Sands of the Sahara" paints a breathtaking and dramatic picture of the desolation, intrigue, culture, and storied history of the north Africa landscape. At the start, special percussion effects mimic the sounds of the wind, while a mysterious, faraway flute melody calls to mind an oasis in the desert. Abruptly, a bold theme is introduced by the full band, and leads to the driving rhythms and exotic themes that further propel and sustain the rest of the piece. Concluding, the introduction is briefly restated, and the piece ends in a stunning tour-de-force of color and intensity. Perfect for concert or contest, "Sands of the Sahara" will showcase your entire band with excitement and enthusiasm.
Estimated dispatch 7-14 working days
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£49.50
Spirit of the Winds
Spirit of the Winds, a concert/festival work for the developing band, was inspired by the beautiful Temecula Valley of California. Each year, the sky over the valley is filled with hot air balloons creating a visual sight that is not soon forgotten. Of course, balloons are unable to "steer" and must fly with the gentle breezes of the air current. As a result, those subject to the "spirit of the winds" can find themselves over festival grounds or floating above the beautiful Temecula Valley vineyards. Beginning with a bold, yet mysterious statement, the introduction gives way to a soaring melody as our flight begins. Cascading figures in the woodwinds create the effect of wind currents followed by a beautiful secondary melodic statement. The original theme returns leading to a very energetic conclusion. Accessible to a wide range of concert bands, Spirit of the Winds provides multiple teaching opportunities and will be enjoyed by both performer and audience.
Estimated dispatch 7-14 working days
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£124.95SWORD AND THE CROWN, The (Prestige Concert Band - Score and Parts) - Gregson, Edward
In 1988 I was commissioned by the Royal Shakespeare Company to write the music for The Plantagenets trilogy, directed by Adrian Noble in Stratford-upon-Avon. These plays take us from the death of Henry V to the death of Richard III. Later, in 1991, I wrote the music for Henry IV parts 1 and 2, again in Stratford. All of these plays are concerned with the struggle for power (the crown) through the use of force (the sword) and they portray one of the most turbulent periods in the history of the British monarchy.This work quickly became established in the mainstream repertoire and has received performances worldwide as well as five commercial recordings and many broadcasts. In 2002 I was approached by the Parc and Dare Band regarding their summer festival and commissioned to do a version for brass band. This was given its first performance in Treorchy Hall by the combined bands of Black Dyke and Parc and Dare conducted by Nicholas Childs.When the Royal Air Force Music Services commissioned me to write a work especially for their British tour in 1991 I immediately thought of turning to this music and transforming some of it into a three-movement suite for symphonic band.The first movement opens with a brief fanfare for two antiphonal trumpets (off-stage), but this only acts as a preface to a Requiem aeternam (the death of Henry V) before changing mood to the English army on the march to France; this subsides into a French victory march, but the English army music returns in counterpoint. Finally, a brief reminder of the Requiem music leads to the triumphal music for Richard Plantagenet, Duke of York, father of Edward IV and Richard III (the opening fanfare transformed).The second movement takes music from the Welsh Court in Henry IV (part 1) which is tranquil in mood; distant fanfares foreboding battles to come are heard, but the folktune is heard three times in different variations and the movement ends as it began with alto flute and gentle percussion.The final movement starts with two sets of antiphonally placed timpani, drums and tam-tam, portraying the 'war machine' and savagery of battle. Trumpet fanfares and horn calls herald an heroic battle theme which, by the end of the movement, transforms itself into a triumphant hymn for Henry IV's defeat of the rebellious forces.- Edward GregsonPerformance time 13'54"Recorded on QPRM117D FESTIVAL OF MUSIC 1991, Massed Bands of the Royal Air ForceRecorded on QPRM120D THE SWORD AND THE CROWN, Central Band of the Royal Air Force'Finale' recorded on QPRM142D FESTIVAL OF MUSIC 2002, Massed Bands of the Royal Air Force)
Estimated dispatch 7-14 working days
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£119.99
The African Connection Wind Band Set (Score & Parts)
Carl Wittrock's wide interest in global folk-music resulted in this concert-piece based on original African rhythms. Obviously, the percussion section has a conspicious role to play, but the band too may indulge itself in moments of thoroughly delightful excitement. The introduction depicts the awakening of nature, and develops into a dance. The (main) motif of this dance is from a dance entitled Apollo and comes from Gambia. Its accompaniment consists of an ostinato pattern by balaphon-master Maudo Susa. The quiet middle movement is based on the rhythm of the 'gigbo' : a traditional dance from Ghana. In the final movement -which also bears a slight resemblance to a theme from 'The Lion King'- the so-called 'Kono' rhythm is used. The work is played most advantageously using djembes. Challenge and please your percussion section with 'The African Connection'. Carl Wittrock's brede interesse voor de wereldmuziek resulteerde in dit op originele Afrikaanse ritmes gebaseerde concertwerk. Het slagwerk speelt uiteraard een opvallende rol, maar ook het orkest kan zich op een heerlijke manier uitleven. De inleiding schildert het ontwaken van de natuur, welke overgaat in een dans. Het motief van deze dans (Apollo) is afkomstig uit Gambia. De begeleiding bestaat uit een ostinaatpatroon van de balafon-meester Maudo Susa. De basis van het rustige middendeel is gelegen in het ritme van de Gigbo, een traditionele dans uit Ghana. Het laatste deel (met enige gelijkenis met The Lion King) maakt gebruik van het zogenaamde Kono ritme. Het werk komt het best tot zijn recht als er gebruik wordt gemaakt van djembes.Daag uw percussie sectie uit en doe ze een groot plezier met: The African Connection! 06:30
Estimated dispatch 7-14 working days
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£118.99
The Battle of Varlar Wind Band Set (Score & Parts)
The work calls to mind an important event from the history of the city Coesfeld in Germany: the battle of Varlar, which took place in the year 1454. The composition presents us with a bird's eye view of the events: First of all, the consecration of the chapel on the Klinkenberg mountain is set to music in a hymn, after which the trumpets and trombones announce the imminent battle. In the subsequent fray not only the sounds of sabres and rapiers can clearly be heard but also the wailing of the wounded. When the Duke of Brunswick is wounded and captured by the troops of Walraf, Konrad von Diepen and his men march on Coesfeld in victory. Set against a festive melody, the hymn resounds in full glory. 07:00
Estimated dispatch 7-14 working days
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£84.99
The Ecstasy of Gold (Wind Band Score and Parts) - Morricone, Ennio - Bocci, Lorenzo
The Ecstasy of Gold is the famous theme from the movie The Good, The Bad and The Ugly that leads up to and is heard during the movie's climax, the showdown! The complete soundtrack to The Good, the Bad and the Ugly was released in 1966 and sold millions of copies. Since 1983, heavy-metal band Metallica have been opening concerts with Morricone's dramatic and exciting song, The Ecstasy of Gold. Lorenzo Bocci has created an equally exciting arrangement for concert band. 0:03:15
Estimated dispatch 7-14 working days
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£154.99
The Fever Tree Wind Band Set (Score & Parts)
The composition ".The Fever Tree". in 2008 was commissioned by the Music Association of Central and Eastern Netherlands St.Willibrord as a gift to all its members on the occasion of the formation of a national music organization and the elimination of the music union for Central and Eastern Netherlands St.Willibrord. The fever tree is a controversial legend about St. Willibrord (658-739). The daughter of a pagan chieftain of Hoemannen that made the area around Heumen unsafe, was seriously ill. They feared for her life. The chief of the gang turned to predatory Willibrord, who same time in this region led mission. Willibrord commanded the man to repent and a headband of the girl to a certain special tree to hang. The desperate captain obeyed, and his daughter was a miraculous heal. Then came the anger of the Hoemannen against their leader, who in their eyes had committed treason by the group to convert. They abused themselves to him and killed him brutally. The daughter remained behind in great sorrow, comforted by Willibrord. The composition has the following scenes: - Andante moderato - the calling of Willibrord - Allegro moderato - Willibrord passes through the province of Brabant and try to people to repent - Vivace - Hoemannen terrorize the inhabitants of the area Heumen - Andante - the healing of the sick girl and the conversion of the centurion - Inquieto - the revenge of the Hoemannen - Adagio - elegy on the death of the chief 09:45
Estimated dispatch 7-14 working days
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£95.00The Gilded Theatre (Concert Band - Score and Parts) - Hesketh, Kenneth
The Gilded Theatre was commissioned by the National Youth Wind Orchestra of Great Britain on the occasion of its fortieth anniversary. They gave the first performance on 10th August 2008, at St. John's Smith Square, London conducted by James Gourlay.The Gilded Theatre can, in some ways, be seen as a continuation of dramatic forms as presented in a previous piece by Hesketh, Diaghilev Dances. Unlike the Dances, however the music in The Gilded Theatre is conceived as one continuous span and stretches of music are also subtitled and refer to stock characters or scenarios redolent of the commedia dell'arte or 17th Century French Theatre. The subtitles are Rideau, Les Idiots Ou Les Amants, Le Combat Commence, Desespoir, L'apparition, Folie, La Mort, Rideau.The music narrative progresses through dramatic, comedic, romantic and aggressive moods supporting the idea of the abstract play to which the the above subtitles refer. Throughout the piece the composer has sought to challenge the players both technically and emotionally, and it is the players themselves who are in fact the protagonists in the piece.
Estimated dispatch 7-14 working days
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£139.99
The Golden Age Wind Band Set (Score & Parts)
The Golden Age is a programmatic composition in four movements. I Overture For the Netherlands, the seventeenth century was a period of great flourishing in the fields of economy, culture and politics; thus it is called the Golden Age. Overseas trade boomed, and the Dutch East India Company (known as the VOC by the Dutch) was founded and expanded to become a powerful -and, at the time - modern enterprise. II ?Adios espa?oles!(Farewell, Spaniards!) In 1567, the Spanish army invaded, led by the Duke of Alva. There was a fierce resistance against the Spanish tyranny; toward the end of the sixteenth century, the Dutch proclaimed the Republic. However, the Spanish continued the war. Only with the Treaty of M?nster in 1648 did the Dutch get their much sought-after independence. This was also the end of the Eighty Years' War. III Rembrandt's Night WatchThe field of culture, particularly literature, painting, sculpture, architecture, the art of printing, and cartography developed fast. It was in the Golden Age that the celebrated painter Rembrandt van Rijn created his famous Night Watch. IV The Admiral Overseas trade entailed the colonization of large areas in Asia, from where precious products that yielded lots of money were brought in. Surrounding countries were also involved in such practices. Colonizers poached on each other's territories in the literal and figurative sense - in this context the Anglo-Dutch Sea Wars are legendary. The fourth movement starts with the English patriotic song Rule Britannia, after which the Dutch Admiral Michiel de Ruyter makes the English change their tune; one can even hear the roaring of cannons. When the smoke of battle has cleared, a small fragment of a Dutch song about Michiel de Ruyter appears, followed by a fitting closing. 0:11:30
Estimated dispatch 7-14 working days
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£174.99
The Golden City Wind Band Set (Score & Parts)
Prague, also named 'The Golden City', has been the cultural and administrative capital city of the Czech Republic for thousands of years. The city is beautifully situated on the river Moldau. Every year millions of tourists visit Prague. It is one of the most popular cities of Eastern Europe. With it's mysterious little squares, dark alley ways and cobblestone streets, the 'City of the 100 Towers' is a unique mixture of architecture, dominated by monumental buildings, numerous churches and the oldest castle of Europe. The Bohemian capital city remains timeless. Visit the fort and be amazed at the lovely views over the Charles Bridge. Spend your time carefully browsing through the little stalls filled with paintings, photos, jewelery and hand-decorated products, accompanied by the sounds of the street musicians in the background. Notice the famous 15 th century astronomical clock that indicates the time every hour with a parade of the twelve apostles. When composing this piece, it was Jan Bosveld's intention to depict the atmosphere of this metropolitan city with over one million inhabitants, rather than to create a fairly literal musical portrait. One of the many other names of Prague is 'The City of the Clocks'. This can be heard throughout the piece depicted by the tubular bells. The piece consists of three movements (slow-fast-slow) and was written in a rhapsodic format. Jan Bosveld was commissioned to write 'The Golden City' by the Dutch Music Lend and Information Centre (MUI), a department of the library for the province of Gelderland in Arnhem, the Netherlands. 14:30
Estimated dispatch 7-14 working days
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