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£45.95In The Bleak Midwinter Melody Mine Edition - Gustav Holst
This timeless melody by Gustav Holst is a perfect musical setting for exceptional teaching. The "Melody Mine" gives each member of the band the opportunity to play the melodic line while the teacher focuses on phrasing, shaping and other core musical concepts. The full band arrangement provides a lush chorale setting of the Holst hymn. The director also has the option to craft their own arrangement to feature soloist(s), instrumental choirs and full band. Master teacher Susan L. Smith has crafted a powerful teaching resource for use in any beginning band program.
Estimated dispatch 7-14 working days
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£150.00
The Sacred Pipe - Green
A mysterious work, The Sacred Pipe is the musical endeavor of a Native Cherokee myth. Extravagant melodic lines, tender harmonies, fast and intense tempos, and majestic fanfares ensure a film-like experience for the audience. Join the "Arrow Woman" on her journey through the land, as she fights against the norms of her tribe. The Sacred Pipe hopes to convey a musical journey that engulfs the grandiosity of the land, the majesty of mountains, and the purity of water.
Estimated dispatch 7-14 working days
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£50.50
I Saw Santa Dance The Samba On His Sleigh
Based on the holiday classic Jingle Bells, this clever arrangement by Robert W. Smith for the beginning band is based on the story of a young child hearing a bit of a commotion in the living room on Christmas Eve. Upon sneaking down the stairs, the child is surprised to see Santa having a great time dancing the samba as he delivers the gifts and then soars out of sight. Fun and entertaining, this new arrangement for beginning band will be a hit at your holiday concert!
Estimated dispatch 7-14 working days
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£119.00
The Wayfaring Stranger
Based on the American folk song "Poor Wayfaring Stranger", this work for euphonium and band is a movement from "The American Folk Odyssey", a suite for various soloists and concert band. Beginning with a mysterious and lyrical statement of the haunting melody, the piece quickly transitions to the high seas in homage to the early Americans that journeyed by ship to the American continent. The sea chanty setting provides technically rich and effective environment to feature the euphonium with full band interaction while engaging the audience. Following a virtuosic cadenza, the movement concludes in a powerful musical flurry leaving the soloist, band and audience breathless!
Estimated dispatch 7-14 working days
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£119.00
The Dance - Robert W. Smith
Inspired by the paintings of impressionist Henri Matisse and featuring the alto saxophone, "The Dance" is the first movement of "Three Conversations With Matisse." Along with the well known Matisse painting of the same name, this unique musical statement can be described as forbidding, menacing, tribal and ritualistic. Written for the accomplished saxophone soloist, the band accompaniment is well within the technical range of most high school, university and community ensembles. A powerful and welcome addition to the saxophone and concert band repertoire!
Estimated dispatch 7-14 working days
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£119.00
The Music Lesson - Robert W. Smith
Inspired by the command and structure of two Henri Matisse paintings under the name "The Music Lesson", this powerful work for alto saxophone and band will become a staple of the repertoire. From the strict structure of the opening piano statement to the classically influenced melodic interplay with the saxophone, the piece moves through a flowing musical environment highlighted by a virtuosic cadenza. The recapitulation of the initial melodic line completes our music lesson and provides a strong conclusion to "Three Conversations With Matisse", a suite for alto saxophone and band.
Estimated dispatch 7-14 working days
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£89.99
Entrance Of The Queen - Teo Aparicio-Barberán
This short but brilliant work was written to honour the crowning of the Spanish queen. The elegant march of this piece depicts how the queen arrives slowly. The queen is subsequently crowned and this can be heard in the heavy chords of the brass instruments. The spectacular ending of this work is the proverbial cherry on the cake of this ceremony.
Estimated dispatch 7-14 working days
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£149.99
Jello, The Colours Of My Soul - Ben Haemhouts
Jello...The Colours of my Soul is an assignment that was written to be a lasting memory of the untimely, dramatic death of a young child. The work came about due to various conversations between the father and the composer whereby the final resultmust be seen as an attempt by the composer to musically translate the feelings of the parents.The first part of the title, "Jello", is a combination of the names of the two children of the commissioner, namely Jelle and Lobcke, and "the Colours of mySoul" are the colours of the soul of the parents who despite the loss of one of their children, continue to cherish their two children. The introduction provides the atmosphere of grieving for the loss, whereby use is made of pure fifths in order toportray the solidarity with nature, as we are familiar with in symphonies by Bruckner. A little later a bit of the first theme is suggested, which develops into a real funeral march.The Dies Irae, as this occurs in Berlioz's Fantastic Symphony (F, E,F, D, E, C, D), forms a leitmotiv through the entire work in order to symbolise the constant battle between life and death.Shortly before the storm-passage, (where a wind machine is used) which announces disaster, fragments from children's songs areplayed to the accompaniment of a rising choir piece from behind the stage, which strengthens the imminent confrontation with death.After the introduction of the two themes in the long introduction, a quick passage follows in which all kinds ofbeautiful memories are recalled. There is story telling, laughing, and dancing. One of the previous children's songs is also cited. The Dies Irea is heard once again, this time short and fast.Bit by bit happy elements are steadily distorted untilseriousness breaks through again, like an unavoidable and unstoppable evil. The entire piece becomes evermore stirring, as if a big climax will follow. At this moment a very long fermata makes a sudden end to the hysterical allegro. The crucialmoment in the work follows...How does one deal with something as tragic as the death of one's own child? Does one mourn for what no longer is and what never will be? Or does one try to cherish the beautiful moments and continue to live with thesecolourful memories?A subdued, dignified choir piece captures the beautiful memories and ends in a positive, hopeful tone.
Estimated dispatch 7-14 working days
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£109.99The Duke's Finest - Duke Ellington
Duke Ellington (1889- 1974) was a very successful American pianist, conductor, composer and arranger. His orchestra existed for decades and was able to survive thanks to the enormous hits that he and his collaborators wrote. Many of those songs now belong to the standard repertoire of jazz musicians.Billy Strayhorn (1915-1967) was arranger and composer with the orchestra from 1939, and also wrote Take the A-Train, which became the band's favourite song from 1941. Many recordings were made of it. Juan Tizol (1900-1984, valve trombone) played with Duke Ellington almost his entire career and composed Latin songs for the orchestra. He is co-composer of Caravan and Perdido.Just likein the original Duke Ellington concerts, the medley begins with Take the A-Train, followed by a number of classics from the repertoire of the legendary orchestra. In some songs there are soloists, notable a solo on kettledrums in C- Jam Blues. This solo can also be improvised.When rehearsing a lot of attention has to be paid to the drum and bass, which together form the rhythm section and drive the orchestra on. The other sections have to be tight and create a coherent swing effect. The swing shouldn't be too stiff, and can vary per song. For example in "In a Sentimental Mood", the melody can be played almost straight (classically), while the rhythm section continues swinging.
Estimated dispatch 7-14 working days
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£202.99
The Wind Rises - Joe Hisaishi
This beautiful, lyrical melody is so colorful in the film, without having an imposing image. "The Wind Rises" (2013) does not dominate the visual, and perhaps is an ideal form of film music considering this is director Miyazaki's final production. Chamber ensembles with solos and strings are frequently used in the soundtrack, so the sound is mellow and soft. As you listen more and more, you still recognize the tradition of Ghibli music.When I arrange, I try not to visualize the image of a film. I may think of characters and story line but is it important to write music that alone is appealing and fascinating. Trying not to "overstate" the film is not needed here. If you can bring out the most appealing parts of the soundtrack, excess can be forgiven. Of course, I have not changed the musical elements of the original.I asked Mr. Tomoki Ubata (band director at Ina Gakuen Sr. High School) whom I have worked with numerous times to assist with layout. He came up with a heartwarming medley with two main parts; leading boy Jiro's gift for aeronautical design and his romance with the heroine, Natsuko.The following themes are contained in the arrangement:1. Nahoko (A Rainbow) Beginning2. Caproni (An Aeronautical Designer's Dream) C3. A Journey (An Encounter at Karuizawa) H4. The Falcon I5. Prototype 8 N6. A Journey (A Parting) & A Journey (A Dream of Flight) PIt is quite remarkable, looking back on 30 years of Studio Ghibli's achievements.(Kazuhiro Morita)
Estimated dispatch 7-14 working days
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