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  • £74.99

    Concertino Op.26 - Weber

    Published in 1962, this adaptation of the exciting classic takes full advantage of modern symphonic band instrumentation to achieve an artistic performance of the solo with band accompaniment. Beautifully arranged by Alfred Reed, each set includes detailed notes for the conductor and a superb Master Lesson by clarinetist Don McCathren (Duquesne University) to aid soloists in their preparation of the piece. Abundant cross-cues are also provided in the band parts to ensure that exposed bassoon, alto/bass clarinet and F horn passages are clearly heard. Duration 9:00.

    Estimated dispatch 7-14 working days
  • £90.30

    Concertino Opus 26 - Carl Maria von Weber

    Carl Maria von Weber (1786-1826) was a pupil of Michael Haydn. Before he was fifteen years old he had already composed an opera, a mass and piano music. He was subsequently director of the Prague Opera House and Music Master at the Dresden Court. The overtures to his operas DER FREISCHTZ and OBERON are still often performed by wind bands, though it is often lesser known that von Weber also wrote pieces for 'Harmoniemusik', such as a CONCERTINO IN C for oboe and small wind band.Von Weber wrote most of his clarinet works for the famous German clarinettist Heinrich Brmann (1784-1874). This was the case for his CLARINET CONCERTO No1 in F and his CLARINET CONCERTO No2 in Eb and for the CONCERTINO, all composed in 1811. Von Weber was very impressed by Brmann's virtuosity and the expressiveness of the clarinet. The CONCERTINO is one of the very great works of the classical clarinet repertoire. A slow introduction is followed by a cheerful theme repeated with several contrasting variations. This pre-eminently romantic clarinet piece was scored for symphonic band by the French composer and arranger Charles Lhomme (Hargicourt 1889).

    Estimated dispatch 7-14 working days

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  • £52.70

    The Phantom Brigade - W. H. Myddleton

    WILLIAM H. MYDDLETON (1873-1950) was a British composer, author and amateur astronomer who studied the violin with the famous Pablo de Sarasate and who travelled a lot as violin virtuoso. He conducted a theatre orchestra in Sidney, Australia and the Carl Rosa Opera Orchestra in London. He also wrote some music for military band, using the pen name Arnold Safroni; his most famous march being 'Imperial echoes'. He composed a lot of light orchestral music and many works for symphonic band and brassband, such as 'Down South' and The Phantom Brigade. The latter was composed during World War I and was obviously a homage to the efficient British troops in Flanders' Fields...

    Estimated dispatch 7-14 working days

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  • £90.30

    Hymne a la Musique - Serge Lancen

    This hymn, written in 1970 and published in 1971, is dedicated to the youth of the famous 'Banda Primitiva' of Lliria (Spain), an outstanding symphonic band that has welcomed Serge Lancen many times. The composer performed as a soloist with this prestigious band and was made an honorary member of their society. The Banda Primitiva, conducted by Jos Maria Malato Ruiz, premiered the Hymne la Musique at a concert in Lliria on 23 October 1972. This tribute to music is one of Lancen's easiest compositions, yet it is a little jewel based on a simple theme introduced by the clarinets and the saxophones. The tune develops slowly and, by means of a crescendo, ends in a culminating point bringing together all musicians.

    Estimated dispatch 7-14 working days

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  • £186.20

    Concerto for Alto Saxophone and Band - Ronald Binge

    Ronald Binge was born on 15 July 1910 at Derby, England. He studied harmony and counterpoint on his own and tried his hand at arranging and composing during the many years he worked as a pianist and musician in movie theatres. In 1934 he met the conductor of Italian descent Annunzio Paolo Mantovani (1905-1980) and started writing numerous arrangements for the symphony orchestra of this very popular conductor. In fact, Binge is the inventor of the famous 'Mantovani Sound' (with echo effects by the strings) which charmed and pleased millions of music lovers and television spectators all over Europe in the fifties and sixties. In 1952 he scored a hit with ' Elisabethan Serenade'. Binge also wrote classical music and even a series of wind band compositions such as the most popular 'Cornet Carillon'. Ronald Binge died on 6 September 1979 at Ringwood. He dedicated his Concerto for Alto Saxophone (1956) to the famous American saxophone virtuoso Sigurd Rascher (1907-2001), the pioneer of the classical saxophone. At the request of the Dutch wind band publisher Pieter Jan Molenaar, Binge wrote a version for symphonic band. Unfortunately both the editor and the composer died some time later in 1979 and could not attend the premiere of this version by the Dutch Royal Marine Band conducted by Jaap Koops and with Johan Perik as soloist. The concerto consists of three parts. In the dynamic and quick 'Allegro Spirituoso' one can hear the melody alternately with the soloist and the accompanying band. The second part is more lyrical, though passionate as well and it is better known as it is often performed on itself under its title 'Romance'. The final part 'Rondo Allegro Giocoso' is written in rondo form as its title indicates and it allows the soloist to demonstrate his virtuosity in a very lively dialogue with he band.

    Estimated dispatch 7-14 working days

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  • £104.20

    Abba Cadabra - Bjoern Ulvaes

    The Swedish pop music group ABBA boasted a fantastic world wide success after winning the 'Eurosong Festival' in 1974 with the song 'Waterloo'. Johan de Meij was one of the very first arrangers to turn some of their songs into a medley for symphonic band. Your audience will, no doubt, recognize the hits 'Dancing Queen', 'Arrival' and 'Money, Money' which, in the meantime, became real evergreens.

    Estimated dispatch 7-14 working days

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  • £186.20

    Le Chant de l' Arbre - Serge Lancen

    Serge Lancen was born in Paris in 1922. The whole of his life has been dominated by music. He wrote his first work at the age of four. He studied with Tony Aubin at the Paris Conservatoire. In 1949 he won a prize for his Etudes, and some time later he was awarded the Prix de Rome.His work as composer is very varied and includes a number of solo concerti (for example for flute, double bass and piano), a Sinfonietta and a large number of works in the light symphonic genre (many of these commissioned by the French Radio), chamber music, film music, and during the last ten years various works for wind band, such as the Manhattan Symphony, Festival in Kerkrade, Symphonie de Paris and this beautiful Chant de l'Arbre (Song of the Tree).

    Estimated dispatch 7-14 working days

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  • £286.40

    Poeme du Feu - Ida Gotkovsky

    Major Albert Fasce, head of the musical department of the French Army, wrote about Pome du Feu:The Pome du Feu by Madame Ida Gotkovski is probably one of the original compostitions for symphonic band which has been most successful in recent years. I have had to conduct this work at concerts with different orchestras, and in particular at Budapest, and each performance was greeted by enthusiastic ovations. Moreover, it is quite rare in contemporary music to achieve, at the same time, the satisfaction of the musicians and success with the public. This is significant. This magnificent work is written remakably for wind instruments. There is no major technical difficulty, but the character of this work calls for meticulous placing and a certain orchestral glow. There is a "key" to be found in the first movement, which is in some way the rhythmic genesis of the work. The metronome marking of the first movement should be absolutely respected, and proper interpretation of the accents and the articulations are imperative. The fortissimi and rallentandi should not be exaggerated. As far as the little "trick" is concerned, this lies in the execution of the double crochets which should be considered in two ways: the first, a rhythmical one for those which arise from the rhythmic genesis, and the second more melodic for those arising in passages.Finally, to unseal the rhythmic origin of the double crochets, it is necessary to proceed by recurrence, starting from the four double crochets of the finale.These four double crochets must be executed very rhythmically in the different times. For the first, they arise:1: from the second bar of the first movement2: from the bar three bars before A for the second3: from the bar from G to the fourth time for the third.These double crochets must be played rhythmcally, while diminishing, however, those three bars before A.All this is of great importance, otherwise the whole execution will be in contradition with the spirit and the rhythmic inspiration of the work. Moreover, this beautiful work could very well support a ballet.As Head of Broadcast Music I must express all our gratitude to Madame Gotkovski for her contribution to constituting a real repertoire for wind ensemble. This articular and sometimes unappreceated band possesses unsuspected riches. This magnificent work is now in the repertoire of Musique de l'Air de France.

    Estimated dispatch 7-14 working days

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  • £116.40

    Midnight Cowboy - John Barry

    The theme from the Western Midnight Cowboy composed by John Barry is widely known in the version for mouth-organ. In this arrangement for symphonic windband and fanfare orchestra arranger Johan de Meij has chosen for a combined solo for alto-sax and trumpet with an orchestral background. The two soloists play the theme which is emellished by the other. The orchestra mainly finds its task in the accompaniment.

    Estimated dispatch 7-14 working days

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  • £90.30

    Marche Pour Harmonie Ou Fanf. - Germaine Tailleferre

    Marche pour Harmonie ou Fanfare, composed for band in 1976, is a fanciful, varied and elegant composition in which the rhythm contrasts in a charming way with the martial metric pattern. Dsir Dondeyne provided the rich instrumentation for symphonic band.

    Estimated dispatch 7-14 working days

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