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£123.95Mars from 'The Planets' - Gustav Holst
This hard-hitting arrangement of Holst's classic from "The Planets" dispenses with any initial build-up and hits you with a wall of sound right from the first note! Probably the most famous classical piece in 5/4 meter, this takes all the powerful impact points and combines them into a massive chunk of sound.
Estimated dispatch 7-14 working days
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£84.50Visigoths - Sean O'Loughlin
This piece is already one of Sean O'Loughlin's most successful, and it is now available in our new series of pieces with flexible instrumentation. It can be performed with as few as five players and percussion. This bold and aggressive piece will make any band sound good and with the five-part set-up of the scoring, you can overcome any instrumentation deficiencies. Check out the full recording, but also sample the excerpted recording that gives you an idea of how good this piece can sound, even with a very small ensemble.
Estimated dispatch 7-14 working days
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£84.50
Achilles' Wrath - Sean O'Loughlin
One of Sean O'Loughlin's most popular pieces has been scored for flexible instrumentation. It is bold, aggressive and dynamic, containing shifting modalities and will make any band sound top-notch. Now bands with instrumentation issues can sound wonderful with this great piece.
Estimated dispatch 7-14 working days
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£72.95
Lonestar - Carl Strommen
This lovely original ballad for band is so tuneful that you'll think that it is based upon a folk song. This is the magic of the pieces of Carl Strommen. He has a way of writing memorable melodies and lush harmonies that just sound so right. Lonestar has the sound of an American cowboy song, and it will stretch the musicianship of your young students. We are proud to have this wonderful new piece from Carl Strommen in the Carl Fischer catalog.
Estimated dispatch 7-14 working days
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£69.99
Patriots of Pageantry - James L. Hosay
A majestic festival of sound!An ideal choice for your band's first festival experience, Sovereign Pageantry includes tutti scoring as well as call-and-response interchanges between the sections. The fanfare and procession in a stately tempo brings to mind the imperial castle guards and antiphonal brasses from high upon battlements as the noble family promenades on a joyous day of celebration.The music encourages a full sound and smooth, tasteful articulations from your young band.Resplendent!
Estimated dispatch 7-14 working days
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£93.50Exhale - Sean O'Loughlin
Exhale is a wonderful new soundscape for concert band using dynamics and tiered orchestration to create breathing-like sound effects. Composer Sean O'Loughlin has crafted a festival-worthy overture with a fresh new sound!
Estimated dispatch 7-14 working days
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£137.70Every Breath You Take - Gordon Matthew Sumner
The great hit from 1983 by English band Police has moods and colours that is immediately recognized. In the band arrangement it is much the same, but with the added timbres and carpets of sound typical for wind players. Please pay attention to balance throughout the piece. You may also use this piece To improve the sound, balance and intonation in your band.
Estimated dispatch 7-14 working days
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£115.60Hard to Say I'm Sorry - Peter Cetera
"Hard to Say I'm Sorry" is one of the greatest hits by US rock band Chicago. It was the first single record from the "Chicago 16"-album (1982). The song went to no. 1 on the Billboard charts and stayed there for two weeks. Produced by David Foster, the song was given a typical early 80's sound with synthesizers and heavy guitars dominating the sound. The album-version of the song included a part two of the song, "Get Away", a up-tempo song featuring the famous horn-section of the band.
Estimated dispatch 7-14 working days
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£113.30Via Della Terra - Marco Somadossi
Composing music also involves being able to imagine the sound of something that has no sound of its own. "Via della Terra" is a soundtrack without a film, a story without a narrator; "Via della Terra" is a street in a town, but not just any street, because if a street could tell its story, "Via della Terra" would not know where to start or where and indeed if it should finish. Like all "Vie della Terra", this street in this piece is full of sounds, none of which, however, have ever belonged to it for more than a fleeting moment, just long enough to be reflected here and there and then up and away from the earth, to be lost in the air. The steps of Mozart as a child as he whistled a piece of music, never again to be remembered or written; the philosophical thoughts, or mere everyday cares, uttered to a friend by Rosmini (whispered? or declaimed?); the excited or humorous comments of people who saw Depero's futuristic works for the first time; the voices of marketstall owners, rendered louder and more acute by the noisy crowd of women sorting through the stalls of rustling and colourful silk (so many desires; silent pauses between one item of gossip and the next); the absolute and devastating roar of cannons that violated every corner of the town, injuring bodies and mutilating the memories of its inhabitants... followed by a seeming eternity, as the citizens held their breath, waiting... "Via della Terra" is the old imperial road along which the town of Rovereto was built and has developed. "Via della Terra" is music for an imaginary, impossible and simultaneous representation of all its stories. The composer has always lived in this town, which he dearly loves, and on innumerable occasions he has imagined the voices, smells, people and the lives that have been such a part of it. With his composition, "Via della Terra", Marco Somadossi won second prize (no first prize was awarded) at the XXI Corciano International Competition for original band music in the grade 4 category.
Estimated dispatch 7-14 working days
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£110.00Mount Everest - Kees Vlak
This composition basically consists of three fragments and an epilogue (conclusion):1) Plateaux, 2) Sherpas, 3) Climb. The piece starts with a musical depiction of the deserted plateauxs and mountain peaks of the Himalayas. The mysteriousness of theTibetan country was caused by its inaccessibility to other nations. One even believed that there was a paradise behind the huge mountains; the land of Shangra La. 1) After the sound of a gong, the Asian-like theme arises extremely softly from thedecay of the percussion. In bars 4 and 5 the syllables of Hi-ma-la-ya echo. Then a second theme appears; it symbolises the enchantment of the mountaineers by seeing the Mount Everest. 2) Eastern percussion, very evenly without emotion, sound from thedeserted village of the sherpas. The phrasing is prescribed by the number 'three'. From measure 56 Tibetian monks sing a chant, also with the religious background of the number 'three'. 3) The third part starts of with the sight of the giant MountEverest with an entirely new theme, that is played impressively by the strong low brass instruments of the band, immediately followed by the excited big climbing. The many surprises are depicted by the changing time signatures. Two themes are inconstant battle; the binary Himalaya theme and the ternary Mount Everest theme. Only once there is a steely composure. The registers in which the piece is played increase. The tension rises...Then the peak is reached. A long pause follows before onerealises that one is on top of the world. Slowly the emotions of joy grow and lead to an enormous climax. The first enchanted theme sounds again in total glory.
Estimated dispatch 7-14 working days
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