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£7.95
Keep the Faith - Score only - Duncan Stubbs
Program NotesKeep the Faith originally started as a personal tribute to my late mother. Not long after writing the opening ideas I was approached to write music to accompany a rendition of the poem "We Will Keep the Faith" by Moina Michael for performance as part of the 100th Anniversary of the start og World War I. The appropriateness of the music already written and the sentiment behind both concepts was a coincidence too good to overlook. Rarely sentimental and always practical I feel sure my mum would be delighted that the music she originally inspired was being used to portray a much wider universal message of remembrance.Whether performed with or without the poem a fully sustained sound should always be aimed for. The 'bugle' call at bar 20 and again at bar 76 should reflect a distant call across the trenches, the cornet remaining prominent over the upper woodwind. The tempo indication is a guide only and allowance must be made for the acoustic in which the piece is performed. The music must always flow, but appropriate rubato should be freely used together with appropriate tenuto in the middle of phrases.- Duncan Stubbs
Estimated dispatch 7-14 working days
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£58.50
Malaguea - Ernesto Lecuona
That unmistakable Nestico touch gives this Latin standard a fresh new sound. Sammy's brilliant brass, sparkling woodwinds, and driving Latin rhythms create a concert piece that's truly exciting.
Estimated dispatch 7-14 working days
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£75.00
The Winds Of Power - Nigel Hess
Unlike Nigel Hess's other works for wind band, The Winds of Power is not a programmatic work. After a dark and menacing opening a solo trumpet introduces a theme which will eventually become the centre of a piece and is soon heard tutti in a lyrical form. This is interrupted by a return to the opening mood, with only a brief respite in the form of a chorale for clarinet choir and harp. The theme tries to return once more in a rousing, somewhat cinematic version, but again the sense of foreboding overtakes it. An unsettling march-like section follows before the theme returns in its most lyrical and gentle guise, introduced by solos in the woodwind section. Eventually, a maestoso statement which erupts into a presto coda, ends the journey in a triumphant, more optimistic blaze of sound.
In stock: Estimated delivery 1-3 days
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£62.81Caprice (Euphonium Solo with Concert Band) Andrew Batterham
VIEW SCORE PDF Caprice was written for Matthew van Emmerik, to showcase his virtuosity in an engaging piece of concert music. The work is in theme and variation form, with the primary material being the theme from the last of Paganini's Ventiquattro Capricci per violino solo, a collection of 24 caprices for solo violin. This theme has been the inspiration for similar works by many composers since it was first published, including Liszt, Brahms, Rachmaninov, Benny Goodman and Andrew Lloyd Webber. In this work, the famous theme is treated to a more contemporary approach. The first variation, Capricious, relies on motor rhythms and jagged dialogues between the soloist and the band. It is couched in an organic scale reminiscent of the Phrygian mode. The second variation, Sad, is in direct contrast, acting as a traditional ballad and allowing the soloist to explore the expressive side of the instrument. The third variation, Energetic, is a micro set of variations in itself, designed to display the soloist's innovative technique and stamina. Each section is more challenging than the last, until the work concludes with a whirlwind dance at breakneck speed. Like all of Batterham's recent work, the musical language of Caprice draws upon classical, jazz, funk and ska elements to create a unique sound where anything can happen, and probably will. This arrangement was made possible through Matt's instigation and generosity. To view a video of Matthew van Emmerik performing the version with brass band please visit www.youtube.com/watch?v=D0hsvux_a5o To view a video of Fletcher Mitchell performing the version with piano please visit www.youtube.com/watch?v=NOZ6KRldDVo Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Instrumentation: Euphonium Soloist Piccolo Flute 1-2 Oboe Bassoon Clarinet in Eb Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone 1-2 Tenor Saxophone Baritone Saxophone Trumpet in Bb 1-3 Horn in F 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba String Bass Percussion 1-3
In stock: Estimated dispatch 1-3 days
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£36.95Evergreen Fanfare - Wind Band (Sean Brown)
The majestic Evergreen Fanfare (Sean Brown) was written in Autumn 2010 and is aimed at a young wind band. The composer writes: 'My goal with Evergreen Fanfare was to have the quality of sound and music that a more advanced band work (or even an orchestral work) would have, but at the difficulty level suitable for an advanced middle band or young high school band. My aim is to always write music that is pleasing to listen to for both the performers and audience alike, musical experts or novices alike.' To view a follow-the-score video of this work please visit: https://www.youtube.com/watch?v=lge5EK-A-Wo PDF download includes score and full set of parts. Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Instrumentation: Flute 1-2 Oboe 1-2 Clarinet 1-3 Bass Clarinet Bassoon Alto Saxophone Tenor Saxophone Baritone Saxophone Trumpet 1-3 Horn 1-2 Trombone 1-3 Euphonium Tuba Percussion 1-6
In stock: Estimated dispatch 1-3 days
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£141.00
Red Lines (CB) - Stijn Aertgeerts
Red Lines was commissioned by the Swiss Army Brass Band and their conductor Philipp Werlen. The title is a reference to their very distinctive black uniforms with Red vertical lines. Switzerland is a country with a tremendously rich brass band culture and have some of the best bands in the world. The individual level of musicians is also of incredibly high quality. The work begins very bombastically with continuous 8th notes. This immediately sets the drive for the entire first movement where the low brass and woodwinds can also show off huge sounds several times. It culminates in a grand tutti before the music calms down in the second movement where the euphonium can show its solistic qualities and the band can show a big difference in dynamics and sound. The final movement is driven by the drums and timpani that provide a solid boost to keep moving the thematic material forward in the band and through the percussion solo a big build-up to a glorious finale.
Estimated dispatch 7-14 working days
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£123.00
The Spartan Warriors (CB) - Pimpanit Karoonyavanich
The Sparta army is well-known in the time of the ancient Greek that the warriors would never lay down their weapons for any reason. The theme from the beginning of the piece strongly declares that the warriors are always willing to fight for their homeland. The slow movement reflects the feeling of the warriors when they are far away from their loved one due to their duty. The composers intently uses the harmony that gives a hopeful feeling but also painful at the same time. The audience can hear the bell during the piece. It is the symbol of the clock towers which located in every cities. Everytime that the warriors leaves a city, the sound of the bell becomes softer and softer until it disappears. Only at the end of the piece that the bell rings only one last time after the majestical theme. It's the bell of victory!
Estimated dispatch 7-14 working days
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£184.00
Compass (CB) - Tomothy Claeyé
A musical journey around the world in four mouvements. In the 1st mouvement, 'Europe Express', we go on a fascinating trip through Europe. Attentive listeners might hear some influences by London, Paris or Madrid. In part two we move on to the east, 'Across Asia'. The trip takes us first into Arabia, where the flutes are smuggling us via the Silk Road into China. The saxophones take care of a typically Jewish klezmer sound. In part three - Yes We Can (The American Dream) -we fly to the swinging United States. Before returning home, we quickly go 'Down Under'.
Estimated dispatch 7-14 working days
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£93.00
Hymns for Band N 1 (CB) - Various - Bert Van Thienen
Five easy hymns, ideal as warming up or sound study for your band! Can also be used to play at ceremonies.
Estimated dispatch 7-14 working days
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£63.00Snowflake
Originally written for string orchestra, Snowflake is now rescored for wind band and presents a beautiful, flowing melody that captures the delicate and fleeting nature of a snowflake. The piece features long, lyrical phrases and rich harmonies that should be played with warmth and expression. The primary focus is on creating a singing sound and allowing the music to "breathe," providing a gentle, serene atmosphere throughout.
Estimated dispatch 12-14 working days
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