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£104.99Do Not Go Gentle Into That Good Night - Elliot Del Borgo
The Dylan Thomas poem Do Not Go Gentle into That Good Night was the motivation for this musical composition. While not a programmatic depiction of the poem, the work attempts to recreate the essence of the poem in sound. Theopening motive, representative of the life force, permeates much of the work. The use of sound layers - in the form of polytonal hymns - calls to mind the struggles and persistence of the human spirit and its refusal to go gentle.A substantial and dramatic work for mature ensembles. Dur: 11:15 (Grade 5)
Estimated dispatch 7-14 working days
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£39.95Blues for Big Ears - Mark Nightingale
Blues for Big Ears is one of Mark Nightingales' Easy Jazzy Tudes, one of Warwick Music's bestselling publications. The band arrangement came about as a result of a stroke of inspiration. After teaching the piece to pupils the idea to arrange it for band was formed. The solo in the middle can be read, or if you have a budding player who likes to improvise feature them. The quavers throughout should not be swung! The Tubas and instruments playing the bass part, should aim for a light sound, and try to imitate the sound of a double bass playing pizziccato. As there are easy parts attached, band directors can include their youngest players, so they don't feel left out. If you have a good drummer, get him to improvise during the fills, rather than read the notated part.
Estimated dispatch 7-14 working days
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£204.99Storia Eroica - André Waignein
Andr Waignein received order of this composition of the "Municipal Brass Band of Luxembourg-Bonnevoie". It is in the presence of the Grand-Duke Heir Henri that took place first interpretation on January 24, 1998 with this orchestra, and with the composer as director.This work is a musical evocation describing this magnificent Luxembourgian region and her inhabitants.The overture evokes the serenity met in this region. An orchestrale development, as rhythmic as sound, propels the orchestra in a "military" atmosphere putting in evidence all the registers of the orchestra. This tension is maintained until the general explosion of the whole. One cantilena appears in all theinnocence. Gradually, the orchestration suppresses, until the exhaustion. The passage which follows represents the tempestuous events which took place through ages. A spectacular cadence, by the clarinet or by the soprano saxophone, terminates this desorder.An ample and lyric theme reflects the generosity which always played an important role. Then, having found some of initial themes, work ends in an atmosphere of enjoyment, developed in rich and eclectic one variety which proves the sphere of influence of the sound colour at Andr Waignein.
Estimated dispatch 7-14 working days
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£84.99Trumpet Fiesta - André Waignein
Trumpet Fiesta spotlights four trumpet soloists. From the opening bars the music expresses a feeling of happiness. This swift and lively piece begins with a series of dynamic staccato passages from the soloists. The central section, in the minor key, contrasts with the beginning of the work and during this transition period there are only two solo trumpet parts. The first theme then quickly reappears before moving on to a peaceful and more melodic trio in which long and flowing melody lines allow the soloists to let the beautiful sound of the trumpet fully reveal itself. The sound pyramid then formed by the whole band leads this spectacular piece to a powerful finale.
Estimated dispatch 7-14 working days
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£141.99A Tribute to Ray Charles
Ray Charles (1930-2004) was a multitalented and pioneering American pianist and soul singer who became very popular in the late fifties, and remained respected for his music in the decades that followed. By incorporating gospel, jazz, blues, and big band elements, he helped shape the sound of rhythm and blues, and brought a soulful sound to everything from country music to pop standards. Ray Charles embodied the American dream, starting out a poor, blind boy from the southern United States and becoming an international music phenomenon; his nickname was "the Genius" for a good reasonIn this arrangement for concert band, Peter Kleine Schaars presents five of the songs thatcontributed to Ray Charles' fame: I Can't Stop Loving You, Hit the Road Jack, Georgia on My Mind, Hallelujah I Love Her So, and Unchain My Heart.
Estimated dispatch 7-14 working days
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£104.99Richard Rodgers Collection - Richard Rodgers
Richard Charles Rodgers was one of Americas best-known musicaltheatre composers. In his lifetime Rodgers wrote hundreds of songsand no less than forty Broadway musicals including The Sound of Music, Oklahoma, South Pacific and Carousel, many of which are still loved and regularly performed today. In this wonderful collection, Peter Kleine Schaars used the songs It Might As Well Be Spring from State Fair, My Favorite Things from The Sound of Music and The Lady Is a Tramp from Babes in Arms. Add a little Broadway sparkle to any concert with this catchy item.
Estimated dispatch 7-14 working days
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£470.99Earth, Water, Sun, Wind - Philip Sparke
Earth, Water, Sun, Wind is a four movement work with the unifying theme of these four elements. The music varies from being purely descriptive of the movements' titles to specific sound painting - Earth, for example, is pure music and non programmatic whereas Sun attempts to paint a specific sound picture. The Symphony as a whole concerns itself with man's relationship with these monumental aspects of nature.
Estimated dispatch 7-14 working days
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£159.99
Fantasia Per La Vita E La Morte - Bert Appermont
The mystique surrounding life and death formed the starting point of this composition. I wanted to write a work without a story, mixed up in a kind of musical quest for a new world of sound, original rhythm sequences, melodies filled with suspenseand distinct orchestral tones.The indirect cause was the birth of my first child which took place during this time, followed by the death of a close family member. At such a moment you experience just how close life and death are to each other, anddespite one being the antithesis of the other, they are incredibly similar. Both radical events are passages into new worlds and have great emotional impact. Moreover, the work was commissioned by "New Life", an orchestra that lost one of itsmusician in a plane crash, which also led me to believe that this approach would be appropriate.I would prefer not to comment on which passages in the composition concern life (birth) and which refer to death. It seems to me that it is moreinteresting to question traditional conceptions and leave it open for the listener. If you think that a passage is about birth, and this idea then shifts, it is this that raises fascinating questions, on both a musical and metaphysical level.Music isin an indirect but incredibly persuasive way in which to express the endless striving and seeking of mankind. Music can even touch eternity, as it were, and give us the feeling that we can transcend death. This endless search (and also longing) canbe heard throughout the work; as much in the sound fields and accent shifts in the first part as in the enormous tension curves and compelling themes of the second part. The semi-tone functions in this way as a guide or something to hold on to,running through the whole work and upon which much of the musical material is based. Traces of profound love resound with quiet simplicity in the slow section's melodious solos, after which the work contemplates life and death one last time, musesupon joy and sadness, on the possibilities and limitations of people and on the why of all things.I would like to dedicate this work to my dearest daughter Paulientje, to Meterke and to Johan de Jong of the "New Life" orchestra. May it fare themwell, here or in another dimension...
Estimated dispatch 7-14 working days
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£274.99Symphony No. 2: States Of Mind, Opus 87 - Teo Aparicio-Barberán
I- Logos (reason)II- Pathos (emotion)III- Ethos (credibility)The ancient Greeks believed that music shaped the character of man. In Egyptian temples, music was an essential part of the magical rites to alter the course of nature or to treat illness.And today we know that sound can actually alter matter. The secret of music lies in harmony and mathematics, as many great musicians and experts have always known.One of the most important qualities of music is that it enables the listener to focushis attention inwards instead of on what is around him. It is indisputable that music can inspire emotion. Music leads us into a universe of emotions that are difficult to put into words. In short, music reaches into corners of our soul and thoughtsthat words cannot reach and makes it possible to more clearly describe these different States of mind.The composer of this symphony also believes that each "musical argument" must be constructed so that it will induce the desired reaction in thelistener.Music: more than wordsIn recent times, most orchestral symphonies have been based on a story, a text or something similar so that their composition must be structured accordingly.The intention of this work by Teo Aparicio-Barbern is quitedifferent. The composer describes the three elements of the argument as the only formal structure of the work. Since certain philosophers in world history were able to subdivide grammatical argument, why shouldnt that also be possible for the musicalargument?Since ancient times the power of the spoken word has captivated mankind. How can an argument move people and mobilise the masses? Where does the power of words come from today? The answer lays not so much in what people say but in how theysay it.Rhetoric is one of the oldest humanist disciplines in Western civilisation. Aristotle, in the 4th century BC, called it the art of persuasion. Indeed, the terms rhetoric and persuasion are mutually interchangeable.More than 2000 years agoAristotle structured his rhetoric according to the following three elements: the logos, the pathos and the ethos.Logos (words, reason) is the reasoning that gives freedom to the structure of the text by expressing what one wishes to say usingspecialist terms. With logos we create arguments to receive public approval and to defend our ideas.Pathos, the second element, refers to the effective use of public psychology. Pathos can be considered as the capacity to induce the desired emotionalresponse in the public, by creating an emotional connection with the public so that they accept our message.The third element, ethos (credibility), refers to the character of the speaker and is perhaps the most important of the three elements.Aristotle based his concept of ethos upon his belief that truth and justice will always have the upper hand over anger. He believed that what was true and good was easier to prove and was more persuasive.This second orchestral symphony from thecomposer from Enguera follows these three parameters of the argument according to Aristotle. Each movement tries to summon a different state of mind in the listener so that the message itself can be better understood and appreciated. Apart from thesethree general concepts the music is only structured, as Claude Debussy would say, in a "formative way".The first movement, logos, is based on a scherzo melody that undergoes various changes in rhythm and harmony. The arguments are presented by meansof conventional techniques of composition. The second movement, pathos, is characterised by suggestions of sound. It is subdivided into two large parts. The first part is based on a five seven sequence with five sounds that are repeated in differentenvironments, structures and dynamics. The second part, which is largely tonal, brings out more directly the emotional overtones that each argument must have. The third movement, ethos, is a faithful rendition of the composers personality. In thislast part, clear rhythmic sequences stand out, there are large dynamic contrasts and lots of tone variation. In addition, and this is quite in keeping with the composers earlier work, the harmony in States of Mind is handled in a manner that is bothoriginal and efficient, as a result of which Aparicio-Barberns message is well understood by the listener.This second symphony by Teo Aparicio-Barbern is devoted to "my dear Henrie Adams, a guiding light in this eternally dark musical world. Thankyou for everything."
Estimated dispatch 7-14 working days
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£109.99Catedrales - Bert Appermont
Cathedrals have always appealed to the imagination. Hundreds of years of manpower have been invested in their building and it is not for nothing that today they represent imposing symbols of architecture and history. The cathedral is also a great source of inspiration for compositions, drawing on a full palette of acoustic echo effects, Gregorian melodies and organ based choral themes.The work "Catedrals" opens with a five tone motif using double tonguing which resonates through space. Then comes a Gregorian antiphonal theme "Salve Regina" which is heard in the euphonium and later combines with the opening motif. The quicker passage that follows is basedentirely on the intervals in the motif which by now has added rhythmic variations and develops in different forms, including a fugue. The work then builds towards its first climax, from which unusual muted sounds emerge creating an atmosphere shrouded in mystery.Gradually, more melodious fragments are added to the Gregorian antiphonal theme which develops into an expansive choral, emulating the organ and which rises above the sound mass. The work grows more powerful and brilliant in sound until it culminates in a short and explosive finale wherein elements from the whole work come together.
Estimated dispatch 7-14 working days
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