Results
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£144.99Voyage with the VOC - William Vean
The United East India Company, or Verenigde Oostindische Compagnie (VOC) was one of the first international trading companies in the Netherlands. Voyage With The VOC follows the route of a ship (first movement) on a visit to the Rajah of Yogakarta (second movement) to load up the ship before returning home (third movement). The fourth movement describes the hard life of a sailor before the fifth movement sees the ship safely to harbour once again.
Estimated dispatch 7-14 working days
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£76.99A Sherwood Fantasy - Andrew Watkin
The _x005F_x001F_first movements of Andrew Watkin's A Sherwood Fantasy is presented in a stately 6/8 meter. The lovely melody of the second movement is sumptuously harmonised. The third movement of this very varied work is peppered with changing rhythms and modulations, which give the music a fresh and lively character. A hymn completes this beautiful musical creation.
Estimated dispatch 7-14 working days
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£56.99New Moon (from Twilight Saga) - Alexandre Desplat
Here is the haunting main theme from the blockbuster movie New Moon, the second installment of the Twilight saga. Opening with a flute solo accompanied by vibes and low clarinets, this sensitively scored arrangement then builds toa dramatic full band climax before returning to a quiet finish.
Estimated dispatch 7-14 working days
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£104.70Forza Del Destino (Stal - Giuseppe Verdi
The great Italian opera composer Giuseppe Verdi (1813-1901) was largely self-taught. He composed some operas but then in less than two years' time he lost his wife and two children (1838-1840) and decided to give up composing. However he was convinced to write again and in 1842 he became world famous with his opera 'Nabucco'. This was followed by several masterpieces such as Rigoletto, Il Trovatore, Un ballo in maschera, Aida, Othello and Falstaff. His twenty-fourth opera 'La Forza del Destino' was composed in 1862 for a performance at the Imperial Theatre of Saint Petersburg. This four act opera was written to a libretto by Francesco Maria Piave, based on the Spanish tragedy 'Don Alvaro' written in 1835 by Don Angelo Prez de Saavedra, Duke of Rivas. It tells the adventures of the unfortunate Alvaro in Italy and Spain in the middle of the eighteenth century. The love between Leonore and the half-breed of Inca descent Don Alvaro meets a lot of obstacles. One year after the creation in Russia, the opera was performed in Rome under the title 'Don Alvaro'. For the performance at the Scala in Milan in 1869, Verdi transformed the opera and also extended the original prelude into the now popular overture. This overture boasts the best-known melodies as well as the famous three-chord theme and is one of the best-structured overtures by Verdi. It opens with an ominous warning note of the trumpet, introducing a dramatic theme in a minor key. The second theme, taken from the Prayer to the Virgin in Act II, is a noble melody in B major. A gentle pastoral melody forms a contrast to this, and the material of the three principal themes is worked up into a brilliant climax.
Estimated dispatch 7-14 working days
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£186.20Concerto for Alto Saxophone and Band - Ronald Binge
Ronald Binge was born on 15 July 1910 at Derby, England. He studied harmony and counterpoint on his own and tried his hand at arranging and composing during the many years he worked as a pianist and musician in movie theatres. In 1934 he met the conductor of Italian descent Annunzio Paolo Mantovani (1905-1980) and started writing numerous arrangements for the symphony orchestra of this very popular conductor. In fact, Binge is the inventor of the famous 'Mantovani Sound' (with echo effects by the strings) which charmed and pleased millions of music lovers and television spectators all over Europe in the fifties and sixties. In 1952 he scored a hit with ' Elisabethan Serenade'. Binge also wrote classical music and even a series of wind band compositions such as the most popular 'Cornet Carillon'. Ronald Binge died on 6 September 1979 at Ringwood. He dedicated his Concerto for Alto Saxophone (1956) to the famous American saxophone virtuoso Sigurd Rascher (1907-2001), the pioneer of the classical saxophone. At the request of the Dutch wind band publisher Pieter Jan Molenaar, Binge wrote a version for symphonic band. Unfortunately both the editor and the composer died some time later in 1979 and could not attend the premiere of this version by the Dutch Royal Marine Band conducted by Jaap Koops and with Johan Perik as soloist. The concerto consists of three parts. In the dynamic and quick 'Allegro Spirituoso' one can hear the melody alternately with the soloist and the accompanying band. The second part is more lyrical, though passionate as well and it is better known as it is often performed on itself under its title 'Romance'. The final part 'Rondo Allegro Giocoso' is written in rondo form as its title indicates and it allows the soloist to demonstrate his virtuosity in a very lively dialogue with he band.
Estimated dispatch 7-14 working days
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£90.30Cake Walk Phantasy - Peter Milray
The Cake Walk is, just like the Quickstep, the Schottisch, the 'Rag and the Quadrille, a popular American dance from the second half of the last century. Both the rhythmic and the melodic structure of the Cake Walk display a clear relationship with ragtime and jazz and even a composer like Claude Debussy has availed himself of these influences in his music (Le petit Ngre and Golliwogg's Cake Walk).
Estimated dispatch 7-14 working days
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£214.80Concerto for Bass Clarinet and Band - Kees Vlak
This is Kees Vlak's most ambitious composition. Before writing this work, the composer listened for many hours to a most gifted bass clarinet player. So he discovered that the instrument ranges over five octaves and needs a lighter blow than the ordinary B flat clarinet. The sonority of the instrument in the upper register really charmed the composer. All these elements deeply influenced the composition. The cadenza requires a fine technique and a real artistic feeling from the soloist. Part 1 is written in a sonata form with a cadenza. Part 2 is written in a song form. Part 3 is a scherzo with many mutations. For instance, the repeat starts with the second theme, whereas the initial theme concludes the work.
Estimated dispatch 7-14 working days
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£159.60Les Uns et Les Autres - Francis Lai
In his three hours lasting box-office hit 'Les Uns et les Autres' the French filmmaker Claude Lelouch describes the joys and sorrows, important events and everyday incidents of the lives of a number of people. The film covers a period going from 1936 up to 1980, including the Second World War. Many musical aspects make the soundtrack very important to the film; think of the Paris Music-Hall music, the Glenn Miller music in the States, the pop music and even the ballet music. The fabulous interpretation of Ravel's 'Bolero' is a fantastic climax. The Bolero, however is not included in this selection, as it has been published seperately in an arrangement for band by Henk van Lijnschooten.
Estimated dispatch 7-14 working days
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£90.30The Typewriter - Leroy Anderson
A real typewriter, with the sound amplified, is played by one percussionplayer. The typewriterbell is disconnected and the bell sound is produces on a desk bell by a second player.As an alternative the key clatter maybe imitated on a woodblock and the carriage return on a gourd.
Estimated dispatch 7-14 working days
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£286.40Fourth Symphony - Alfred Reed
Commissioned for the World Music Festival in Kerkrade, Holland, in July 1993, this work was completed in the summer of 1992, with the composer reading the final proofs in November of that year. The music is in three movements, an opening Elegy built largely on a gentle, insisting, basic rhythm first heard in the flutes under the main theme in the oboe. These two motifs are developed through all of the colours of the wind band, at times sorrowful and song-like, and at other times highly dramatic in character, before the movement finally settles down to a soft close on an E minor chord after having been heard mainly as non-tonal in structure and feeling throughout. The second movement, by way of contrast, a gracious Intermezzo, is developed from a quiet, lilting theme with just a touch of Latin flavour, featuring the woodwind colours of the band cast in 5/8 meter through much of the texture. Joining the wind and soft percussion colours here is the harp, which at times seems almost to be sounding as a large Spanish guitar strumming accompaniments to the various melodic lines. The third movement, again as a major contrast to what has come before, is a fiery Tarantella, drawing on a fugal-like theme that is developed with all of the virtuosity inherent in the modern, fully integrated wind group, and which sweeps along relentlessly to a final, brilliant conclusion both as to its own movement and the work as a whole.
Estimated dispatch 7-14 working days
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