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£244.99Variations on a Pentatonic Theme Wind Band Set (Score & Parts)
Rob Goorhuis wrote his Variations on a Pentatonic Theme (1987) for the Royal Wind band of Thorn, conductor Jan Cober. The work consists of five character variations on a pentatonic (five-tone) theme. The basic elements of the theme are the descending minor third and the descending major second, which in the course of the composition build up to a broad melody, unfolding itself in the final variation. The first variation resembles minimal music in its repetitive rhythmic motives. The second variation is explosive in character: rapid broken chords provide a background for soft solo motifs. The third variation is a quiet intermezzo on a slow chorale theme, creating two contrasting moods. The fourth variation is a light-hearted scherzo. The final variation is a brilliant finale with all the necessary ingredients, or, in the composer's words, "the works" Testpiece WMC 2005 Concert Division. 18:00
Estimated dispatch 7-14 working days
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£79.95Variations on 'Was Lebet' (Concert Band - Score and Parts) - Wainwright, Andrew
Variations on 'Was Lebet' is based on the German chorale of the same name, the first line of which translates as 'O worship the Lord in the beauty of holiness!' The opening fanfare figure in the Trumpets should be supported by bold, organ-like sostenuto chords in the lower band. Ensure that the fanfare in the Trumpets and Trombones from bars 25 to 28 is given equal articulation and volume in the antiphonal parts. After this majestic introductory section, the first of five contrasting variations is presented, although the tune is never realised in full form until the final variation, with fragments gradually being revealed as the piece progresses.Variation I is somewhat classical in approach, with its energy coming from a regular contrast between cantabile references to the theme, set against lively staccato figures. Ensuring a lightness of touch will be important here; the music should be poised and never sound frantic. As a result, careful attention should be paid to the tempo marking, being no quicker than 136 beats per minute. Snippets of the chorale come and go, with the last phrase of the hymn completing the movement. This final statement, at bar 95, should be an immediate change in tempo and a separate statement to the music that comes before.Variation II is plaintive in mood, giving the listener the chance to reflect on the following words, which form part of the second verse: 'Comfort thy sorrows and answer thy prayerfulness, Guiding thy steps as may best for thee be.' There is opportunity for rubato in this movement, at the discretion of the conductor.Variation III is somewhat quirky and volatile in nature, and takes its inspiration from the 3rd and 4th verses which describe the fearful times in life that we must entrust to the Lord. Driven by the Percussion section in particular, there are references here to Variation I with its chorale-like figures and hurtling scalic figures, and there is a feeling of a lack of resolution. A somewhat abrupt ending suggests that our sense of completeness in Christ is yet to be resolved. It is important that clarity and tempo are maintained in the bass line between sections L and M. Aim for consistency of line in the bass parts, particularly with the trade-offs between players here.There is a French romantic feel to the waltz in Variation IV, with the opportunity for various soloists to display their musicianship. A sense of ironic humour pervades throughout. The Clarinet and Bassoon duet from section U should be playful and display a lightness of touch, with that sense of style continued throughout the movement.Variation V is fugal in nature, with each section of the band being handed the theme at various points. Again it is important that a steady tempo is set at Y in order to maintain control. The sense of momentum gradually increases to a grandiose presentation of the full theme, beginning at section CC, affirming our completeness in the Lord, with the words of the first and last verses reiterated: O worship the Lord in the beauty of holiness! Bow down before him, his glory proclaim; With gold of obedience and incense of lowliness, Kneel and adore him, the Lord is his name.Duration: 11.45
Estimated dispatch 7-14 working days
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£15.95Variations on 'Was Lebet' (Concert Band - Score only) - Wainwright, Andrew
Variations on 'Was Lebet' is based on the German chorale of the same name, the first line of which translates as 'O worship the Lord in the beauty of holiness!' The opening fanfare figure in the Trumpets should be supported by bold, organ-like sostenuto chords in the lower band. Ensure that the fanfare in the Trumpets and Trombones from bars 25 to 28 is given equal articulation and volume in the antiphonal parts. After this majestic introductory section, the first of five contrasting variations is presented, although the tune is never realised in full form until the final variation, with fragments gradually being revealed as the piece progresses.Variation I is somewhat classical in approach, with its energy coming from a regular contrast between cantabile references to the theme, set against lively staccato figures. Ensuring a lightness of touch will be important here; the music should be poised and never sound frantic. As a result, careful attention should be paid to the tempo marking, being no quicker than 136 beats per minute. Snippets of the chorale come and go, with the last phrase of the hymn completing the movement. This final statement, at bar 95, should be an immediate change in tempo and a separate statement to the music that comes before.Variation II is plaintive in mood, giving the listener the chance to reflect on the following words, which form part of the second verse: 'Comfort thy sorrows and answer thy prayerfulness, Guiding thy steps as may best for thee be.' There is opportunity for rubato in this movement, at the discretion of the conductor.Variation III is somewhat quirky and volatile in nature, and takes its inspiration from the 3rd and 4th verses which describe the fearful times in life that we must entrust to the Lord. Driven by the Percussion section in particular, there are references here to Variation I with its chorale-like figures and hurtling scalic figures, and there is a feeling of a lack of resolution. A somewhat abrupt ending suggests that our sense of completeness in Christ is yet to be resolved. It is important that clarity and tempo are maintained in the bass line between sections L and M. Aim for consistency of line in the bass parts, particularly with the trade-offs between players here.There is a French romantic feel to the waltz in Variation IV, with the opportunity for various soloists to display their musicianship. A sense of ironic humour pervades throughout. The Clarinet and Bassoon duet from section U should be playful and display a lightness of touch, with that sense of style continued throughout the movement.Variation V is fugal in nature, with each section of the band being handed the theme at various points. Again it is important that a steady tempo is set at Y in order to maintain control. The sense of momentum gradually increases to a grandiose presentation of the full theme, beginning at section CC, affirming our completeness in the Lord, with the words of the first and last verses reiterated: O worship the Lord in the beauty of holiness! Bow down before him, his glory proclaim; With gold of obedience and incense of lowliness, Kneel and adore him, the Lord is his name.Duration: 11.45
Estimated dispatch 7-14 working days
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£87.95Phoenix Fanfare & Journey Into Light (Concert Band - Score and Parts) - Holmes, Chris
A Phoenix Fanfare opens with bold, rhythmic motifs built around the interval of a perfect fourth, a musical gesture symbolising strength and renewal. These rhythmic ideas are energetically passed around the wind band, creating a sense of movement and vitality. As the piece progresses, textures build and interplay intensifies, culminating in a striking moment where glissando horns soar above the ensemble--this feature should be given due prominence, as it evokes the mythical rise of the phoenix and adds a dramatic flourish to the conclusion.In contrast, Journey into Light captures the feeling of a 'return to normality' following the lifting of COVID restrictions. The music begins with a short passage in a reflective minor key, representing the uncertainty and isolation of lockdown. Gradually, optimism emerges as the harmony brightens and the tempo increases. The arrival of the presto section marks a turning point--joyful, exuberant, and full of life. From here, the music remains uplifting, celebrating the renewed freedom to rehearse, perform, and connect through music.This piece would make an ideal concert opener or start to a second half of a concert.Duration: 3.30
Estimated dispatch 7-14 working days
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£17.95
Phoenix Fanfare & Journey Into Light (Concert Band - Score only) - Holmes, Chris
A Phoenix Fanfare opens with bold, rhythmic motifs built around the interval of a perfect fourth, a musical gesture symbolising strength and renewal. These rhythmic ideas are energetically passed around the wind band, creating a sense of movement and vitality. As the piece progresses, textures build and interplay intensifies, culminating in a striking moment where glissando horns soar above the ensemble--this feature should be given due prominence, as it evokes the mythical rise of the phoenix and adds a dramatic flourish to the conclusion.In contrast, Journey into Light captures the feeling of a 'return to normality' following the lifting of COVID restrictions. The music begins with a short passage in a reflective minor key, representing the uncertainty and isolation of lockdown. Gradually, optimism emerges as the harmony brightens and the tempo increases. The arrival of the presto section marks a turning point--joyful, exuberant, and full of life. From here, the music remains uplifting, celebrating the renewed freedom to rehearse, perform, and connect through music.This piece would make an ideal concert opener or start to a second half of a concert.Duration: 3.30
Estimated dispatch 7-14 working days
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£33.95Midnight Wish (Movement 2 from Dance Suite) (Concert Band - Score and Parts) - Wiffin, Rob
Midnight Wish, a rumba, is the second movement from Wiffin's Dance Suite.Duration: 3.30
Estimated dispatch 7-14 working days
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£106.99Fair Field Festival (Concert Band - Score and Parts) - Sparke, Philip
Fair Field Festival opens with a brass fanfare under florid woodwind figuration. A noble chorale leads to a lively allegro vivo, which centres around a majestic horn and euphonium melody under chattering woodwinds. A second theme is first stated by trumpets and this leads to a central legato theme on horns and saxes, repeated by the trumpets. A brief allusion to the opening section leads to a full recapitulation and an energetic coda. A work filled with vitality!Duration: 5.15
Estimated dispatch 7-14 working days
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£33.95The Heart of a Hero (Concert Band - Score and Parts) - Wiffin, Rob
The Heart of a Hero is an extended fanfare in ABA form. The brilliance of the heroic, brass-heavy outer sections is balanced by the expressive centre. It is possible to play the final section as a stand-alone fifty second fanfareDuration: 2.45
Estimated dispatch 7-14 working days
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£129.99Star Wars Saga (Concert Band - Score and Parts) - Williams, John - De Meij, Johan
John Williams (February 8, 1932) has composed some of the most popular, recognisable and critically acclaimed film scores in cinema history. Williams has won 25 Grammy Awards, five Academy Awards, seven British Academy Film Awards, and four Golden Globe Awards. With 53 Academy Award nominations, he is the second most-nominated individual, after Walt Disney. His compositions are considered the epitome of film music, and he is considered among the greatest composers in the history of cinema. His work has influenced many other composers of film, popular, and contemporary classical music. In 2005, the American Film Institute selected Williams's score to 1977's Star Wars as the greatest film score of all time. In this newly revised arrangement from 1986, arranger Johan de Meij has used themes from Star Wars: A New Hope and The Empire Strikes Back.
Estimated dispatch 7-14 working days
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£229.99Fraternity (Concert Band - Score and Parts) - Deleruyelle, Thierry
This piece by Thierry Deleruyelle is based on one of the most significant events in the history of coal mining; the catastrophe at Courrieres, Northern France. It took place on 10th March 1906 and is considered the worst mining accident in Europe and the second most significant in the world. This work is both emotional and spectacular and tells in 7 contrasting sections the catastrophe that occurred. This version for wind band was commissioned on the occasion of the 10th anniversary of the listing of the Nord-Pas-de-Calais Mining Basin as a UNESCO World Heritage site.Duration: 7.15
Estimated dispatch 7-14 working days
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