Results
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£76.95What's Up at the Symphony? (Concert Band - Score and Parts) - Brubaker, Jerry
Bugs and Porky invite you to take part in this classic(al) cartoon medley. All the greats are here: "This Is It," "William Tell," "Barber of Seville," "The Merry-Go-Round Broke Down," Liszt's "Hungarian Rhapsody," Brahms' "Hungarian Dance," "The Ride of the Valkyries," and "Merrily We Roll Along." Every cartoon mood and effect you could expect. You've got to get up pretty early on Saturday morning to hear a medley better than this! Duration: 4.30
Estimated dispatch 7-14 working days
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£242.00Rapsodia Borealis (Trombone Solo with Concert Band - Score and Parts) - Hyldgaard, Soren
A Nordic Rhapsody. Composed in a circular structure and centered around a lyrical, cantabile theme, this impressive work for trombone and wind orchestra takes full sonic advantage of the medium. Containing a lyrical side of the modern concert trombone. Duration: 16.15
Estimated dispatch 7-14 working days
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£74.95Joyeuse Marche (Concert Band - Score and Parts) - Brand, Geoffrey
In spite of displaying remarkable musical gifts Chabrier (1841-1894) was sent by his father to study law and in due course, having taken a law degree, went to work in his native French Ministry of the Interior, stay there for eighteen years. During the whole of this time he was developing his real interests in music and painting, including composing operettas and music for the piano. Following a holiday in Spain in 1883, Chabrier wrote a rhapsody for orchestra based on Spanish tunes he had heard. This became Espana; it achieved immediate acclaim and is still his most performed work. Joyeuse Marche (originally called Marche Francaise) was written in 1888. It exudes Chabrier's rhythmical exuberance, spontaneity and wit, bringing pleasure and joy to performers and listeners alike. Truly a march which lives up to its title.
Estimated dispatch 7-14 working days
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£14.95
Joyeuse Marche (Concert Band - Score Only) - Brand, Geoffrey
In spite of displaying remarkable musical gifts Chabrier (1841-1894) was sent by his father to study law and in due course, having taken a law degree, went to work in his native French Ministry of the Interior, stay there for eighteen years. During the whole of this time he was developing his real interests in music and painting, including composing operettas and music for the piano. Following a holiday in Spain in 1883, Chabrier wrote a rhapsody for orchestra based on Spanish tunes he had heard. This became Espana; it achieved immediate acclaim and is still his most performed work. Joyeuse Marche (originally called Marche Francaise) was written in 1888. It exudes Chabrier's rhythmical exuberance, spontaneity and wit, bringing pleasure and joy to performers and listeners alike. Truly a march which lives up to its title.
Estimated dispatch 7-14 working days
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£99.99A Celtic Christmas (Concert Band - Score and Parts) - Hosay, James L.
This spirited Christmas medley from the pen of James L. Hosay will be a delight for all as the crown jewel of your holiday performance. The unmistakable sounds of the Emerald Isle are artfully portrayed here by one of the finest band composers of modern times. A thrilling opening with the rhythmic counterpoint of a 6/8 against 3/4 effect introduces this festive holiday rhapsody of popular European Christmas carols in traditional Celtic settings. A Celtic Christmas includes six of the classic melodies which bring the holidays alive for millions, including I Saw Three Ships, Away in a Manger, Here we Come a-Wassailing, and others. This setting goes well beyond the usual holiday medley. You'll find Gaelic gold when you unwrap this sparkling musical gift with your band this year!Duration: 5:45
Estimated dispatch 7-14 working days
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£72.99Queen in Concert (Concert Band - Score and Parts) - Bocook, Jay
Queen who carved a unique niche in pop and rock history are featured in this Jay Bocook medley for concert band. Each tune is given a new twist, blending 'classical' and rock styles together.Includes: We Will Rock You, Another One Bites the Dust, Bohemian Rhapsody, and We Are the Champions.
Estimated dispatch 7-14 working days
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£164.95Euphonium Concerto (Concert Band - Score and Parts) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£32.95
Euphonium Concerto (Concert Band - Score only) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£114.99Tournament (Concert Band - Score and Parts) - Bulla, Stephen
This rhapsody for concert band describes programmatically the period of history when knights fought bravely in suits of shining armour. The tournament was a time of fierce jousting for the favour of royalty as well as a duel of mortal combat. The music portrays this battle by showcasing the various instrumental sections, each fighting for attention with call and response patterns. Each section of the band has its own moment of glory in this heroic concert work.Duration: 5.15
Estimated dispatch 7-14 working days
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£84.50The Symphonic Gershwin (Concert Band - Score and Parts) - Gershwin, George - Barker, Warren
Mix one part world-class composer and one part super-skilled arranger and the result is a perfect medley of all-time Gershwin favourites. Our musician's musician, Warren Barker, blends his tasteful takes on "An American in Paris," "Cuban Overture," and "Rhapsody in Blue" into a mesmerising presentation for your concert audiences. This runs at full throttle, from beginning to end!Duration: 7:25
Estimated dispatch 7-14 working days
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