Results
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£164.95Euphonium Concerto (Concert Band - Score and Parts) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£32.95
Euphonium Concerto (Concert Band - Score only) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£114.99Tournament (Concert Band - Score and Parts) - Bulla, Stephen
This rhapsody for concert band describes programmatically the period of history when knights fought bravely in suits of shining armour. The tournament was a time of fierce jousting for the favour of royalty as well as a duel of mortal combat. The music portrays this battle by showcasing the various instrumental sections, each fighting for attention with call and response patterns. Each section of the band has its own moment of glory in this heroic concert work.Duration: 5.15
Estimated dispatch 7-14 working days
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£84.50The Symphonic Gershwin (Concert Band - Score and Parts) - Gershwin, George - Barker, Warren
Mix one part world-class composer and one part super-skilled arranger and the result is a perfect medley of all-time Gershwin favourites. Our musician's musician, Warren Barker, blends his tasteful takes on "An American in Paris," "Cuban Overture," and "Rhapsody in Blue" into a mesmerising presentation for your concert audiences. This runs at full throttle, from beginning to end!Duration: 7:25
Estimated dispatch 7-14 working days
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£53.50Gershwin Classics (Concert Band - Score and Parts) - Gershwin, George - Sweeney, Michael
Michael Sweeney's arrangement for developing bands pays tribute to America's legendary song writer, George Gershwin. Strike Up The Band, Summertime, and Rhapsody In Blue are skilfully arranged in this superb concert number.
Estimated dispatch 7-14 working days
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£104.95Songs of the West (Concert Band - Score and Parts) - Holst, Gustav - Curnow, James
The melodies in?Songs of the West?differ in styles, keys, and tempos from the original Holst work,?A Somerset Rhapsody?The nautical nature of the coastal region is evident in many of the melodies.?
Estimated dispatch 7-14 working days
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£20.95
Songs of the West (Concert Band - Score Only) - Holst, Gustav - Curnow, James
The melodies in?Songs of the West?differ in styles, keys, and tempos from the original Holst work,?A Somerset Rhapsody?The nautical nature of the coastal region is evident in many of the melodies.?
Estimated dispatch 7-14 working days
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£179.99Firestorm (Concert Band - Score and Parts) - Bulla, Stephen
The inspiration for this piece, commissioned by the United States Army Band, came from the Gulf and its constant presentation to the world as a media event on television. The composer wanted to capture the colour and events of war as they were played out on the television screen. Composed as a single movement rhapsody, the work is framed by the riveting sounds of airborne bombing raids with brass and percussion combining to create a gripping sense of tension.Duration: 11:15
Estimated dispatch 7-14 working days
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£118.99A North Norwegian Fantasy (Concert Band - Score and Parts) - Aagaard-Nilsen, Torstein
This exciting concert band work is written in the form of a rhapsody based on folk tunes originating from the region where this young Norwegian composer was born. In addition to traditional harmonies the composer makes use of modal chords to create the appropriate atmosphere for this beautiful region of Norway.Duration: 7:00
Estimated dispatch 7-14 working days
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£44.55Atop A Scottish Highland
A distinctive rhapsody containing three well known folk melodies: "Annie Laurie", "Who'll Be King But Charlie", and "Scotland The Brave". Features short and optional trumpet and alto sax solos and then lets every section in the band have a chance to shine. Plenty of percussion parts keep all your drummers interested and involved. An outstanding choice for any concert or contest performance by middle school bands. Very Highly Recommended!
Estimated dispatch 7-14 working days
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