Results
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£84.00Beelzebub - Andrea Catozzi
Acrobatic and fun, Beelzebub for Solo Tuba and Concert Band was written by well-known 19th-century tubist Andrea Catozzi. Back in 1886, this grand classic of the early tuba literature won Carl Fischer Music's competition for solo instrumental music; Today, in an era when tuba technique has been pushed ever forward to greater technical heights, this virtuosic piece is more relevant than ever, making 6 State Lists! Also available: Tuba with piano reduction (W2683).
Estimated dispatch 12-14 working days
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£72.00Beethoven Folk Song Settings - Ludwig van Beethoven
Originally arranged for voice and piano, Andrew Balent has arranged these British folk songs into a fascinating and delightful work for band. This three section piece is a colorful rhapsody and engages performers and audiences alike. The piece livens up a program exceptionally well, and is a perfect addition to any concert or contest program.
Estimated dispatch 12-14 working days
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£44.00Fanfare for a King - William Duncombe
Based on the popular piano piece Fanfare Minuet, this Baroque classic has all of the majesty of a work such as Handel's famous Firework Music. Arranger Andrew Balent has given developing bands a nice transcription that can be used to teach this important style and era in musical history. It is also gives you great tools to teach and reinforce basic eighth note rhythms for young players.
Estimated dispatch 12-14 working days
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£50.00Fughetta - Wilhelm Friedemann Bach
Taken from piano repertoire, arranger Andrew Balent uses his long career of experience to provide bands with an exceptional teaching piece. Fughetta acts as an introduction to the Baroque style, and also teaches young students how to play contrapuntal music, a difficult and important skill. This piece has great potential for inclusion on contest/festival required lists.
Estimated dispatch 12-14 working days
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£72.00Armed Forces - The Pride of America! - Boskerck
This is the definitive patriotic armed forces tribute. It features the official songs of all five branches of the Armed Forces, plus The Pledge of Allegiance and The Star-Spangled Banner, with optional audience participation. It even includes parts of Sousa marches as interludes! (The U. S. Army song is the original The Caissons Go Rolling Along version.)This version can be performed as Concert Band with or without Strings, and with piano, SATB, SAB, Two-part, or Men's Chorus.Reproducible string parts are included.
Estimated dispatch 12-14 working days
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£29.00Masquerade Variations - Stephen Gryc
A popular rental work for wind ensemble, Masquerade is now available for purchase in a full score edition that is perfect for study. This composition, written in 1997 and commissioned by the New Mexico Wind Symphony, is based on the second piece from Fugitive Visions, a work that is comprised of 20 short piano pieces written by the young Sergei Prokofiev in 1915-17. Gryc, intrigued by the contrasting elements and moods in this short piece, expands upon Prokofiev's original theme and creates a truly dynamic work that include five variations in various musical styles.
Estimated dispatch 12-14 working days
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£39.99The Last Flower of Autumn (Male Voice Choir - 25 Pack) - Sparke, Philip
In this work for male voice choir and piano, Philip Sparke aptly captures the mood of the poem The Last Flower of Autumn by Edith Sodergran (1892-1923), a Swedish-speaking Finnish poet. This solemn composition echoes the idyllic, romantic mood of the poem, which can be understood as an allegory of human existence with all its hardships and life's inevitable difficulties.Duration: 10.15
Estimated dispatch 7-14 working days
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£132.00Journey in the Dark (from Symphony No.1: The Lord of the Rings) (Concert Band - Score and Parts) - De Meij, Johan
Revised 2023 editionJohan de Meij's first symphony The Lord of the Rings is based on the trilogy of that name by J.R.R. Tolkien. This book has fascinated many millions of readers since its publication in 1955. The symphony consists of five separate movements, each illustrating a personage or an important episode from the book. The fourth movement describes the laborious journey of the Fellowship of the Ring, headed by the wizard Gandalf, through the dark tunnels of the Mines of Moria. The slow walking cadenza and the fear are clearly audible in the monotonous rhythm of the low brass, piano and percussion. After a wild pursuit by hostile creatures, the Orks, Gandalf is engaged in battle witha horrible monster, the Balrog, and crashes from the subterranean bridge of Khazad-D m in a fathomless abyss. To the melancholy tones of a Marcia funebre, the bewildered Companions trudge on, looking for the only way out of the Mines, the East Gate of Moria.Duration: 9.00
Estimated dispatch 7-14 working days
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£123.203 Letzte Motetten (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new.Duration: 14.00
Estimated dispatch 7-14 working days
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£95.995 Tantum Ergo (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (SSATB) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.Duration: 11.00
Estimated dispatch 7-14 working days
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