Results
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£72.99Stella Maris - Samuel R. Hazo
Composed as a memorial piece for a beloved teacher and friend, tender melodies and lush harmonies combine in this moving and lyrical work for mature ensembles. Stella Maris is a Latin term for Polaris, the North Star, with itssymbolic role as the star that protects and guides. It's this reference that serves as the inspiration and premise of this emotional and rewarding work. (The piano introduction is optional.) Dur: 4:40
Estimated dispatch 7-14 working days
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£72.99Five Little Dances - Paul Creston
Paul Creston was one of the most performed composers of the 1940s and '50s, and his music remains important and relevant today. His unique rhythmic and harmonic style is apparent in his piano work Five Little Dances. Robert Longfield's marvelous adaptation for band retains the character and charm of these delightful dances. Dur: 6:40
Estimated dispatch 7-14 working days
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£179.99
Reminiscencia Gitana - André Waignein
Reminiscencia Gitana was originally a piano piece. Andr Waignein wrote the piece for the Spanish pianist Blanca Quevedo, a student of his at the Royal Conservatoire of Brussels. This work has all the elements that make a composition interesting: melody, virtuosity and most importantly the 'Gitana' (gypsy) character. Each section follows on without interruption making a contrasting whole that will captivate both players and audience until the last note.
Estimated dispatch 7-14 working days
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£48.95Golliwogg's Cakewalk - Claude Debussy
This delightful band transcription of a Debussy piano classic is an ideal teaching tool. The piece will help teach tempo, dynamics, and rhythms such as the sixteenth-eighth-sixteenth pattern. The perfect selection for your next concert or contest. (2:51)
Estimated dispatch 7-14 working days
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£79.00Poem for Flute and Concert Band - Charles Tomlinson Griffes
Poem, originally for flute and piano, composed by Charles Tomlinson Griffes (1884 - 1920). This wind ensemble arrangement is designed to make this composition playable by most high school clarinetists and instrumentalists. Please note that the B-flat instruments are written with a key signature of 3 flats, not one of six sharps. This was done to keep the clarinets playing in a familiar key with ample accidentals to ease the reading of the parts. The bass clarinets and the bassoons play identical parts and can be substituted or augmented as desired. Though a minimum of two double bassists is ideal, an alternate part for tuba is also provided (also divisi).
Estimated dispatch 7-14 working days
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£68.99Requiem Aeternam - Giacomo Puccini
Giacomo Puccini was commissioned to write a second opera after the resounding success of his first, Le Villi. However, the original four-act, grand opera Edgar, to a libretto by Ferdinando Fontana, received a rather lukewarm reception at its premire in La Scala in Milan in 1889 - initially, the work was only performed three times. Of all the planned performances in the subsequent two years, only one took place, in Lucca, Puccini's birthplace. There, the work was well received. Nevertheless, the composer decided to make drastic changes to Edgar the most radical being the reduction of the opera to three acts, as well as altering a few arias, charactersand instrumental parts. In its revised form, the work was even less popular than before. The discarded fourth act later provided material for Tosca (the duet Amoro sol' per te), but Puccini never felt the need to defend Edgar - as he did other less fortunate operas, such as La Rondine and Suor Angelica. On a piano excerpt for his female friend Sybil Seligman he even corrupted the title to 'E Dio ti GuARda da quest' opera' (may God preserve you from this opera). This did not prevent Arturo Toscanini performing the Requiem from the third act at Puccini's funeral in Milan Cathedral on 3 December 1924. The Requiem in the third act is being played when the long funeral procession carries the alleged body of Edgar - the confusedyoung man hesitating between the love of the virtuous Fidelia and the exotic Tigrana. The mass hails Edgar as a hero, but a monk claims that he has betrayed his country for a few gold pieces. When the soldiers try to desecrate the body, they discover that the armor contains none. The monk reveals himself as Edgar. He wants to leave with his faithful Fidelia, but the vengeful Tigrana stabs him and kills Fidelia. Edgar grieves over the lifeless body of his beloved, while Tigrana is arrested and the people submerge into prayer.
Estimated dispatch 7-14 working days
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£73.50
Right About March - Powell
Originally composed for piano in 1908 by W. C. Powell, Right About March has been arranged for the modern concert band by John Fulton. This upbeat march works well as a concert opener and is appropriate for all seasons, including music performance assessment.
Estimated dispatch 7-14 working days
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£119.00
The Music Lesson - Robert W. Smith
Inspired by the command and structure of two Henri Matisse paintings under the name "The Music Lesson", this powerful work for alto saxophone and band will become a staple of the repertoire. From the strict structure of the opening piano statement to the classically influenced melodic interplay with the saxophone, the piece moves through a flowing musical environment highlighted by a virtuosic cadenza. The recapitulation of the initial melodic line completes our music lesson and provides a strong conclusion to "Three Conversations With Matisse", a suite for alto saxophone and band.
Estimated dispatch 7-14 working days
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£117.00Tuba Rhapsody - Clare Grundman
Symphonic band score/parts. Includes solo part for tuba in C (B.C.). Also available for tuba with piano reduction - item 48001040
Estimated dispatch 7-14 working days
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£72.70
Le Cygne - Camille Saint-Saens
Le carnaval des animaux (The Carnival of the Animals) is a humorous musical suite of fourteen movements by French composer Camille Saint-Sans. Le Cygne is the 13th movement of the suite, originally scored for two pianos and cello: the lushly romantic cello solo (which evokes the swan elegantly gliding over the water) is played over rippling sixteenths in one piano and rolled chords in the other (said to represent the swan's feet, hidden from view beneath the water, propelling it along). It has become a staple of the cello repertoire and one of the most well-known movements of the suite. Many other arrangements of this movement have also been published, with solo instruments ranging from flute to alto saxophone. Dutch arranger Andreas van Zoelen arranged this movement for solo cello with accompaniment of a small Wind Ensemble.
Estimated dispatch 7-14 working days
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