Results
-
£76.99Christmas Race - John M. Pasternak
Ever wonder what it would sound like to mash-up the William Tell Overture with a variety of familiar Christmas songs? This creative arrangement is pure holiday fun for beginning bands and audiences alike!
Estimated dispatch 7-14 working days
-
£84.50
The Band At The Opera
The Band at the Opera is a medley of four of the most popularly known opera excerpts: The Toreador Song from Bizet's Carmen, the conclusion of Vesti la giubba from Leoncavallo's Pagliacci, The Anvil Chorus from Verdi's Il Trovatore, and the finale of the Overture to Rossini's William Tell.
Estimated dispatch 7-14 working days
-
£82.80Bravery - Carlos Amarelinho
This concert overture is a tribute to all those heroes who protect us and fight for us against all adversities, such as the firefighters, Navy, Air Force, police, medical emergencies and for all the people who make your life the protection of ours.
Estimated dispatch 7-14 working days
-
£144.99Ross Roy (Concert Band - Score and Parts) - De Haan, Jacob
Jacob de Haan was commissioned to compose this concert piece by the "St. Peters Wind Symphony" from Brisbane, Australia. "Ross Roy" is the monumental late 19th century villa where St. Peters Lutheran College was founded in 1945. The villa has always remained the school symbol. In this composition, Jacob de Haan sees the "Ross Roy" as a metaphor for the years spent at school (a monument in time), where one's personality is formed. So, the opening theme the artist calls the Ross Roy theme initially has monumental characteristics.The rhythmic motion, which strides along in the lower register and percussion at the beginning of the next section is typical of "Tempo di Marcia". This movement, accompanied by repetitions of sound, is a metaphor for the structure and discipline in school. This is the introduction to a march theme, symbolic of "passing through" the classes up to the final examinations.Then, the Ross Roy theme is dealt with again, now in a playful, humorous variation. As if the composer is saying there should also be time for a smile in school. The same theme can be heard in major key and a slower tempo in the following section, expressing pride and self-confidence. This is also the introduction to the expressive middle section that represents love, friendship and understanding.We then return to the march theme in a slightly altered construction. The oriental sounds, constituting the modulation to the final theme, are symbols of the diversity of cultures in the school. The characteristic final theme first sounds solemn, but turns into a festive apotheosis. It is no coincidence that the final cadence is reminiscent of the close to a traditional overture, for the school years can be considered the "overture" to the rest of one's life. The premiere of "Ross Roy" was conducted by Jacob de Haan in Brisbane, on August 22, 1997.Duration: 9:20
Estimated dispatch 7-14 working days
-
£118.99Destino Re-Immaginare (Concert Band - Score and Parts) - Bocook, Jay
A Fantasy on Motifs of Giuseppe Verdi. The overture to Giuseppe Verdi's 1862 opera La Forza del Destino (The Power of Fate) has remained standard repertoire for orchestras around the world. In this imaginative work for winds, Jay Bocook pays homage to the mastery of Verdi and begins with the ominous 3-note fate theme from the overture. Throughout the piece melodies are recast and harmonies are embellished, culminating in an exhilarating conclusion where the final seven bars quote Verdi's original almost identically. A brilliant addition to the wind band repertoire. Duration: 5.45
Estimated dispatch 7-14 working days
-
£139.99
La Gazza Ladra (The Thieving Magpie) (Concert Band - Score and Parts) - Rossini, Gioachino - Cesarini, Franco
In the monumental overture to the opera La Gazza Ladra (The Thieving Magpie) Gioachino Rossini employs themes from the opera itself in order to prepare the audience for the material to come. The overture contains themes that stay long in the memory of the listener, as well as spectacular use of the famous Rossini crescendo. This wonderful arrangement for concert band from Franco Cesarini retains all of La Gazza Ladra's original charm, and is ideal as a concert opener.Duration: 10:00
Estimated dispatch 7-14 working days
-
£139.99
Light Cavalry Wind Band Set (Score & Parts)
Although he was born in Split, Croatia, of Belgian descent, Franz von Supp?'s nationality is defined less by his actual descendents than by the country and city where he lived and worked and had the great majority of his success, the Austrian capital, Vienna. It was here where, with assistance from the Johan Strausses and Franz Lehar, he helped to assure Vienna's reputation as the operetta capital of the world. He achieved this by pioneering operetta as a major medium for the theatre. The overture to Light Cavalry is one of his two most famous works, the other being the Poet and Peasant Overture written as incidental music for a play of the same name. 0:06:45
Estimated dispatch 7-14 working days
-
£54.95Carpathian Castle (Concert Band - Score and Parts) - Story, Michael
Based loosely on The Castle of the Carpathians, an 1893 novel by well-known French author Jules Verne, this overture tells the story of a mysterious castle in the Carpathian Mountains in Transylvania. Opening with a broad fanfare-like statement, the overture incorporates flowing melodies building to a dramatic conclusion.Duration: 2:30
Estimated dispatch 7-14 working days
-
£137.95Sinfonietta No.1 (Concert Band - Score and Parts) - Sparke, Philip
Sinfonietta No.1 was commissioned by the Foundation of Friends of the Marine Band of the Royal Netherlands Navy. It was first performed by them in 'De Doelen', Rotterdam on the 13th November 1990 (in a joint concert with the Royal Marines Band from Great Britain) which celebrated the 325th anniversary of the Netherlands Marine Corps and coincided with the 45th anniversary of the band and the 175th anniversary of naval music in the Netherlands.The work is in three, linked movements:I: OvertureSeveral contrasting motivic ideas open the work, but none manage to develop into a theme of any sort. Eventually a short theme appears on clarinet, alto saxophone and horn but it is swept away by runs of triplets from the woodwinds. The theme returns, accompanied by the triplets from the woodwinds. The theme returns, accompanied by the triplets, and this leads to a return of the opening material to close the movement.II: AriaThe second movement opens with violent outbursts from the timpani until a simple, mournful tune is presented by flute and bassoon over a sparse accompaniment by the lower brass. Trumpets introduce a quicker, turbulent central section but this leads back to a brief repeat of the original tune, bringing the movement to a peaceful close.III. ScherzoThe final movement is a fast and furious scherzo which bursts into life with a flurry of notes. The vivacious main (woodwind) theme is first played by the flutes and then by the whole woodwind section. A cornet then takes centre stage with a fanfare-like theme which is then taken up by the brass. A bridge passage then leads to a version of this theme for full band. The original flute tune is then developed until the horns introduce a chorale tune which is taken up by saxes and then full band until the opening material reappears. The woodwind and brass themes are then combined and lead to a forceful version of the chorale which becomes more and more dissonant until the opening of the Overture returns to bring the work to a rousing finish.Recorded on QPRM134D THE KINGS GO FORTH, Central Band of the Royal Air Force
Estimated dispatch 7-14 working days
-
£27.95
Sinfonietta No.1 (Concert Band - Score only) - Sparke, Philip
Sinfonietta No.1 was commissioned by the Foundation of Friends of the Marine Band of the Royal Netherlands Navy. It was first performed by them in 'De Doelen', Rotterdam on the 13th November 1990 (in a joint concert with the Royal Marines Band from Great Britain) which celebrated the 325th anniversary of the Netherlands Marine Corps and coincided with the 45th anniversary of the band and the 175th anniversary of naval music in the Netherlands.The work is in three, linked movements:I: OvertureSeveral contrasting motivic ideas open the work, but none manage to develop into a theme of any sort. Eventually a short theme appears on clarinet, alto saxophone and horn but it is swept away by runs of triplets from the woodwinds. The theme returns, accompanied by the triplets from the woodwinds. The theme returns, accompanied by the triplets, and this leads to a return of the opening material to close the movement.II: AriaThe second movement opens with violent outbursts from the timpani until a simple, mournful tune is presented by flute and bassoon over a sparse accompaniment by the lower brass. Trumpets introduce a quicker, turbulent central section but this leads back to a brief repeat of the original tune, bringing the movement to a peaceful close.III. ScherzoThe final movement is a fast and furious scherzo which bursts into life with a flurry of notes. The vivacious main (woodwind) theme is first played by the flutes and then by the whole woodwind section. A cornet then takes centre stage with a fanfare-like theme which is then taken up by the brass. A bridge passage then leads to a version of this theme for full band. The original flute tune is then developed until the horns introduce a chorale tune which is taken up by saxes and then full band until the opening material reappears. The woodwind and brass themes are then combined and lead to a forceful version of the chorale which becomes more and more dissonant until the opening of the Overture returns to bring the work to a rousing finish.Recorded on QPRM134D THE KINGS GO FORTH, Central Band of the Royal Air Force
Estimated dispatch 7-14 working days
View Music