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  • £82.50

    Music of the Spheres - Maltbie Davenport Babcock

    This superb setting of a popular hymn features delicate sororities combined with shimmering metallic percussion that provides an excellent opportunity for young bands to perform lyrically and expressively. Artistic percussion performance is really on display, featuring wonderful sustained sounds of metal percussion instruments that glisten throughout. These resonant sounds blend perfectly with the long vibrant tones of the wind instruments for an overwhelming musical effect.

    Estimated dispatch 7-14 working days
  • £71.50

    The Solid Rock - David Gorham

    This inspirational hymn was set to music by William Bradbury. Over the years it has grown in popularity to become a favorite and has made an outstanding selection for concert bands. This very special arrangement for young band highlights the moving melody it's an impressive lyrical selection that will make any group sound mature and is sure to stand out on any concert program.

    Estimated dispatch 7-14 working days
  • £102.99

    Meditation - Jan de Haan

    Meditation is based on Dear Lord and Father of Mankind (1887) by the English composer and organist Frederick Charles Maker (1844-1927). This is a calm, introverted work that however has an intense effect. In the first section, the solo euphonium is given an important role, leading to one of the loveliest of all English hymn melodies.

    Estimated dispatch 7-14 working days

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  • £75.00

    As With Gladness Men of Old (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks

    As with Gladness Men of Old is an Epiphany hymn, written by William Chatterton Dix on 6 January 1859 (Epiphany) while he was ill in bed. Though considered by many as a Christmas carol, it is found in the Epiphany section of many hymnals and still used by many churches. The music was adapted by William Henry Monk in 1861 from a tune written by Conrad Kocher in 1838. The hymn is based on the visit of the Biblical magi in the Nativity of Jesus. The hymn used Matthew 2:1-12 as a theme to compare the journey of the Biblical magi to visit the baby Jesus to each Christian's personal pilgrimage and as a reminder that it is not the value of the gifts, it is the value of giving and adoration to Jesus that is what Christians should seek. It is the only well-known Epiphany hymn or carol about the Biblical magi that avoids referring to them as either magi or kings and does not state how many there were. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.

    Estimated dispatch 7-14 working days

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  • £32.95

    Time Lines (Concert Band - Score only) - Turnbull, Kit

    The time line is a western musicological device that allows us to define many of the rhythms used in sub-Saharan music. It is essentially a 12-beat pattern that can be subdivided as 6x2, 2x6, 4x3, or 3x4, which generates many of the polyrhythms that are common in African music. Time Lines is a single continuous work made up of four contrasting sections which are based on various aspects of African dance and choral music. The slow introduction introduces many of the rhythms that the piece is based on and is followed by a fast section which quotes a South African hymn. Abasundu Nabamhlope (the first line of which translates as 'Black and whites, let them give thanks together'. The chorale section which follows makes use of phrases from the hymn Nkosi Sikelel' iAfrika (Lord Bless Africa) which was written in 1897 and has since been adopted as the national anthem of several countries in southern Africa. The final allegro section sees the drawing together of the various dance and choral elements used in the piece with the percussion section playing rhythmic patterns generated by the time line.Duration: 13:30Recorded on QPRM151D TIME LINES: Great British Music for Wind Band Vol.12 (Royal Northern College of Music)

    Estimated dispatch 7-14 working days

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  • £164.95

    Time Lines (Concert Band - Score and Parts) - Turnbull, Kit

    The time line is a western musicological device that allows us to define many of the rhythms used in sub-Saharan music. It is essentially a 12-beat pattern that can be subdivided as 6x2, 2x6, 4x3, or 3x4, which generates many of the polyrhythms that are common in African music. Time Lines is a single continuous work made up of four contrasting sections which are based on various aspects of African dance and choral music. The slow introduction introduces many of the rhythms that the piece is based on and is followed by a fast section which quotes a South African hymn. Abasundu Nabamhlope (the first line of which translates as 'Black and whites, let them give thanks together'. The chorale section which follows makes use of phrases from the hymn Nkosi Sikelel' iAfrika (Lord Bless Africa) which was written in 1897 and has since been adopted as the national anthem of several countries in southern Africa. The final allegro section sees the drawing together of the various dance and choral elements used in the piece with the percussion section playing rhythmic patterns generated by the time line.Duration: 13:30Recorded on QPRM151D TIME LINES: Great British Music for Wind Band Vol.12 (Royal Northern College of Music)

    Estimated dispatch 7-14 working days

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  • £84.99

    Humanos (Concert Band - Score and Parts) - Van der Roost, Jan

    Jan Van der Roost was commissioned to write this hymn by the "International Association for Human Rights" in Frankfurt. The commission specified that the instrumentation of this simple hymn should be so, that it can be performed by a variety of combinations of players. The piece starts with an "intrada" for brass ensemble based on the first bars of the hymn, but is "ad libitum" and can therefore be omitted. The coda can also be left out, depending on the available instrumentation. The piece should be played "legato" to accentuate its hymn-like character.Duration: 2:30

    Estimated dispatch 7-14 working days
  • £44.95

    Rejoice! (Concert Band - Score and Parts) - Wiffin, Rob

    Rejoice! is a lateral look at the Advent hymn Veni, Veni Emmanuel (O come, o come Emmanuel). The hymn is a synthesis of the great 'O' Antiphons that are used for Vespers during the octave before Christmas (Dec. 17-23 Dec). These Antiphons are of ancient origin, dating back to at least the ninth century but the hymn itself is much more recent, first appearing in the 18th century in the Psalteriolum Cantionum Catholicarum (Cologne 1710). This arrangement focuses on the 'Rejoice' motif and sets it in a rhythmic, folk-like setting, full of energy and verve.Duration: 3.30

    Estimated dispatch 7-14 working days

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  • £110.00

    Sine Nomine (For All the Saints) (Concert Band with Optional Choir - Score and Parts) - Williams, Vaughan - Noble, Paul

    For All the Saints was written as a processional hymn by the Anglican Bishop of Wakefield, William Walsham How. The setting by Vaughan Williams was included in The English Hymnal which was published in 1906 for the Church of England by Oxford University Press. The music editor was composer and music historian Ralph Vaughan Williams. This hymnal used his new setting which he called Sine Nomine (literally, without name) in reference to its use on the Feast of All Saints, 1 November (or the first Sunday in November, All Saints Sunday). It has been described as one of the finest hymn tunes of the 20th century. This arrangement adheres in form to the original RVW orchestration, including all eight verses and an optional organ part, which is the standard format in many hymnals. It may be performed as accompaniment to a congregational hymn, with choir, or as a band piece alone.

    Estimated dispatch 7-14 working days

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  • £89.99

    Gelobet seist du, Jesu Christ (Concert Band - Score and Parts) - Blanken, John

    Gelobet seist du Jesu Christ (We Praise You Jesus Christ) is an old Christmas hymn dating from the 16th century, which can still be found in many hymnbooks today. John Blanken has created a varied and imaginative arrangement on four verses of the hymn. After the introduction, derived from the opening notes, the hymn is first accompanied by an agile harmonisation. Next, we hear the chorale in a four-part setting with a percussion accompaniment. Then follows a short prologue to the third verse and finally its time for fireworks as the arrangement takes a stylistic leap in time with the festive prelude to the fourth and last verse.Duration: 4:00

    Estimated dispatch 7-14 working days

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