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£95.995 Tantum Ergo - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Hymns for four-part mixed choir a cappella (1846, St. Florian)No. 1 in E flat major (WAB 41/3): Quite SlowNo. 2 in C major (WAB 41/4): AndanteNo. 3 in B flat major (WAB 41/1): SlowNo. 4 in A flat major (WAB 41/2): SlowHymn for five-part (2 S, A, T, B) mixed choir and organNo. 5 in D major: SolemnlyThey are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.
Estimated dispatch 7-14 working days
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£239.99Stonehenge - Jan Van der Roost
This piece attempts to portray atmospheric pictures through music. The opening section evokes the somewhat misty and hazy early morning atmosphere surrounding the ancient monument. When the band reaches its first dynamic climax it is as if the massive boulders are audible, even touchable through the use of minor 3rd chords. The main theme - constructed on the notes CAFBG symbolises the arrangement of the central boulders in the shape of a horseshoe, which forms the focal point of this huge collection of stones. Towards the end of the work you will experience a fantastic effect when five soloists play a five part hymn whilst other members of the band create a specialatmosphere by imitating a choir of monks and druids. A fantastic major new concert work for advanced bands.
Estimated dispatch 7-14 working days
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£68.99Hymnus Animae - Jacob de Haan
Music touches the human soul. From this simple and yet wide-ranging idea, Jacob de Haan created his Hymnus Animae (hymn of the soul). A slow and touching work, written by the composer to move musicians and listeners alike: a musical gem that truly deserves a stage on which to shine.
Estimated dispatch 7-14 working days
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£206.99Omaggio - Philip Sparke
Omaggio was commissioned by Steven Mead in celebration of his 60th birthday and in memory of his father, Rex. He gave the premiere of the brass band version in Rome in March 2022, accompanied by the Italian Brass Band conducted by Filippo Cangiamilla. The concert band premiere took place on 6th July that year as part of the 2022 Spanish International Tuba Euphonium Conference, accompanied by the Banda municipal de msica de Mlaga. The concerto is set in 3 continuous movements, which are united by a recurring syncopated interval of a fifth. The first movement, FANTASIA, opens with this motive accompanying an extended monologue for the soloist. This is followed by a lengthy bridge passage by the band (piano), which is eventually joined by the soloist, who guides the music back to the opening soliloquy, leading to an energetic central section. This develops until the opening material again returns to introduce the second movement, BALLAD, which revolves around an expressive melody for the soloist, interspersed by accompanied cadenzas. The third movement, THE KING TRIUMPHANT, pays homage to Steven's late father, Rex, and its title alludes both to Rex's name ('Rex' being Latin for 'king') as well as his love of Eric Ball's Salvationist masterpiece, The Kingdom Triumphant. The finale is an energetic tour-de-force featuring an acrobatic 6/8 melody, which is interrupted twice by the magnificent hymn tune, Helmsley, which Ball uses so effectively in The Kingdom Triumphant. A galloping coda brings the work to a close.
Estimated dispatch 7-14 working days
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£45.95In The Bleak Midwinter Melody Mine Edition - Gustav Holst
This timeless melody by Gustav Holst is a perfect musical setting for exceptional teaching. The "Melody Mine" gives each member of the band the opportunity to play the melodic line while the teacher focuses on phrasing, shaping and other core musical concepts. The full band arrangement provides a lush chorale setting of the Holst hymn. The director also has the option to craft their own arrangement to feature soloist(s), instrumental choirs and full band. Master teacher Susan L. Smith has crafted a powerful teaching resource for use in any beginning band program.
Estimated dispatch 7-14 working days
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£49.99Chorale From Concord - Clare Grundman
Commissioned by The United States Marine Band and premiered in 1987, Clare Grundman'sConcordhas remained a staple in the wind band repertoire. The middle section of this work is a beautiful chorale based on the early hymn Americacomposed by William Billings. Adapted here as a stand alone piece for younger bands, this is a stunning example of lyric writing and glorious harmonies.
Estimated dispatch 7-14 working days
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£89.99
In Onore Di - Wouter Lenaerts
The magnificent hymn was written for the "Royal Brass Band St. Katarina and Peter Benoit" and is dedicated to their chairman, Paul van Montfort on the occasion of his 30th anniversary as chairman of the association. A splendid fanfare is followed by an expansive and solemn melody which is played by different groups. A refreshing trio is followed by a triumphant ending.
Estimated dispatch 7-14 working days
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£106.95Be Thou My Vision - Larry Clark
The popular Irish Hymn tune, Slane (best known by the familiar first line of its standard text, Be Thou My Vision) is a great favorite of composer Larry Clark's. It is the basis for this grand set of variations. From the bardic fanfare of the opening, through a piccolo solo that suggests Gaelic piping and several variations on the lovely tune, this is a beautifully scored piece, rich in the flavor of the Emerald Isle.
Estimated dispatch 7-14 working days
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£60.99Acclamation - James Curnow
An excellent work for contest and festival use! Based on the ancient hymn All Glory, Laud and Honor, Acclamation is composed as a set of symphonic variations. After an opening fanfare and a statement of the theme, three largevariations in different styles are developed. A final maestoso presentation of the principal theme is restated as a glorious acclamation. Dedicated to all those who offer their time and talents to making music!
Estimated dispatch 7-14 working days
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£87.99Old Hundredth - Louis Bourgeois
The tune Old Hundredth is one of the best-known melodies in all Christian musical traditions and first appeared in the 1551 psalter "Pseaumes Octante Trois de David", where it is used as a setting for a version of Psalm 134; it is usually attributed to the French composer Louis Bourgeois (c.1510 - c.1560). The melody was then used in 1561 by the Scots clergyman, William Kethe in Sternhold and Hopkins' Psalter for his paraphrase of Psalm 100 - All People that on Earth do Dwell, which is still the most familiar hymn sung to this noble tune. When Tate and Brady's "New Version of the Psalms" was published in 1696, the melody became know as the 'old' version - henceits current title. This arrangement presents three contrasting verses and is effective as a concert piece as well as an instrumental interlude as part of a church service or wedding.
Estimated dispatch 7-14 working days
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